℗ 1981 Universal International Music B.V.
Released | May 19, 2023 |
Originated | 1981 |
Duration | 2h 16m 48s |
Record Label | Universal Music Australia Pty. |
Genre | Classical |
Haydn Complete Songs (Elly Ameling – The Philips Recitals, Vol. 4)
Elly Ameling, Jörg Demus
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
O Tuneful Voice, Hob. XXVIa:42
Joseph Haydn; Elly Ameling; Jörg Demus |
4:25 | |||
1.2
|
The Mermaid's Song, Hob. XXVIa:25
Joseph Haydn; Anne Hunter; Elly Ameling; Jörg Demus |
3:19 | |||
1.3
|
Recollection, Hob. XXVIa:26
Joseph Haydn; Elly Ameling; Jörg Demus |
5:40 | |||
1.4
|
A Pastoral Song, Hob. XXVIa:27
Joseph Haydn; Elly Ameling; Jörg Demus |
3:27 | |||
1.5
|
Despair, Hob. XXVIa:28
Joseph Haydn; Elly Ameling; Jörg Demus |
3:40 | |||
1.6
|
Pleasing Pain, Hob. XXVIa:29
Joseph Haydn; Elly Ameling; Jörg Demus |
2:54 | |||
1.7
|
Fidelity, Hob. XXVIa:30
Joseph Haydn; Elly Ameling; Jörg Demus |
4:07 | |||
1.8
|
She Never Told Her Love, Hob. XXVIa:34
Joseph Haydn; Elly Ameling; Jörg Demus |
4:00 | |||
1.9
|
Sailor's Song, Hob. XXVIa:31
Joseph Haydn; Elly Ameling; Jörg Demus |
2:25 | |||
1.10
|
The Wanderer, Hob. XXVIa:32
Joseph Haydn; Elly Ameling; Jörg Demus |
4:08 | |||
1.11
|
Sympathy, Hob. XXVIa:33
Joseph Haydn; John Hoole; Pietro Metastasio; Elly Ameling; Jörg Demus |
2:57 | |||
1.12
|
The Spirit's Song, Hob. XXVIa:41
Joseph Haydn; Elly Ameling; Jörg Demus |
5:08 | |||
1.13
|
Piercing Eyes, Hob. XXVIa:35
Joseph Haydn; Anonymous; Elly Ameling; Jörg Demus |
1:50 | |||
1.14
|
Content, Hob. XXVIa:36
Joseph Haydn; Anonymous; Elly Ameling; Jörg Demus |
3:37 | |||
1.15
|
The Lady's Looking-Glass, Hob. XXXIc:17a
Joseph Haydn; Elly Ameling; Jörg Demus |
1:21 | |||
1.16
|
Pensi a me sì fido amante
Joseph Haydn; Elly Ameling; Jörg Demus |
3:15 | |||
1.17
|
Un tetto umil, Hob. XXVIa:45
Joseph Haydn; Elly Ameling; Jörg Demus |
2:41 | |||
1.18
|
Das strickende Mädchen, Hob. XXVIa:1
Joseph Haydn; Elly Ameling; Jörg Demus |
2:32 | |||
1.19
|
Cupido, Hob. XXVIa:2
Joseph Haydn; Elly Ameling; Jörg Demus |
2:30 | |||
1.20
|
Der erste Kuß, Hob. XXVIa:3
Joseph Haydn; Elly Ameling; Jörg Demus |
2:09 | |||
1.21
|
Eine sehr gewöhnliche Geschichte, Hob. XXVIa:4
Joseph Haydn; Christian Felix Weisse; Elly Ameling; Jörg Demus |
2:04 | |||
1.22
|
Der Verlassene, Hob. XXVIa:5
Joseph Haydn; Elly Ameling; Jörg Demus |
3:00 | |||
1.23
|
Als einst mit Weibes Schönheit, Hob.XXVIa:44
Joseph Haydn; Elly Ameling; Jörg Demus |
2:14 | |||
1.24
|
Der Gleichsinn, Hob. XXVIa:6
