℗ 2023 Note 1 Music
Released September 15, 2023
Duration 59m 56s
Record Label Glossa
Catalogue No. GCD924702
Genre Classical (Violin)
 

Himmelsburg - Violin Concertos

Lina Tur Bonet, Musica Alchemica

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Violin Concerto in E Major, BWV 1042  
1.1
I. Allegro
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
7:14
1.2
II. Adagio
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
6:16
1.3
III. Allegro assai
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
2:31
Violin Concerto in D Minor, BWV 1052R  
1.4
I. (…)
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
7:06
1.5
II. Adagio
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
6:05
1.6
III. Allegro
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
7:33
Violin Concerto in A Minor, BWV 1041  
1.7
I. (…)
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
3:47
1.8
II. Andante
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
5:47
1.9
III. Allegro assai
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
3:29
Violin Concerto in G Minor, BWV 1056R  
1.10
I. (…)
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
3:45
1.11
II. Largo
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
2:54
1.12
IV. Presto
Johann Sebastian Bach; Lina Tur Bonet; Musica Alchemica
3:29
Himmelsburg is the name of the former chapel of Wilhelmsburg Castle in Weimar; Johann Sebastian Bach's "workplace" during his time as court organist and chamber musician at the Weimar court. This chapel was irretrievably destroyed in the great castle fire of 6 May 1774. In Bach's time; a high musical culture prevailed at the Weimar court. The young Prince Johann Ernst; himself a good violinist and harpsichordist; was enthusiastic about Italian music; and Bach was inundated with the latest concerti from Italy; especially by Vivaldi. In addition; there was close contact with the violin virtuoso Johann Georg Pisendel; so it is no exaggeration to call Weimar the concertante and violinistic cradle of Bach. On her new album, Lina Tur Bonet interprets "all" of Bach's four concertos for solo violin. All of them probably date from his Weimar period. The two original concertos BWV 1041 and 1042 contain many stylistic references to Vivaldi. In addition; Lina Tur Bonet presents the reconstructions of the concertos BWV 1052r and 1056r; two harpsichord concertos that were almost certainly originally intended for violin.
96 kHz / 24-bit PCM – Glossa Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.75
-1.27 to -0.67
-18.05
-22.11 to -15.65
-15.14
-19.00 to -12.70
11
9 to 13
1
I. Allegro
-0.70-17.12-14.210
2
II. Adagio
-0.71-20.49-17.312
3
III. Allegro assai
-0.71-17.29-14.511
4
I. (…)
-0.70-16.24-13.59
5
II. Adagio
-0.71-20.84-18.013
6
III. Allegro
-0.70-16.56-13.810
7
I. (…)
-0.70-16.41-13.610
8
II. Andante
-0.71-20.87-18.013
9
III. Allegro assai
-0.70-15.96-13.09
10
I. (…)
-0.70-17.04-14.110
11
II. Largo
-1.27-22.11-19.012
12
IV. Presto
-0.67-15.65-12.79

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