℗ 2018 Hyperion Records Limited
| Released | July 28, 2023 |
| Originated | February 2, 2018 |
| Duration | 1h 16m 38s |
| Record Label | Hyperion |
| Genre | Classical |
3 Bach Magnifcats: J.S. Bach, J.C. Bach & C.P.E. Bach
Arcangelo, Jonathan Cohen
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Magnificat in D Major, BWV 243
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1.1
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I. Chorus. Magnificat anima mea
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
2:54 | |||
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1.2
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II. Aria. Et exsultavit spiritus meus
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen; Olivia Vermeulen |
2:14 | |||
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1.3
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III. Quia respexit - IV. Omnes generationes
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Arcangelo; Joélle Harvey |
3:41 | |||
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1.4
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V. Aria. Quia fecit mihi magna
Johann Sebastian Bach; Anonymous; Thomas E. Bauer; Arcangelo; Jonathan Cohen |
1:51 | |||
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1.5
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VI. Duet. Et misericordia
Johann Sebastian Bach; Anonymous; Arcangelo; Iestyn Davies; Jonathan Cohen; Thomas Walker |
3:08 | |||
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1.6
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VII. Chorus. Fecit potentiam
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
1:42 | |||
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1.7
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VIII. Aria. Deposuit potentes
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen; Thomas Walker |
1:56 | |||
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1.8
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IX. Aria. Esurientes implevit bonis
Johann Sebastian Bach; Anonymous; Iestyn Davies; Jonathan Cohen; Arcangelo |
2:44 | |||
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1.9
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X. Trio. Suscepit Israel
Johann Sebastian Bach; Anonymous; Iestyn Davies; Joélle Harvey; Arcangelo; Jonathan Cohen; Olivia Vermeulen |
1:55 | |||
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1.10
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XI. Chorus. Sicut locutus est
Johann Sebastian Bach; Anonymous; Arcangelo; Jonathan Cohen |
1:28 | |||
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1.11
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XII. Chorus. Gloria Patri
Johann Sebastian Bach; Anonymous; Jonathan Cohen; Arcangelo |
2:04 | |||
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Magnificat a 4 in C Major, W. E22
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1.12
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I. Chorus and Solo. Magnificat anima mea
Johann Christian Bach; Anonymous; Arcangelo; Jonathan Cohen; Joélle Harvey |
3:13 | |||
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1.13
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II. Chorus. Et misericordia eius
Johann Christian Bach; Anonymous; Jonathan Cohen; Arcangelo |
1:02 | |||
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1.14
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III. Chorus and Soli. Fecit potentiam
Johann Christian Bach; Anonymous; Jonathan Cohen; Thomas Walker; Olivia Vermeulen; Thomas E. Bauer; Arcangelo |
3:15 | |||
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1.15
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IV. Chorus. Gloria Patri
Johann Christian Bach; Anonymous; Arcangelo; Jonathan Cohen |
1:23 | |||
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1.16
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V. Chorus. Et in saecula saeculorum
Johann Christian Bach; Anonymous; Jonathan Cohen; Arcangelo |
1:33 | |||
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Magnificat, H. 772
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1.17
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I. Chorus. Magnificat
Carl Philipp Emanuel Bach; Anonymous; Arcangelo; Jonathan Cohen |
3:13 | |||
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1.18
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II. Aria. Quia respexit
Carl Philipp Emanuel Bach; Anonymous; Jonathan Cohen; Arcangelo; Joélle Harvey |
5:41 | |||
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1.19
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III. Aria. Quia fecit mihi magna
Carl Philipp Emanuel Bach; Anonymous; Arcangelo; Thomas Walker; Jonathan Cohen |
3:54 | |||
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1.20
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IV. Chorus and Soli. Et misericordia
Carl Philipp Emanuel Bach; Anonymous; Joélle Harvey; Arcangelo; Jonathan Cohen; Olivia Vermeulen |
6:45 | |||
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1.21
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V. Aria. Fecit potentiam
Carl Philipp Emanuel Bach; Anonymous; Arcangelo; Jonathan Cohen; Thomas E. Bauer |
3:51 | |||
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1.22
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VI. Duet. Deposuit potentes
Carl Philipp Emanuel Bach; Anonymous; Arcangelo; Jonathan Cohen; Olivia Vermeulen; Thomas Walker |
5:52 | |||
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1.23
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VII. Aria. Suscepit Israel
Carl Philipp Emanuel Bach; Anonymous; Arcangelo; Iestyn Davies; Jonathan Cohen |
4:07 | |||
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1.24
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VIII. Chorus. Gloria
Carl Philipp Emanuel Bach; Anonymous; Arcangelo; Jonathan Cohen |
2:02 | |||
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1.25
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IX. Chorus. Sicut erat in principio
Carl Philipp Emanuel Bach; Anonymous; Jonathan Cohen; Arcangelo |
5:10 | |||
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Digital Booklet
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"If you needed an aural demonstration of how the musical tectonic plates were shifting in the years spanning JS Bach’s arrival in Leipzig and the emergence of the young Mozart you would be hard pressed to find a more illuminating disc than this latest offering from Arcangelo … Cohen plays the theatricality of the JC Bach to the hilt, while acknowledging the homage to JS in the opening of CPE’s setting."
