|
1.1
|
In Lightning
Feist |
3:25 | |||
|
1.2
|
Forever Before
Feist |
5:17 | |||
|
1.3
|
Love Who We Are Meant To
Feist |
3:55 | |||
|
1.4
|
Hiding Out In The Open
Feist |
3:21 | |||
|
1.5
|
The Redwing
Feist |
3:18 | |||
|
1.6
|
I Took All Of My Rings Off
Feist |
3:56 | |||
|
1.7
|
Of Womankind
Feist |
3:52 | |||
|
1.8
|
Become The Earth
Feist |
4:17 | |||
|
1.9
|
Borrow Trouble
Feist |
4:05 | |||
|
1.10
|
Martyr Moves
Feist |
3:25 | |||
|
1.11
|
Calling All The Gods
Feist |
3:49 | |||
|
1.12
|
Song For Sad Friends
Feist |
3:49 |
Grammy Award Nomination, 2024 – Best Engineered Album, Non-Classical
Multitudes
Michael Harris, Robbie Lackritz, Joseph Lorge & Blake Mills, engineers; Patricia Sullivan, mastering engineer (Feist)
"[Multitudes] is unequivocally the best album of her career, because it so clearly collects and examines the hardships, joys and takeaways of her 47 years, then shares them in ineffable songs stripped very nearly to their magnetic centre."
- NPR
Iconic Canadian singer-songwriter Feist releases her sixth studio album Multitudes, her first release since 2017's Pleasure. Work on Multitudes began following the birth of Feist's adopted daughter in 2019 and the death of her father. She recorded the songs while embarking on her live residency of the same name throughout 2021 and 2022. In a press release, Feist explained the recording process and the inspiration behind the album:
"The last few years were such a period of confrontation for me, and it feels like it was at least to some degree for everyone. We confronted ourselves as much as our relationships confronted us. It felt like our relational ecosystems were clearer than ever and so whatever was normally obscured — like a certain way of avoiding conflict or a certain way of talking around the subject — were all of a sudden thrust into the light. And in all that reassessment, the chance to find footing on healthier, more honest ground became possible, and the effort to maintain avoidance actually felt like it took more effort than just handing ourselves over to the truth."
- Feist
88.2 kHz / 24-bit PCM – Polydor Studio Masters
Tracks 9, 11 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Tracks 9, 11 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.21 -0.34 to -0.20 | -13.49 -15.42 to -10.48 | -10.85 -12.80 to -8.20 | 7 5 to 9 | |
| 1 | In Lightning | -0.20 | -10.48 | -8.2 | 5 |
| 2 | Forever Before | -0.20 | -14.87 | -11.8 | 7 |
| 3 | Love Who We Are Meant To | -0.20 | -15.24 | -12.4 | 9 |
| 4 | Hiding Out In The Open | -0.20 | -12.51 | -10.0 | 7 |
| 5 | The Redwing | -0.20 | -13.03 | -10.5 | 7 |
| 6 | I Took All Of My Rings Off | -0.20 | -12.57 | -10.2 | 6 |
| 7 | Of Womankind | -0.20 | -14.67 | -11.9 | 8 |
| 8 | Become The Earth | -0.20 | -14.00 | -11.0 | 6 |
| 9 | Borrow Trouble | -0.20 | -11.39 | -8.5 | 6 |
| 10 | Martyr Moves | -0.20 | -15.42 | -12.8 | 9 |
| 11 | Calling All The Gods | -0.20 | -12.97 | -10.5 | 7 |
| 12 | Song For Sad Friends | -0.34 | -14.70 | -12.4 | 8 |