℗ 2019 Hyperion Records Limited
Released | July 28, 2023 |
Originated | November 29, 2019 |
Duration | 2h 29m 41s |
Record Label | Hyperion |
Genre | Classical |
Bach: 6 Partitas, BWV 825-830 (2018 Recording)
Angela Hewitt
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Partita No. 1 in B-Flat Major, BWV 825
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1.1
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I. Praeludium
Johann Sebastian Bach; Angela Hewitt |
1:58 | |||
1.2
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II. Allemande
Johann Sebastian Bach; Angela Hewitt |
3:14 | |||
1.3
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III. Corrente
Johann Sebastian Bach; Angela Hewitt |
3:08 | |||
1.4
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IV. Sarabande
Johann Sebastian Bach; Angela Hewitt |
5:02 | |||
1.5
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V. Menuet I – VI. Menuet II
Johann Sebastian Bach; Angela Hewitt |
2:40 | |||
1.6
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VII. Giga
Johann Sebastian Bach; Angela Hewitt |
2:16 | |||
Partita No. 2 in C Minor, BWV 826
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1.7
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I. Sinfonia. Grave, Adagio - Andante
Johann Sebastian Bach; Angela Hewitt |
4:35 | |||
1.8
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II. Allemande
Johann Sebastian Bach; Angela Hewitt |
4:50 | |||
1.9
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III. Courante
Johann Sebastian Bach; Angela Hewitt |
2:38 | |||
1.10
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IV. Sarabande
Johann Sebastian Bach; Angela Hewitt |
3:27 | |||
1.11
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V. Rondeau
Johann Sebastian Bach; Angela Hewitt |
1:39 | |||
1.12
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VI. Capriccio
Johann Sebastian Bach; Angela Hewitt |
3:41 | |||
Partita No. 4 in D Major, BWV 828
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1.13
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I. Ouverture
Johann Sebastian Bach; Angela Hewitt |
6:41 | |||
1.14
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II. Allemande
Johann Sebastian Bach; Angela Hewitt |
9:24 | |||
1.15
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III. Courante
Johann Sebastian Bach; Angela Hewitt |
3:53 | |||
1.16
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IV. Aria
Johann Sebastian Bach; Angela Hewitt |
2:11 | |||
1.17
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V. Sarabande
Johann Sebastian Bach; Angela Hewitt |
6:00 | |||
1.18
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VI. Menuet
Johann Sebastian Bach; Angela Hewitt |
1:29 | |||
1.19
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VII. Gigue
Johann Sebastian Bach; Angela Hewitt |
3:58 | |||
Partita No. 3 in A Minor, BWV 827
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2.1
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I. Fantasia
Johann Sebastian Bach; Angela Hewitt |
1:58 | |||
2.2
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II. Allemande
Johann Sebastian Bach; Angela Hewitt |
3:15 | |||
2.3
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III. Corrente
Johann Sebastian Bach; Angela Hewitt |
3:07 | |||
2.4
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IV. Sarabande
Johann Sebastian Bach; Angela Hewitt |
4:29 | |||
2.5
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V. Burlesca
Johann Sebastian Bach; Angela Hewitt |
2:16 | |||
2.6
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VI. Scherzo
Johann Sebastian Bach; Angela Hewitt |
1:05 | |||
2.7
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VII. Gigue
Johann Sebastian Bach; Angela Hewitt |
3:28 | |||
Partita No. 5 in G Major, BWV 829
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2.8
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I. Praeambulum
Johann Sebastian Bach; Angela Hewitt |
2:27 | |||
2.9
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II. Allemande
Johann Sebastian Bach; Angela Hewitt |
4:39 | |||
2.10
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III. Corrente
Johann Sebastian Bach; Angela Hewitt |
1:46 | |||
2.11
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IV. Sarabande
Johann Sebastian Bach; Angela Hewitt |
5:59 | |||
2.12
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V. Tempo di minuetto
Johann Sebastian Bach; Angela Hewitt |
1:51 | |||
2.13
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VI. Passepied
Johann Sebastian Bach; Angela Hewitt |
1:57 | |||
2.14
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VII. Gigue
Johann Sebastian Bach; Angela Hewitt |
4:24 | |||
Partita No. 6 in E Minor, BWV 830
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2.15
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I. Toccata
Johann Sebastian Bach; Angela Hewitt |
7:41 | |||
2.16
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II. Allemande
Johann Sebastian Bach; Angela Hewitt |
3:46 | |||
2.17
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III. Corrente
Johann Sebastian Bach; Angela Hewitt |
4:52 | |||
2.18
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IV. Air
Johann Sebastian Bach; Angela Hewitt |
1:34 | |||
2.19
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V. Sarabande
Johann Sebastian Bach; Angela Hewitt |
8:05 | |||
2.20
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VI. Tempo di gavotta
Johann Sebastian Bach; Angela Hewitt |
2:01 | |||
2.21
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VII. Gigue
Johann Sebastian Bach; Angela Hewitt |
6:17 | |||
Digital Booklet
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"While Hewitt’s stylish integrity, superb finger independence and deep feeling for the music’s roots in dance remains a constant, there’s now a greater level of interplay between hands, with added variety of articulation and rhythmic flexibility."
