℗ 2014 Hyperion Records Limited
| Released | July 28, 2023 |
| Originated | November 2, 2014 |
| Duration | 1h 54m 40s |
| Record Label | Hyperion |
| Genre | Classical |
Bach: Mass in B Minor, BWV 232
Arcangelo, Jonathan Cohen
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Mass in B Minor, BWV 232
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1.1
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Kyrie: I. Kyrie eleison (Chorus)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
10:31 | |||
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1.2
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Kyrie: II. Christe eleison (Soprano I, II)
Johann Sebastian Bach; Anonymous; Arcangelo; Ida Falk Winland; Jonathan Cohen; Lydia Teuscher |
4:54 | |||
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1.3
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Kyrie: III. Kyrie eleison (Chorus)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
4:03 | |||
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1.4
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Gloria: I. Gloria in excelsis Deo (Chorus)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
1:43 | |||
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1.5
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Gloria: II. Et in terra pax hominibus (Chorus)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
5:19 | |||
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1.6
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Gloria: III. Laudamus te (Soprano II)
Johann Sebastian Bach; Anonymous; Arcangelo; Ida Falk Winland; Jonathan Cohen |
4:14 | |||
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1.7
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Gloria: IV. Gratias agimus tibi (Chorus)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
3:35 | |||
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1.8
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Gloria: V. Domine Deus (Soprano I, Tenor)
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Lydia Teuscher; Samuel Boden; Arcangelo |
5:47 | |||
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1.9
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Gloria: VI. Qui tollis peccata mundi (Chorus)
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Arcangelo |
3:45 | |||
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1.10
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Gloria: VII. Qui sedes ad dexteram Patris (Alto)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen; Tim Mead |
4:34 | |||
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1.11
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Gloria: VIII. Quoniam tu solus sanctus (Bass)
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Neal Davies; Arcangelo |
4:36 | |||
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1.12
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Gloria: IX. Cum Sancto Spiritu (Chorus)
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Arcangelo |
4:04 | |||
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2.1
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Credo: I. Credo in unum Deum (Chorus)
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Arcangelo |
1:59 | |||
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2.2
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Credo: II. Patrem omnipotentem (Chorus)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
1:56 | |||
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2.3
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Credo: III. Et in unum Dominum (Duet)
Johann Sebastian Bach; Anonymous; Ida Falk Winland; Tim Mead; Jonathan Cohen; Arcangelo |
4:31 | |||
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2.4
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Credo: IV. Et incarnatus est (Chorus)
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Arcangelo |
3:11 | |||
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2.5
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Credo: V. Crucifixus etiam pro nobis (Chorus)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
3:20 | |||
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2.6
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Credo: VI. Et resurrexit tertia die (Chorus)
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Arcangelo |
4:07 | |||
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2.7
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Credo: VII. Et in Spiritum Sanctum (Aria)
Johann Sebastian Bach; Anonymous; Neal Davies; Jonathan Cohen; Arcangelo |
5:34 | |||
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2.8
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Credo: VIII. Confiteor unum baptisma (Chorus)
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Arcangelo |
5:12 | |||
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2.9
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Credo: IX. Et exspecto resurrectionem (Chorus)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
2:14 | |||
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2.10
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Sanctus: I. Sanctus, Domine Deus (Chorus)
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Arcangelo |
5:17 | |||
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2.11
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Sanctus: II. Osanna in excelsis (Chorus)
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Arcangelo |
2:37 | |||
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2.12
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Benedictus: I. Benedictus qui venit (Tenor)
Johann Sebastian Bach; Anonymous; Samuel Boden; Arcangelo; Jonathan Cohen |
4:56 | |||
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2.13
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Benedictus: II. Osanna in excelsis (Chorus)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
2:41 | |||
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2.14
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Agnus Dei: I. Agnus Dei (Aria)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen; Tim Mead |
5:43 | |||
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2.15
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Agnus Dei: II. Dona nobis pacem (Chorus)
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
4:17 | |||
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Digital Booklet
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"This is a performance where character and rich dimension emerge from within a patient and naturally projected vision of Bach’s most celebrated compendium. The work infrequently speaks with such gracefulness, freedom or conviction."
- Gramophone
Arcangelo and their inspirational director Jonathan Cohen, one of the brightest stars in the Early Music galaxy, present Bach’s great masterpiece in a glorious new recording made following a thrilling performance at the Tetbury festival.
