℗ 2023 Universal Music Operations Limited; A Polydor Records release
| Released | July 21, 2023 |
| Duration | 57m 15s |
| Record Label | UMC (Universal Music Catalogue) |
| Genre | Rock |
Who’s Next : Life House
The Who
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Baba O'Riley (Remastered 2022)
The Who |
5:08 | |||
|
1.2
|
Bargain (Remastered 2022)
The Who |
5:34 | |||
|
1.3
|
Love Ain't For Keeping (Remastered 2022)
The Who |
2:10 | |||
|
1.4
|
My Wife (Remastered 2022)
The Who |
3:41 | |||
|
1.5
|
The Song Is Over (Remastered 2022)
The Who |
6:24 | |||
|
1.6
|
Getting In Tune (Remastered 2022)
The Who |
4:50 | |||
|
1.7
|
Going Mobile (Remastered 2022)
The Who |
3:45 | |||
|
1.8
|
Behind Blue Eyes (Remastered 2022)
The Who |
3:42 | |||
|
1.9
|
Won't Get Fooled Again (Remastered 2022)
The Who |
8:32 | |||
|
1.10
|
Pure And Easy (Lifehouse Chronicles / Home Studio Mix / Remastered 2022)
The Who |
8:39 | |||
|
1.11
|
Love Ain't For Keeping (New York Record Plant Sessions / 1971 / Take 14 / Remastered 2022)
The Who |
4:50 |
Celebrating the new super-deluxe boxset of The Who’s 1971 classic Who’s Next album and the complete, abandoned Life House project that led up to it, Polydor/Universal presents a summary edition of the collection entitled Who’s Next : Life House.
The set contains a brand new 2022 remaster of Who's Next, alongside a home studio demo from the Life House session, and finally a studio outtake of "Love Ain't For Keeping". Life House includes the suite of songs in which Pete Townshend foresaw the invention of the internet, described the advent of virtual reality and of a pandemic-style lockdown.
The new boxset release will form a complete picture of Townshend’s prescient work, from the audacious Life House project that he began in 1969 as a follow-up to Tommy, and on to Who’s Next, which saw him and his bandmates, Roger Daltrey, John Entwistle, and Keith Moon, at the height of their individual and collective powers.
96 kHz / 24-bit PCM – UMC (Universal Music Catalogue) Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.20 -0.20 to -0.20 | -13.05 -14.37 to -11.62 | -10.29 -11.80 to -8.80 | 8 7 to 10 | |
| 1 | Baba O'Riley (Remastered 2022) | -0.20 | -13.14 | -10.6 | 8 |
| 2 | Bargain (Remastered 2022) | -0.20 | -13.92 | -11.1 | 9 |
| 3 | Love Ain't For Keeping (Remastered 2022) | -0.20 | -12.15 | -10.0 | 8 |
| 4 | My Wife (Remastered 2022) | -0.20 | -12.58 | -9.8 | 8 |
| 5 | The Song Is Over (Remastered 2022) | -0.20 | -13.68 | -10.7 | 8 |
| 6 | Getting In Tune (Remastered 2022) | -0.20 | -12.61 | -9.8 | 8 |
| 7 | Going Mobile (Remastered 2022) | -0.20 | -12.73 | -10.2 | 8 |
| 8 | Behind Blue Eyes (Remastered 2022) | -0.20 | -13.94 | -11.1 | 8 |
| 9 | Won't Get Fooled Again (Remastered 2022) | -0.20 | -11.62 | -8.8 | 7 |
| 10 | Pure And Easy (Lifehouse Chronicles / Home Studio Mix / Remastered 2022) | -0.20 | -14.37 | -11.8 | 10 |
| 11 | Love Ain't For Keeping (New York Record Plant Sessions / 1971 / Take 14 / Remastered 2022) | -0.20 | -12.78 | -9.3 | 8 |