Joseph Haydn; Elly Ameling; Jörg Demus |
2:22 | |||
1.25
|
An Iris, Hob. XXVIa:7
Joseph Haydn; Elly Ameling; Jörg Demus |
2:20 | |||
1.26
|
An Thyrsis, Hob. XXVIa:8
Joseph Haydn; Elly Ameling; Jörg Demus |
2:17 | |||
1.27
|
Trost unglücklicher Liebe, Hob. XXVIa:9
Joseph Haydn; Elly Ameling; Jörg Demus |
3:46 | |||
1.28
|
Die Landlust, Hob. XXVIa:10
Joseph Haydn; Elly Ameling; Jörg Demus |
2:06 | |||
1.29
|
Liebeslied, Hob. XXVIa:11
Joseph Haydn; Elly Ameling; Jörg Demus |
2:57 | |||
1.30
|
Die zu späte Ankunft der Mutter, Hob. XXVIa:12
Joseph Haydn; Elly Ameling; Jörg Demus |
2:41 | |||
1.31
|
Der schlaue Pudel, Hob. XXVIa:38
Joseph Haydn; Elly Ameling; Jörg Demus |
1:33 | |||
1.32
|
Bald wehen uns des Frühlings Lüfte, Hob. XXVIa:47
Joseph Haydn; Elly Ameling; Jörg Demus |
1:35 | |||
1.33
|
Trachten will ich nicht auf Erden, Hob. XXVIa:39
Joseph Haydn; Elly Ameling; Jörg Demus |
2:33 | |||
1.34
|
Jeder meint, der Gegenstand, Hob. XXVIa:13
Joseph Haydn; Elly Ameling; Jörg Demus |
1:47 | |||
1.35
|
Lachet nicht, Mädchen, Hob. XXVIa:14
Joseph Haydn; Elly Ameling; Jörg Demus |
2:54 | |||
1.36
|
O liebes Mädchen, höre mich, Hob. XXVIa:15
Joseph Haydn; Elly Ameling; Jörg Demus |
2:52 | |||
1.37
|
Gegenliebe, Hob. XXVIa:16
Joseph Haydn; Elly Ameling; Jörg Demus |
1:31 | |||
1.38
|
Geistliches Lied, Hob. XXVIa:17
Joseph Haydn; Elly Ameling; Jörg Demus |
4:38 | |||
1.39
|
Auch die sprödeste der Schönen, Hob. XXVIa:18
Joseph Haydn; Elly Ameling; Jörg Demus |
1:28 | |||
1.40
|
O fließ, ja wallend fließ in Zähren, Hob. XXVIa:19
Joseph Haydn; Elly Ameling; Jörg Demus |
3:42 | |||
1.41
|
Zufriedenheit, Hob. XXVIa:20
Joseph Haydn; Elly Ameling; Jörg Demus |
1:50 | |||
1.42
|
Das Leben ist ein Traum, Hob. XXVIa:21
Joseph Haydn; Elly Ameling; Jörg Demus |
3:47 | |||
1.43
|
Lob der Faulheit, Hob. XXVIa:22
Joseph Haydn; Elly Ameling; Jörg Demus |
2:45 | |||
1.44
|
Minna, Hob. XXVIa:23
Joseph Haydn; Elly Ameling; Jörg Demus |
1:34 | |||
1.45
|
Auf meines Vaters Grab, Hob. XXVIa:24
Joseph Haydn; Elly Ameling; Jörg Demus |
2:36 | |||
1.46
|
Beim Schmerz der dieses Herz durchwühlt, Hob. XXVIa:37
Joseph Haydn; Elly Ameling; Jörg Demus |
2:16 | |||
1.47
|
Abschiedslied
Joseph Haydn; Elly Ameling; Jörg Demus |
3:29 | |||
1.48
|
Gott, erhalte den Kaiser!, Hob. XXVIa:43
Joseph Haydn; Elly Ameling; Jörg Demus |
2:06 |
A glorious celebration of 'the Dutch nightingale': all of Elly Ameling's song-recital albums for Philips are being released by Universal Music!
