℗ 1978 Universal International Music B.V.
| Released | May 19, 2023 |
| Originated | 1978 |
| Duration | 1h 35m 26s |
| Record Label | Universal Music Australia Pty. |
| Genre | Classical |
Mozart: Lieder (Elly Ameling – The Philips Recitals, Vol. 7)
Elly Ameling, Dalton Baldwin
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
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An die Freude, K. 53
Wolfgang Amadeus Mozart; Elly Ameling; Dalton Baldwin |
2:30 | |||
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1.2
|
Wie unglücklich bin ich nit, K. 147
Wolfgang Amadeus Mozart; Anonymous; Elly Ameling; Dalton Baldwin |
1:04 | |||
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1.3
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Lobegesang auf die feierliche Johannisloge, K. 148
Wolfgang Amadeus Mozart; Ludwig Friedrich Lenz; Elly Ameling; Dalton Baldwin |
1:42 | |||
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1.4
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Die grossmütige Gelassenheit, LMV VI:2 (Formerly Attrib. W.A. Mozart as K. 149)
Leopold Mozart; Elly Ameling; Dalton Baldwin |
0:45 | |||
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1.5
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Geheime Liebe, LMV VI:4 (Formerly Attrib. W.A. Mozart as K. 150)
Leopold Mozart; Johann Christian Günther; Elly Ameling; Dalton Baldwin |
1:20 | |||
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1.6
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Die Zufriedenheit im niedrigen Stande, LMV VI:3 (Formerly Attrib. W.A. Mozart as K. 151)
Leopold Mozart; Elly Ameling; Dalton Baldwin |
0:58 | |||
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1.7
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Ridente la calma, K. 152 (After J. Mysliveček)
Wolfgang Amadeus Mozart; Elly Ameling; Dalton Baldwin |
3:30 | |||
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1.8
|
Oiseaux, si tous les ans, K. 307
Wolfgang Amadeus Mozart; Antoine Ferrand; Elly Ameling; Dalton Baldwin |
1:27 | |||
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1.9
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Dans un bois solitaire, K. 308
Wolfgang Amadeus Mozart; Antoine Houdart De La Motte; Elly Ameling; Dalton Baldwin |
2:40 | |||
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1.10
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I. O Gottes Lamm
Wolfgang Amadeus Mozart; Elly Ameling; Dalton Baldwin |
1:39 | |||
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1.11
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II. Als aus Ägypten
Wolfgang Amadeus Mozart; Elly Ameling; Dalton Baldwin |
1:30 | |||
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1.12
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Die Zufriedenheit, K. 349
Wolfgang Amadeus Mozart; Johann Martin Miller; Elly Ameling; Benny Ludemann |
2:38 | |||
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1.13
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Komm, liebe Zither, komm, K. 351
Wolfgang Amadeus Mozart; Anonymous; Elly Ameling; Benny Ludemann |
1:47 | |||
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1.14
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An die Hoffnung, K. 390
Wolfgang Amadeus Mozart; Johann Timotheus Hermes; Elly Ameling; Dalton Baldwin |
2:02 | |||
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1.15
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An die Einsamkeit, K. 391
Wolfgang Amadeus Mozart; Johann Timotheus Hermes; Elly Ameling; Dalton Baldwin |
3:01 | |||
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1.16
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Verdankt sei es dem Glanz, K. 392
Wolfgang Amadeus Mozart; Johann Timotheus Hermes; Elly Ameling; Dalton Baldwin |
2:09 | |||
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1.17
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Warnung, K. 433 (Compl. and Transp. for High Voice and Piano)
Wolfgang Amadeus Mozart; Elly Ameling; Dalton Baldwin |
1:53 | |||
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1.18
|
Gesellenreise, K. 468
Wolfgang Amadeus Mozart; Joseph Franz Von Ratschky; Elly Ameling; Dalton Baldwin |
2:02 | |||
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1.19
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Der Zauberer, K. 472
Wolfgang Amadeus Mozart; Elly Ameling; Dalton Baldwin |
1:57 | |||
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1.20
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Die Zufriedenheit, K. 473
Wolfgang Amadeus Mozart; Christian Felix Weisse; Elly Ameling; Dalton Baldwin |
2:58 | |||
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1.21
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Die betrogene Welt, K. 474
Wolfgang Amadeus Mozart; Christian Felix Weisse; Elly Ameling; Dalton Baldwin |
