℗ 2023 ERDA under exclusive licence to Parlophone Records Limited; A Warner Classics/Erato release
Released April 14, 2023
Duration 1h 53m 25s
Record Label Warner Classics
Genre Classical
 

Louise Farrenc: Symphonies Nos. 1-3, Overtures Nos. 1 & 2

Laurence Equilbey, Insula Orchestra

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Symphony No. 1 in C Minor, Op. 32  
1.1
I. Andante sostenuto. Allegro
Louise Farrenc; Laurence Equilbey; Insula Orchestra
9:34
1.2
II. Adagio cantabile
Louise Farrenc; Laurence Equilbey; Insula Orchestra
9:09
1.3
III. Minuetto. Moderato
Louise Farrenc; Laurence Equilbey; Insula Orchestra
4:27
1.4
IV. Allegro assai
Louise Farrenc; Laurence Equilbey; Insula Orchestra
8:12
Symphony No. 3 in G Minor, Op. 36  
1.5
I. Adagio. Allegro
Louise Farrenc; Laurence Equilbey; Insula Orchestra
9:32
1.6
II. Adagio cantabile
Louise Farrenc; Laurence Equilbey; Insula Orchestra
10:33
1.7
III. Scherzo. Vivace
Louise Farrenc; Laurence Equilbey; Insula Orchestra
6:41
1.8
IV. Finale. Allegro
Louise Farrenc; Laurence Equilbey; Insula Orchestra
6:41
Symphony No. 2 in D Major, Op. 35  
1.9
I. Andante. Allegro
Louise Farrenc; Laurence Equilbey; Insula Orchestra
11:09
1.10
II. Andante
Louise Farrenc; Laurence Equilbey; Insula Orchestra
8:32
1.11
III. Scherzo. Vivace
Louise Farrenc; Laurence Equilbey; Insula Orchestra
6:10
1.12
IV. Andante. Allegro
Louise Farrenc; Laurence Equilbey; Insula Orchestra
8:42
1.13
Overture No. 1 in E Minor, Op. 23
Louise Farrenc; Laurence Equilbey; Insula Orchestra
6:55
1.14
Overture No. 2 in E-Flat Major, Op. 24
Louise Farrenc; Laurence Equilbey; Insula Orchestra
7:08
Digital Booklet
Laurence Equilbey conducts the Insula Orchestra in the first complete recording on period instruments of Louise Farrenc’s symphonies and overtures. This 14-track set expands upon the 2021 Erato release of Farrenc’s Symphonies Nos 1 and 3, adding the Symphony No 2, Overture No 1 in E minor, and Overture No 2 in E-flat Major. Farrenc (1804-75) was a prominent figure in 19th century Paris, a pioneer both as a female composer and as a symphonist in a city obsessed with opera. As Fanfare wrote in response to the recording of her Symphonies Nos 1 and 3: “It would be hard to imagine better performances, a better-sounding recording, or better advocacy for Farrenc than we receive here from Laurence Equilbey and her period-instrument chamber orchestra.”
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.10
-4.07 to -0.20
-23.56
-27.34 to -21.11
-19.86
-23.50 to -18.00
14
12 to 17
1
I. Andante sostenuto. Allegro
-0.25-22.61-18.515
2
II. Adagio cantabile
-1.48-26.67-23.517
3
III. Minuetto. Moderato
-2.34-24.36-20.514
4
IV. Allegro assai
-0.30-22.46-18.314
5
I. Adagio. Allegro
-0.20-22.73-19.015
6
II. Adagio cantabile
-0.46-24.80-21.415
7
III. Scherzo. Vivace
-4.07-27.34-23.514
8
IV. Finale. Allegro
-0.25-21.86-18.414
9
I. Andante. Allegro
-0.24-22.03-18.214
10
II. Andante
-1.16-25.79-21.815
11
III. Scherzo. Vivace
-1.29-24.53-20.514
12
IV. Andante. Allegro
-0.24-22.17-18.214
13
Overture No. 1 in E Minor, Op. 23
-1.14-21.11-18.012
14
Overture No. 2 in E-Flat Major, Op. 24
-1.94-21.40-18.313

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