℗ 2016 Jones/Tintoretto Entertainment Company; Under exclusive licence to Parlophone Records Limited
Released | March 24, 2023 |
Duration | 41m 13s |
Record Label | Rhino |
Genre | Rock |
1.1
|
★
David Bowie |
9:57 | |||
1.2
|
'Tis A Pity She Was A Whore EXPLICIT
David Bowie |
4:52 | |||
1.3
|
Lazarus
David Bowie |
6:22 | |||
1.4
|
Sue (Or In A Season Of Crime)
David Bowie |
4:40 | |||
1.5
|
Girl Loves Me EXPLICIT
David Bowie |
4:51 | |||
1.6
|
Dollar Days
David Bowie |
4:44 | |||
1.7
|
I Can't Give Everything Away
David Bowie |
5:47 |
"Blackstar has David Bowie embracing his status as a no-f*cks icon, clutching onto remnants from the past as exploratory jazz and the echos of various mad men soundtrack his freefall."
- Pitchfork
English musician David Bowie releases his 26th and final studio album, Blackstar. The album was primarily recorded in secret between the Magic Shop and Human Worldwide Studios in New York City with Bowie's longtime co-producer Tony Visconti and a group of local jazz musicians: saxophonist Donny McCaslin, pianist Jason Lindner, bassist Tim Lefebvre and drummer Mark Guiliana; guitarist Ben Monder joined the ensemble for the final sessions, while James Murphy of LCD Soundsystem contributed percussion. The album is more experimental than its predecessor The Next Day (2013), combining art rock with different styles of jazz.
For the album, Bowie took inspiration from electronic groups such as Boards of Canada as well as hip hop artists such as Kendrick Lamar and Death Grips. The album contains re-recorded versions of two songs, "Sue (Or in a Season of Crime)" and "'Tis a Pity She Was a Whore", both of which were originally released in 2014.
Two days after its release, Bowie died of liver cancer; his illness had not been revealed to the public until then. Visconti described the album as Bowie's intended swan song and a "parting gift" for his fans before his death.
96 kHz / 24-bit PCM – Rhino Studio Masters
Tracks 1, 3 – 44.1 kHz / 24-bit PCM Track 7 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1, 3 – 44.1 kHz / 24-bit PCM Track 7 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.18 -0.70 to -0.09 | -10.31 -11.53 to -8.87 | -8.30 -9.80 to -6.80 | 6 5 to 6 | |
1 | ★ | -0.70 | -11.53 | -9.8 | 6 |
2 | 'Tis A Pity She Was A Whore | -0.10 | -8.87 | -6.8 | 5 |
3 | Lazarus | -0.09 | -10.67 | -8.8 | 5 |
4 | Sue (Or In A Season Of Crime) | -0.10 | -9.07 | -7.4 | 5 |
5 | Girl Loves Me | -0.10 | -10.33 | -8.5 | 6 |
6 | Dollar Days | -0.10 | -11.08 | -8.5 | 6 |
7 | I Can't Give Everything Away | -0.10 | -10.65 | -8.3 | 6 |