℗ 2023 Toccata Classics
| Released | May 5, 2023 |
| Duration | 1h 13m 36s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC 0677 |
| Genre | Classical (Choral) |
Marc' Antonio Ingegneri, Volume Three: Missa Susanne un jour a5
Choir of Girton College, Cambridge, Historic Brass of the Royal Welsh College of Music and Drama, Gareth Wilson, Jeremy West, Emily Nott, Felix Elliott
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Cantate Domino a8
Marc' Anonio Ingegneri; Catholic Church; Choir of Girton College, Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
3:54 | |||
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Missa Susanne un jour a5
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1.2
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I. Kyrie
Marc' Anonio Ingegneri; Catholic Church; Choir of Girton College, Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
3:26 | |||
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1.3
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Giovanni Bassano after Susanne un jour a5 (feat. Jeremy West)
Giovanni Bassano; Orlande de Lassus; Historic Brass of the Royal Welsh College of Music and Drama; Jeremy West; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
3:41 | |||
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1.4
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II. Gloria
Marc' Anonio Ingegneri; Catholic Church; Choir of Girton College, Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
5:10 | |||
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1.5
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Laudate Dominum a12
Marc' Anonio Ingegneri; Catholic Church; Choir of Girton College, Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
3:53 | |||
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1.6
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III. Credo
Marc' Anonio Ingegneri; Catholic Church; Choir of Girton College, Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
9:43 | |||
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1.7
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Exaudiat te Dominus a9
Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
6:50 | |||
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1.8
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Non mi togli’ il ben mio a4
Emily Nott; Emily Nott |
2:22 | |||
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1.9
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IV. Sanctus - Benedictus
Marc' Anonio Ingegneri; Catholic Church; Choir of Girton College, Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
5:30 | |||
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1.10
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Omnes sitientes a9
Marc' Anonio Ingegneri; Catholic Church; Choir of Girton College, Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
3:25 | |||
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1.11
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V. Agnus Dei
Marc' Anonio Ingegneri; Catholic Church; Choir of Girton College, Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
5:13 | |||
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1.12
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O sacrum convivium a6
Marc' Anonio Ingegneri; Catholic Church; Choir of Girton College, Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
4:56 | |||
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1.13
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Regnum mundi a8
Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
5:03 | |||
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1.14
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Qual grazia, o qual beltate a4
Marc' Anonio Ingegneri; Felix Elliott |
1:36 | |||
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1.15
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Victimae Paschali laudes a8
Marc' Anonio Ingegneri; Historic Brass of the Royal Welsh College of Music and Drama; Gareth Wilson; Historic Brass of the Royal Welsh College of Music and Drama |
3:34 | |||
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1.16
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Salve regina a6
Marc' Anonio Ingegneri; Catholic Church; Choir of Girton College, Cambridge; Gareth Wilson |
5:20 | |||
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Digital Booklet
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The Cremonese composer Marc’Antonio Ingegneri (c. 1535/36–92) is chiefly remembered as the teacher of Claudio Monteverdi while, for well nigh 500 years, his own achievements were left to sit in the shadows. This third in a series of pioneering recordings from the Choir of Girton College, Cambridge, reveals Ingegneri to have been one of the masters of his age, writing music of breathtaking richness and beauty: the works heard here combine learned, intricate counterpoint with the kind of sheer sonic thrill that brings a shiver of physical excitement. It is, of course, religious music, but it is also extraordinarily passionate, to a degree not previously heard, nor for centuries to come, until the rise of the great Romantic choral works.
96 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.95 -19.58 to -1.04 | -22.31 -33.45 to -18.44 | -19.31 -31.00 to -15.10 | 11 8 to 13 | |
| 1 | Cantate Domino a8 | -1.06 | -20.38 | -17.5 | 13 |
| 2 | I. Kyrie | -1.29 | -20.78 | -17.6 | 12 |
| 3 | Giovanni Bassano after Susanne un jour a5 (feat. Jeremy West) | -5.56 | -24.24 | -21.4 | 12 |
| 4 | II. Gloria | -1.14 | -19.97 | -16.6 | 12 |
| 5 | Laudate Dominum a12 | -1.27 | -19.64 | -16.6 | 11 |
| 6 | III. Credo | -1.14 | -20.09 | -16.5 | 12 |
| 7 | Exaudiat te Dominus a9 | -1.47 | -20.77 | -18.0 | 12 |
| 8 | Non mi togli’ il ben mio a4 | -19.58 | -33.45 | -31.0 | 9 |
| 9 | IV. Sanctus - Benedictus | -1.05 | -18.81 | -15.1 | 10 |
| 10 | Omnes sitientes a9 | -1.14 | -18.44 | -15.4 | 10 |
| 11 | V. Agnus Dei | -1.31 | -21.72 | -18.6 | 12 |
| 12 | O sacrum convivium a6 | -3.40 | -24.16 | -21.5 | 12 |
| 13 | Regnum mundi a8 | -4.05 | -22.66 | -19.9 | 11 |
| 14 | Qual grazia, o qual beltate a4 | -17.47 | -31.87 | -29.7 | 8 |
| 15 | Victimae Paschali laudes a8 | -1.04 | -19.65 | -16.5 | 11 |
| 16 | Salve regina a6 | -1.20 | -20.31 | -17.1 | 12 |