- Gramophone
‘Brilliant, well-sounding, expressive and always new’ was the verdict of Bach’s first biographer on the six Partitas, a description which applies equally to Angela Hewitt’s wonderful new recording of what Bach designated his ‘Opus 1’. Angela describes a lifetime of living with Bach’s music as ‘a great gift and a lifelong adventure’; an adventure in which we are fortunate to have such an authoritative companion and guide.
96 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.41 -8.56 to -0.32 | -23.25 -28.32 to -19.47 | -20.35 -24.80 to -16.90 | 13 11 to 16 | |
1.1 | I. Praeludium | -4.57 | -25.35 | -22.4 | 13 |
1.2 | II. Allemande | -4.56 | -22.92 | -20.2 | 12 |
1.3 | III. Corrente | -3.09 | -22.75 | -19.9 | 12 |
1.4 | IV. Sarabande | -5.73 | -25.76 | -22.3 | 13 |
1.5 | V. Menuet I – VI. Menuet II | -2.25 | -23.48 | -20.6 | 13 |
1.6 | VII. Giga | -3.55 | -22.61 | -19.5 | 12 |
1.7 | I. Sinfonia. Grave, Adagio - Andante | -0.51 | -21.88 | -18.6 | 14 |
1.8 | II. Allemande | -4.43 | -24.24 | -21.6 | 13 |
1.9 | III. Courante | -6.11 | -23.27 | -20.4 | 12 |
1.10 | IV. Sarabande | -6.64 | -25.78 | -22.7 | 12 |
1.11 | V. Rondeau | -0.57 | -20.92 | -18.3 | 13 |
1.12 | VI. Capriccio | -0.45 | -20.59 | -17.8 | 14 |
1.13 | I. Ouverture | -2.87 | -22.93 | -20.0 | 13 |
1.14 | II. Allemande | -5.02 | -25.31 | -22.4 | 13 |
1.15 | III. Courante | -3.63 | -22.92 | -20.2 | 12 |
1.16 | IV. Aria | -3.06 | -22.52 | -19.7 | 12 |
1.17 | V. Sarabande | -6.81 | -26.52 | -23.1 | 12 |
1.18 | VI. Menuet | -5.29 | -22.99 | -20.2 | 11 |
1.19 | VII. Gigue | -2.92 | -21.35 | -18.7 | 12 |
2.1 | I. Fantasia | -5.59 | -22.81 | -20.1 | 11 |
2.2 | II. Allemande | -5.67 | -25.16 | -22.3 | 12 |
2.3 | III. Corrente | -2.74 | -21.61 | -18.9 | 12 |
2.4 | IV. Sarabande | -8.56 | -27.25 | -24.2 | 12 |
2.5 | V. Burlesca | -2.64 | -22.11 | -19.5 | 12 |
2.6 | VI. Scherzo | -1.78 | -19.47 | -16.9 | 11 |
2.7 | VII. Gigue | -0.32 | -21.51 | -18.8 | 12 |
2.8 | I. Praeambulum | -0.61 | -22.25 | -19.3 | 15 |
2.9 | II. Allemande | -6.12 | -24.60 | -21.9 | 12 |
2.10 | III. Corrente | -3.41 | -22.05 | -19.1 | 12 |
2.11 | IV. Sarabande | -3.26 | -28.32 | -24.8 | 16 |
2.12 | V. Tempo di minuetto | -2.34 | -25.07 | -22.4 | 13 |
2.13 | VI. Passepied | -5.48 | -22.77 | -20.1 | 12 |
2.14 | VII. Gigue | -1.41 | -21.20 | -18.4 | 13 |
2.15 | I. Toccata | -0.43 | -22.22 | -19.0 | 14 |
2.16 | II. Allemande | -5.20 | -25.31 | -22.3 | 13 |
2.17 | III. Corrente | -0.41 | -22.10 | -19.4 | 14 |
2.18 | IV. Air | -1.04 | -23.70 | -20.9 | 12 |
2.19 | V. Sarabande | -2.04 | -24.24 | -20.1 | 13 |
2.20 | VI. Tempo di gavotta | -3.43 | -20.80 | -18.2 | 11 |
2.21 | VII. Gigue | -1.73 | -21.47 | -18.8 | 13 |