2:54 | |||
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1.22
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Das Veilchen, K. 476
Wolfgang Amadeus Mozart; Johann Wolfgang von Goethe; Elly Ameling; Dalton Baldwin |
2:34 | |||
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1.23
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Lied der Freiheit, K. 506
Wolfgang Amadeus Mozart; Aloys Blumauer; Elly Ameling; Dalton Baldwin |
2:04 | |||
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1.24
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Die Alte, K. 517
Wolfgang Amadeus Mozart; Friedrich von Hagedorn; Elly Ameling; Dalton Baldwin |
2:32 | |||
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1.25
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Die Verschweigung, K. 518
Wolfgang Amadeus Mozart; Christian Felix Weisse; Elly Ameling; Dalton Baldwin |
2:52 | |||
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1.26
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Das Lied der Trennung, K. 519
Wolfgang Amadeus Mozart; K. K. E. Schmidt; Elly Ameling; Dalton Baldwin |
4:29 | |||
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1.27
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Als Luise die Briefe, K. 520
Wolfgang Amadeus Mozart; Gabriele von Baumberg; Elly Ameling; Dalton Baldwin |
1:28 | |||
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1.28
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Abendempfindung, K. 523
Wolfgang Amadeus Mozart; Joachim Heinrich Campe; Elly Ameling; Dalton Baldwin |
4:54 | |||
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1.29
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An Chloë, K. 524
Wolfgang Amadeus Mozart; Johann Georg Jacobi; Elly Ameling; Dalton Baldwin |
2:16 | |||
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1.30
|
Des kleinen Friedrichs Geburtstag, K. 529
Wolfgang Amadeus Mozart; Elly Ameling; Dalton Baldwin |
2:00 | |||
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1.31
|
Das Traumbild, K. 530
Wolfgang Amadeus Mozart; Ludwig Heinrich Christoph Hölty; Elly Ameling; Dalton Baldwin |
2:54 | |||
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1.32
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Die kleine Spinnerin, K. 531
Wolfgang Amadeus Mozart; Anonymous; Daniel Jäger; Elly Ameling; Dalton Baldwin |
1:38 | |||
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1.33
|
Ich möchte wohl der Kaiser sein, K. 539
Wolfgang Amadeus Mozart; Unknown; Meinard Kraak; Dalton Baldwin |
2:59 | |||
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1.34
|
Beim Auszug in das Feld, K. 552
Wolfgang Amadeus Mozart; Elly Ameling; Meinard Kraak; Dalton Baldwin |
2:13 | |||
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1.35
|
Un moto di gioia mi sento, K. 579
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Elly Ameling; Dalton Baldwin |
1:24 | |||
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1.36
|
Sehnsucht nach dem Frühling, K. 596
Wolfgang Amadeus Mozart; Christian Overbeck; Elly Ameling; Dalton Baldwin |
2:24 | |||
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1.37
|
Im Frühlingsanfang, K. 597
Wolfgang Amadeus Mozart; Elly Ameling; Dalton Baldwin |
2:09 | |||
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1.38
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Das Kinderspiel, K. 598
Wolfgang Amadeus Mozart; Christian Overbeck; Elly Ameling; Dalton Baldwin |
1:04 | |||
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1.39
|
Due pupille amabili, notturno, K. 439
Wolfgang Amadeus Mozart; Elly Ameling; Elisabeth Cooymans; Peter van der Bilt; Members of the Netherlands Wind Ensemble |
1:01 | |||
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1.40
|
Se lontan, ben mio, tu sei, notturno, K. 438
Wolfgang Amadeus Mozart; Elly Ameling; Elisabeth Cooymans; Peter van der Bilt; Members of the Netherlands Wind Ensemble |
1:28 | |||
|
1.41
|
Ecco quel fiero istante, notturno, K. 436
Wolfgang Amadeus Mozart; Elly Ameling; Elisabeth Cooymans; Peter van der Bilt; Members of the Netherlands Wind Ensemble |
1:45 | |||
|
1.42
|
Mi lagnerò tacendo, notturno, K. 437
Wolfgang Amadeus Mozart; Elly Ameling; Elisabeth Cooymans; Peter van der Bilt; Members of the Netherlands Wind Ensemble |
3:08 | |||
|
1.43
|
Luci care, luci belle, notturno, K. 346
Wolfgang Amadeus Mozart; Elly Ameling; Elisabeth Cooymans; Peter van der Bilt; Members of the Netherlands Wind Ensemble |
1:20 | |||
|
1.44
|
Più non si trovano, canzonetta, K. 549
Wolfgang Amadeus Mozart; Elly Ameling; Elisabeth Cooymans; Peter van der Bilt; Members of the Netherlands Wind Ensemble |
2:24 |
A glorious celebration of 'the Dutch nightingale': all of Elly Ameling's song-recital albums for Philips are being released by Universal Music!