In a career that spanned 43 years, Elly Ameling recorded over 150 LPs and CDs, many of them recognized with an Edison Award, the Grand Prix du Disque and the Deutscher Schallplattenpreis. She chose, from early on, to place art song at the heart of her repertoire. It is the full range of her mastery in this repertoire, from Monteverdi to Mahler, from Schubert to Cole Porter, which is celebrated in the present collection of her Philips and Decca recordings, issued to mark her 90th birthday.
Purity and beauty of voice, lively characterization and the art that conceals art were the hallmarks of Ameling as a singer. She loved singing as a child, and studying languages as a teenager, and her singing radiated an inner warmth and intelligence throughout her career. That career began in earnest soon after she won a Dutch singing competition in 1956, when a recording was made of the 'Laudate Dominum' from Mozart's Dominican Vespers, K. 321, issued by Philips on a 45rpm record and quickly forgotten. Only now has it been transferred to digital formats, from a rare copy of the disc in the collection of the Dutch writer René Seghers.
She recorded with pleasure and brought an imagined audience into the studio with her, and her communicative gifts transferred readily to the microphone. Philips captured her in Baroque cantatas by Vivaldi and Handel, and in the central German Lied repertoire from Haydn, Mozart and Schubert (eight glorious albums, including his little-known theatre music) to Wolf's Italienisches Liederbuch and Mörike-Lieder. Her perfect French is on display in mélodies by Debussy, Poulenc and Satie, and her linguistic virtuosity comes to the fore in several immaculately curated albums of mixed repertoire from Dowland to Castelnuovo-Tedesco.
Digitally recorded in 1982, Ameling's 'An die Musik' Schubert album had the distinction of being the first Lieder recital to appear on CD, and still deserves the accolades heaped upon it then. Though they were made in the CD era and received with just as much lavish praise as their predecessors, Ameling's later Philips albums have become collectors' items, and several of them receive their first reissue in this box. There are even two albums of jazz standards, which Ameling sings in inimitable style.
48 kHz / 24-bit PCM – Universal Music Australia Pty. Studio Masters
Tracks 1-48 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-48 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.30 -9.73 to -0.36 | -27.04 -31.77 to -21.23 | -23.44 -28.50 to -17.80 | 14 12 to 16 | |
1 | O Tuneful Voice, Hob. XXVIa:42 | -2.98 | -26.47 | -23.1 | 14 |
2 | The Mermaid's Song, Hob. XXVIa:25 | -3.69 | -25.34 | -22.4 | 14 |
3 | Recollection, Hob. XXVIa:26 | -3.12 | -26.84 | -23.2 | 15 |
4 | A Pastoral Song, Hob. XXVIa:27 | -3.80 | -27.61 | -24.4 | 15 |
5 | Despair, Hob. XXVIa:28 | -3.65 | -29.12 | -25.7 | 15 |
6 | Pleasing Pain, Hob. XXVIa:29 | -6.08 | -27.69 | -24.5 | 13 |
