℗ 2023 Leaf Music
Released | June 23, 2023 |
Duration | 55m 34s |
Record Label | Leaf Music |
Catalogue No. | LM268 |
Genre | Classical (Chamber) |
Iridescence
Frédéric Lambert, Ali Kian Yazdanfar
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
The Fisherstreet Duo
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1.1
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I. Lament for JaFran
Evan Chambers; Ali Kian Yazdanfar; Frédéric Lambert |
6:05 | |||
1.2
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II. Two Jigs: The Barnacle and The Nautilus
Evan Chambers; Ali Kian Yazdanfar; Frédéric Lambert |
6:02 | |||
Thème Varié pour Contrebasse solo
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1.3
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Theme. Allegro comodo
Evan Chambers; Ali Kian Yazdanfar |
1:08 | |||
1.4
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Var. I. Moderato
Evan Chambers; Ali Kian Yazdanfar |
1:18 | |||
1.5
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Var. II. Risoluto
Evan Chambers; Ali Kian Yazdanfar |
1:02 | |||
1.6
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Var. III. Marciale
Evan Chambers; Ali Kian Yazdanfar |
1:21 | |||
1.7
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Var. IV. Andantino misterioso
Evan Chambers; Ali Kian Yazdanfar |
1:53 | |||
1.8
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Var. V. L'istesso tempo
Evan Chambers; Ali Kian Yazdanfar |
2:00 | |||
1.9
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Var. VI. Tempo di Marcia, Vivace
Evan Chambers; Ali Kian Yazdanfar |
1:44 | |||
Duo for Viola and Double Bass
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1.10
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I. Moderato
Evan Chambers; Ali Kian Yazdanfar; Frédéric Lambert |
3:55 | |||
1.11
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II. Presto
Evan Chambers; Ali Kian Yazdanfar; Frédéric Lambert |
3:01 | |||
1.12
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III. Adagio
Evan Chambers; Ali Kian Yazdanfar; Frédéric Lambert |
4:30 | |||
1.13
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in manus tuas
Evan Chambers; Frédéric Lambert |
11:28 | |||
1.14
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Escenas del Sur
Evan Chambers; Ali Kian Yazdanfar; Frédéric Lambert |
10:07 | |||
Digital Booklet
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Iridescence is the variability in the colour of an object with a change in viewing angle, an optical quality that imparts a magical shimmering to the surface of a soap bubble and fills the feathers of a peacock and the wings of a butterfly with brilliant hues. Yet it also hints at the possibility of deeper understanding with a change in perspective, an idea with a broader implication than its original meaning. The works for viola and double bass in Iridescence permit us to see and hear from a different vantage point: two string instruments, often in the shadows of the violin and cello, yet filled with prismatic possibility and potential. From the slow, angular jig of Fisherstreet Duo to Escenas del Sur, the multi-part lament for the families of 1960s South America under tyrannical rule, Iridescence captures a deluge of emotions and textures, inviting listeners to stretch their perspective in novel and expansive directions.
96 kHz / 24-bit PCM – Leaf Music Studio Masters
Tracks 1-14 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-14 – contains material which utilizes a limited amount of the available bandwidth
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.29 -17.59 to -1.00 | -22.71 -35.95 to -16.68 | -19.58 -32.80 to -13.80 | 12 9 to 17 | |
1 | I. Lament for JaFran | -1.00 | -22.51 | -19.4 | 14 |
2 | II. Two Jigs: The Barnacle and The Nautilus | -1.00 | -16.68 | -13.8 | 9 |
3 | Theme. Allegro comodo | -1.53 | -20.29 | -18.2 | 11 |
4 | Var. I. Moderato | -7.31 | -29.41 | -26.9 | 11 |
5 | Var. II. Risoluto | -4.08 | -20.55 | -18.7 | 10 |
6 | Var. III. Marciale | -1.00 | -17.96 | -15.4 | 11 |
7 | Var. IV. Andantino misterioso | -6.61 | -27.00 | -23.9 | 11 |
8 | Var. V. L'istesso tempo | -17.59 | -35.95 | -32.8 | 11 |
9 | Var. VI. Tempo di Marcia, Vivace | -1.00 | -20.49 | -17.8 | 12 |
10 | I. Moderato | -1.00 | -18.72 | -16.0 | 11 |
11 | II. Presto | -1.00 | -17.65 | -15.2 | 10 |
12 | III. Adagio | -1.00 | -23.02 | -19.0 | 14 |
13 | in manus tuas | -1.00 | -28.24 | -21.4 | 17 |
14 | Escenas del Sur | -1.00 | -19.52 | -15.6 | 10 |