In a career that spanned 43 years, Elly Ameling recorded over 150 LPs and CDs, many of them recognized with an Edison Award, the Grand Prix du Disque and the Deutscher Schallplattenpreis. She chose, from early on, to place art song at the heart of her repertoire. It is the full range of her mastery in this repertoire, from Monteverdi to Mahler, from Schubert to Cole Porter, which is celebrated in the present collection of her Philips and Decca recordings, issued to mark her 90th birthday.
Purity and beauty of voice, lively characterization and the art that conceals art were the hallmarks of Ameling as a singer. She loved singing as a child, and studying languages as a teenager, and her singing radiated an inner warmth and intelligence throughout her career. That career began in earnest soon after she won a Dutch singing competition in 1956, when a recording was made of the 'Laudate Dominum' from Mozart's Dominican Vespers, K. 321, issued by Philips on a 45rpm record and quickly forgotten. Only now has it been transferred to digital formats, from a rare copy of the disc in the collection of the Dutch writer René Seghers.
She recorded with pleasure and brought an imagined audience into the studio with her, and her communicative gifts transferred readily to the microphone. Philips captured her in Baroque cantatas by Vivaldi and Handel, and in the central German Lied repertoire from Haydn, Mozart and Schubert (eight glorious albums, including his little-known theatre music) to Wolf's Italienisches Liederbuch and Mörike-Lieder. Her perfect French is on display in mélodies by Debussy, Poulenc and Satie, and her linguistic virtuosity comes to the fore in several immaculately curated albums of mixed repertoire from Dowland to Castelnuovo-Tedesco.
Digitally recorded in 1982, Ameling's 'An die Musik' Schubert album had the distinction of being the first Lieder recital to appear on CD, and still deserves the accolades heaped upon it then. Though they were made in the CD era and received with just as much lavish praise as their predecessors, Ameling's later Philips albums have become collectors' items, and several of them receive their first reissue in this box. There are even two albums of jazz standards, which Ameling sings in inimitable style.
48 kHz / 24-bit PCM – Universal Music Australia Pty. Studio Masters
Tracks 1-44 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-44 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.41 -12.47 to -0.26 | -25.47 -31.43 to -21.11 | -22.07 -27.80 to -17.70 | 13 10 to 15 | |
| 1 | An die Freude, K. 53 | -4.31 | -23.83 | -20.6 | 12 |
| 2 | Wie unglücklich bin ich nit, K. 147 | -4.44 | -25.80 | -22.5 | 10 |
| 3 | Lobegesang auf die feierliche Johannisloge, K. 148 | -4.08 | -24.36 | -21.0 | 12 |
| 4 | Die grossmütige Gelassenheit, LMV VI:2 (Formerly Attrib. W.A. Mozart as K. 149) | -5.74 | -24.52 | -21.3 | 12 |