- BBC Music Magazine
No fewer than three Bachs—father and two sons—and three wonderful versions of the Magnificat written over the course of the eighteenth century: one setting very familiar, the other two much less so.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.40 -6.71 to -0.20 | -21.62 -26.25 to -15.29 | -18.11 -23.40 to -11.90 | 13 9 to 15 | |
| 1 | I. Chorus. Magnificat anima mea | -1.51 | -18.72 | -15.4 | 11 |
| 2 | II. Aria. Et exsultavit spiritus meus | -2.02 | -22.56 | -19.0 | 13 |
| 3 | III. Quia respexit - IV. Omnes generationes | -2.39 | -22.57 | -19.1 | 13 |
| 4 | V. Aria. Quia fecit mihi magna | -3.00 | -25.49 | -22.3 | 15 |
| 5 | VI. Duet. Et misericordia | -2.31 | -26.25 | -23.4 | 15 |
| 6 | VII. Chorus. Fecit potentiam | -0.65 | -18.27 | -14.8 | 11 |
| 7 | VIII. Aria. Deposuit potentes | -0.22 | -22.62 | -19.2 | 15 |
| 8 | IX. Aria. Esurientes implevit bonis | -2.44 | -25.93 | -22.5 | 15 |
| 9 | X. Trio. Suscepit Israel | -3.19 | -25.33 | -22.1 | 13 |
| 10 | XI. Chorus. Sicut locutus est | -0.93 | -21.34 | -18.0 | 13 |
| 11 | XII. Chorus. Gloria Patri | -0.20 | -16.03 | -12.2 | 10 |
| 12 | I. Chorus and Solo. Magnificat anima mea | -0.21 | -19.70 | -16.2 | 13 |
| 13 | II. Chorus. Et misericordia eius | -6.71 | -24.56 | -21.3 | 11 |
| 14 | III. Chorus and Soli. Fecit potentiam | -2.10 | -23.05 | -19.1 | 14 |
| 15 | IV. Chorus. Gloria Patri | -2.24 | -23.69 | -19.9 | 13 |
| 16 | V. Chorus. Et in saecula saeculorum | -2.24 | -22.32 | -18.3 | 12 |
| 17 | I. Chorus. Magnificat | -0.20 | -17.55 | -14.1 | 11 |
| 18 | II. Aria. Quia respexit | -0.20 | -21.74 | -17.9 | 13 |
| 19 | III. Aria. Quia fecit mihi magna | -0.30 | -23.54 | -19.6 | 15 |
| 20 | IV. Chorus and Soli. Et misericordia | -0.21 | -20.15 | -16.4 | 12 |
| 21 | V. Aria. Fecit potentiam | -0.20 | -21.41 | -17.7 | 15 |
| 22 | VI. Duet. Deposuit potentes | -0.80 | -23.10 | -19.8 | 14 |
| 23 | VII. Aria. Suscepit Israel | -0.39 | -22.12 | -18.9 | 13 |
| 24 | VIII. Chorus. Gloria | -0.20 | -15.29 | -11.9 | 9 |
| 25 | IX. Chorus. Sicut erat in principio | -0.20 | -17.11 | -13.6 | 10 |