7 | Fidelity, Hob. XXVIa:30 | -0.36 | -22.68 | -19.1 | 14 |
8 | She Never Told Her Love, Hob. XXVIa:34 | -4.53 | -30.48 | -26.5 | 15 |
9 | Sailor's Song, Hob. XXVIa:31 | -0.72 | -21.23 | -17.8 | 12 |
10 | The Wanderer, Hob. XXVIa:32 | -1.35 | -28.13 | -24.5 | 16 |
11 | Sympathy, Hob. XXVIa:33 | -3.81 | -27.38 | -23.4 | 15 |
12 | The Spirit's Song, Hob. XXVIa:41 | -2.49 | -27.63 | -23.4 | 15 |
13 | Piercing Eyes, Hob. XXVIa:35 | -0.77 | -23.81 | -19.8 | 13 |
14 | Content, Hob. XXVIa:36 | -2.37 | -25.26 | -21.0 | 14 |
15 | The Lady's Looking-Glass, Hob. XXXIc:17a | -8.73 | -31.77 | -28.5 | 14 |
16 | Pensi a me sì fido amante | -4.90 | -28.19 | -24.0 | 15 |
17 | Un tetto umil, Hob. XXVIa:45 | -5.24 | -28.78 | -25.1 | 15 |
18 | Das strickende Mädchen, Hob. XXVIa:1 | -3.00 | -27.23 | -23.6 | 15 |
19 | Cupido, Hob. XXVIa:2 | -6.91 | -30.11 | -27.1 | 15 |
20 | Der erste Kuß, Hob. XXVIa:3 | -6.58 | -29.39 | -26.1 | 15 |
21 | Eine sehr gewöhnliche Geschichte, Hob. XXVIa:4 | -3.49 | -27.22 | -23.8 | 15 |
22 | Der Verlassene, Hob. XXVIa:5 | -3.84 | -26.86 | -23.0 | 14 |
23 | Als einst mit Weibes Schönheit, Hob.XXVIa:44 | -4.26 | -24.98 | -21.5 | 13 |
24 | Der Gleichsinn, Hob. XXVIa:6 | -3.57 | -25.05 | -21.5 | 13 |
25 | An Iris, Hob. XXVIa:7 | -3.47 | -25.57 | -21.7 | 13 |
26 | An Thyrsis, Hob. XXVIa:8 | -8.98 | -30.83 | -27.8 | 15 |
27 | Trost unglücklicher Liebe, Hob. XXVIa:9 | -3.78 | -26.02 | -22.5 | 14 |
28 | Die Landlust, Hob. XXVIa:10 | -4.83 | -25.93 | -22.3 | 14 |
29 | Liebeslied, Hob. XXVIa:11 | -6.06 | -28.16 | -24.8 | 13 |
30 | Die zu späte Ankunft der Mutter, Hob. XXVIa:12 | -2.87 | -28.05 | -25.0 | 15 |
31 | Der schlaue Pudel, Hob. XXVIa:38 | -5.95 | -27.99 | -24.8 | 15 |
32 | Bald wehen uns des Frühlings Lüfte, Hob. XXVIa:47 | -4.67 | -27.30 | -24.0 | 13 |
33 | Trachten will ich nicht auf Erden, Hob. XXVIa:39 | -3.71 | -24.61 | -20.2 | 12 |
34 | Jeder meint, der Gegenstand, Hob. XXVIa:13 | -5.51 | -27.51 | -24.3 | 13 |
35 | Lachet nicht, Mädchen, Hob. XXVIa:14 | -5.93 | -27.42 | -24.0 | 13 |
36 | O liebes Mädchen, höre mich, Hob. XXVIa:15 | -4.34 | -26.63 | -23.1 | 13 |
37 | Gegenliebe, Hob. XXVIa:16 | -4.38 | -26.05 | -22.7 | 13 |
38 | Geistliches Lied, Hob. XXVIa:17 | -2.83 | -25.02 | -21.0 | 13 |
39 | Auch die sprödeste der Schönen, Hob. XXVIa:18 | -4.74 | -27.90 | -24.7 | 15 |
40 | O fließ, ja wallend fließ in Zähren, Hob. XXVIa:19 | -3.01 | -25.10 | -21.2 | 14 |
41 | Zufriedenheit, Hob. XXVIa:20 | -3.42 | -25.77 | -22.4 | 14 |
42 | Das Leben ist ein Traum, Hob. XXVIa:21 | -1.84 | -26.79 | -22.0 | 14 |
43 | Lob der Faulheit, Hob. XXVIa:22 | -5.30 | -26.48 | -21.8 | 12 |
44 | Minna, Hob. XXVIa:23 | -3.96 | -27.72 | -23.9 | 15 |
45 | Auf meines Vaters Grab, Hob. XXVIa:24 | -6.94 | -28.24 | -24.4 | 12 |
46 | Beim Schmerz der dieses Herz durchwühlt, Hob. XXVIa:37 | -5.28 | -26.71 | -23.3 | 13 |
47 | Abschiedslied | -4.73 | -28.07 | -24.7 | 15 |
48 | Gott, erhalte den Kaiser!, Hob. XXVIa:43 | -9.73 | -28.98 | -25.6 | 12 |