Arcangelo are still a relatively new ensemble, but have already won one Gramophone Award and been nominated for another. The members of the choir and orchestra are performers of dazzling technical ability with a passion for faithful interpretation that goes far beyond historical understanding. Their previous recordings for Hyperion have been praised for their liveliness, colour and full string sound. In this new recording these aspects of their performance are alchemically combined with a feeling of the great solemnity of Bach’s monumental achievement.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.43 -6.81 to -0.20 | -21.60 -26.28 to -17.17 | -18.52 -23.40 to -13.80 | 13 11 to 15 | |
| 1.1 | Kyrie: I. Kyrie eleison (Chorus) | -0.71 | -21.26 | -18.3 | 13 |
| 1.2 | Kyrie: II. Christe eleison (Soprano I, II) | -0.23 | -21.59 | -18.7 | 14 |
| 1.3 | Kyrie: III. Kyrie eleison (Chorus) | -0.52 | -20.74 | -17.7 | 13 |
| 1.4 | Gloria: I. Gloria in excelsis Deo (Chorus) | -0.26 | -18.17 | -15.0 | 12 |
| 1.5 | Gloria: II. Et in terra pax hominibus (Chorus) | -0.29 | -21.65 | -18.5 | 14 |
| 1.6 | Gloria: III. Laudamus te (Soprano II) | -2.31 | -24.52 | -21.5 | 14 |
| 1.7 | Gloria: IV. Gratias agimus tibi (Chorus) | -0.29 | -19.68 | -16.5 | 12 |
| 1.8 | Gloria: V. Domine Deus (Soprano I, Tenor) | -1.24 | -23.29 | -20.4 | 14 |
| 1.9 | Gloria: VI. Qui tollis peccata mundi (Chorus) | -4.09 | -23.90 | -21.1 | 12 |
| 1.10 | Gloria: VII. Qui sedes ad dexteram Patris (Alto) | -1.92 | -23.60 | -20.2 | 14 |
| 1.11 | Gloria: VIII. Quoniam tu solus sanctus (Bass) | -0.74 | -22.34 | -19.5 | 15 |
| 1.12 | Gloria: IX. Cum Sancto Spiritu (Chorus) | -0.25 | -18.96 | -15.8 | 12 |
| 2.1 | Credo: I. Credo in unum Deum (Chorus) | -0.55 | -19.01 | -15.9 | 11 |
| 2.2 | Credo: II. Patrem omnipotentem (Chorus) | -0.38 | -18.92 | -15.8 | 12 |
| 2.3 | Credo: III. Et in unum Dominum (Duet) | -1.38 | -21.74 | -18.8 | 13 |
| 2.4 | Credo: IV. Et incarnatus est (Chorus) | -3.80 | -24.15 | -21.0 | 12 |
| 2.5 | Credo: V. Crucifixus etiam pro nobis (Chorus) | -5.76 | -24.35 | -21.1 | 12 |
| 2.6 | Credo: VI. Et resurrexit tertia die (Chorus) | -0.50 | -20.96 | -17.7 | 13 |
| 2.7 | Credo: VII. Et in Spiritum Sanctum (Aria) | -1.67 | -23.88 | -20.9 | 15 |
| 2.8 | Credo: VIII. Confiteor unum baptisma (Chorus) | -0.55 | -22.28 | -19.3 | 13 |
| 2.9 | Credo: IX. Et exspecto resurrectionem (Chorus) | -0.23 | -17.17 | -13.8 | 11 |
| 2.10 | Sanctus: I. Sanctus, Domine Deus (Chorus) | -0.24 | -19.00 | -15.8 | 13 |
| 2.11 | Sanctus: II. Osanna in excelsis (Chorus) | -0.30 | -20.07 | -16.8 | 13 |
| 2.12 | Benedictus: I. Benedictus qui venit (Tenor) | -6.81 | -25.94 | -23.4 | 12 |
| 2.13 | Benedictus: II. Osanna in excelsis (Chorus) | -0.20 | -20.31 | -16.9 | 14 |
| 2.14 | Agnus Dei: I. Agnus Dei (Aria) | -3.13 | -26.28 | -23.4 | 15 |
| 2.15 | Agnus Dei: II. Dona nobis pacem (Chorus) | -0.21 | -19.50 | -16.2 | 12 |