| 5 | Geheime Liebe, LMV VI:4 (Formerly Attrib. W.A. Mozart as K. 150) | -5.05 | -25.05 | -21.9 | 13 |
| 6 | Die Zufriedenheit im niedrigen Stande, LMV VI:3 (Formerly Attrib. W.A. Mozart as K. 151) | -6.33 | -26.17 | -22.8 | 13 |
| 7 | Ridente la calma, K. 152 (After J. Mysliveček) | -1.17 | -23.58 | -20.1 | 13 |
| 8 | Oiseaux, si tous les ans, K. 307 | -2.45 | -22.40 | -19.1 | 12 |
| 9 | Dans un bois solitaire, K. 308 | -0.81 | -21.11 | -17.7 | 12 |
| 10 | I. O Gottes Lamm | -9.39 | -27.66 | -24.7 | 11 |
| 11 | II. Als aus Ägypten | -6.20 | -26.97 | -23.8 | 14 |
| 12 | Die Zufriedenheit, K. 349 | -6.31 | -27.26 | -22.7 | 12 |
| 13 | Komm, liebe Zither, komm, K. 351 | -1.76 | -23.08 | -18.3 | 13 |
| 14 | An die Hoffnung, K. 390 | -2.52 | -22.37 | -18.6 | 11 |
| 15 | An die Einsamkeit, K. 391 | -4.72 | -24.93 | -21.3 | 11 |
| 16 | Verdankt sei es dem Glanz, K. 392 | -6.69 | -26.98 | -23.5 | 13 |
| 17 | Warnung, K. 433 (Compl. and Transp. for High Voice and Piano) | -4.03 | -24.40 | -21.3 | 13 |
| 18 | Gesellenreise, K. 468 | -1.62 | -24.70 | -21.5 | 14 |
| 19 | Der Zauberer, K. 472 | -3.68 | -25.60 | -22.3 | 14 |
| 20 | Die Zufriedenheit, K. 473 | -3.97 | -25.55 | -22.0 | 12 |
| 21 | Die betrogene Welt, K. 474 | -5.72 | -26.55 | -23.3 | 13 |
| 22 | Das Veilchen, K. 476 | -2.44 | -25.25 | -21.3 | 13 |
| 23 | Lied der Freiheit, K. 506 | -2.00 | -23.31 | -20.6 | 12 |
| 24 | Die Alte, K. 517 | -5.74 | -25.27 | -22.4 | 13 |
| 25 | Die Verschweigung, K. 518 | -5.33 | -26.84 | -23.7 | 13 |
| 26 | Das Lied der Trennung, K. 519 | -1.58 | -23.38 | -19.8 | 13 |
| 27 | Als Luise die Briefe, K. 520 | -1.22 | -22.78 | -19.4 | 11 |
| 28 | Abendempfindung, K. 523 | -3.51 | -26.97 | -23.7 | 13 |
| 29 | An Chloë, K. 524 | -1.28 | -23.30 | -20.0 | 13 |
| 30 | Des kleinen Friedrichs Geburtstag, K. 529 | -6.71 | -27.40 | -24.5 | 13 |
| 31 | Das Traumbild, K. 530 | -0.74 | -24.44 | -20.4 | 13 |
| 32 | Die kleine Spinnerin, K. 531 | -6.83 | -26.64 | -23.6 | 13 |
| 33 | Ich möchte wohl der Kaiser sein, K. 539 | -4.81 | -24.20 | -21.4 | 13 |
| 34 | Beim Auszug in das Feld, K. 552 | -6.16 | -25.90 | -22.9 | 14 |
| 35 | Un moto di gioia mi sento, K. 579 | -0.26 | -21.58 | -18.1 | 12 |
| 36 | Sehnsucht nach dem Frühling, K. 596 | -3.47 | -26.06 | -23.2 | 14 |
| 37 | Im Frühlingsanfang, K. 597 | -4.34 | -25.26 | -22.1 | 14 |
| 38 | Das Kinderspiel, K. 598 | -5.54 | -26.07 | -22.8 | 13 |
| 39 | Due pupille amabili, notturno, K. 439 | -12.47 | -31.43 | -27.8 | 12 |
| 40 | Se lontan, ben mio, tu sei, notturno, K. 438 | -9.00 | -31.41 | -27.5 | 14 |
| 41 | Ecco quel fiero istante, notturno, K. 436 | -4.46 | -27.72 | -24.0 | 15 |
| 42 | Mi lagnerò tacendo, notturno, K. 437 | -2.31 | -25.38 | -21.5 | 14 |
| 43 | Luci care, luci belle, notturno, K. 346 | -8.72 | -30.56 | -27.2 | 14 |
| 44 | Più non si trovano, canzonetta, K. 549 | -4.19 | -26.70 | -22.8 | 14 |