℗ 2020 Hyperion Records Limited
| Released | July 28, 2023 |
| Originated | May 29, 2020 |
| Duration | 1h 11m 25s |
| Record Label | Hyperion |
| Genre | Classical |
Shostakovich: Violin Concertos 1 & 2
State Academic Symphony Orchestra "Evgeny Svetlanov", Alina Ibragimova, Vladimir Jurowski
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Concerto No. 1 in A Minor, Op. 77 (Formerly Op. 99)
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1.1
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I. Nocturne. Moderato
Dmitri Shostakovich; Vladimir Jurowski; State Academic Symphony Orchestra "Evgeny Svetlanov"; Alina Ibragimova |
12:36 | |||
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1.2
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II. Scherzo. Allegro
Dmitri Shostakovich; State Academic Symphony Orchestra "Evgeny Svetlanov"; Vladimir Jurowski; Alina Ibragimova |
6:26 | |||
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1.3
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III. Passacaglia. Andante – Cadenza –
Dmitri Shostakovich; State Academic Symphony Orchestra "Evgeny Svetlanov"; Alina Ibragimova; Vladimir Jurowski |
15:02 | |||
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1.4
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IV. Burlesque. Allegro con brio – Presto
Dmitri Shostakovich; State Academic Symphony Orchestra "Evgeny Svetlanov"; Vladimir Jurowski; Alina Ibragimova |
4:56 | |||
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Violin Concerto No. 2 in C-Sharp Minor, Op. 129
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1.5
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I. Moderato
Dmitri Shostakovich; Alina Ibragimova; State Academic Symphony Orchestra "Evgeny Svetlanov"; Vladimir Jurowski |
14:14 | |||
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1.6
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II. Adagio –
Dmitri Shostakovich; Alina Ibragimova; Vladimir Jurowski; State Academic Symphony Orchestra "Evgeny Svetlanov" |
10:01 | |||
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1.7
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III. Adagio – Allegro
Dmitri Shostakovich; Alina Ibragimova; State Academic Symphony Orchestra "Evgeny Svetlanov"; Vladimir Jurowski |
8:10 | |||
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Digital Booklet
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"Alina Ibragimova is the latest to make you think you’ve never heard [No 1] better played, and her intense relationship with Vladimir Jurowski and the current incarnation of Yevgeny Svetlanov’s ‘orchestra with a voice’, making just as compelling a case for the sequel concerto is supernaturally fine-tuned … the demands on the listener are unrelenting; put a distance between each work so you can come to the sequel fresh for another battering."
- BBC Music Magazine
The prospect of hearing Alina Ibragimova in two of the most important concertos written for the violin is in itself irresistibly enticing, but Shostakovich aficionados will also welcome an opportunity to hear the rarely performed original opening to the Burlesque of No 1, subsequently made less fearsome for the soloist at the request of the work’s dedicatee, David Oistrakh.
192 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.10 -11.72 to -0.20 | -27.68 -34.44 to -22.56 | -24.00 -31.60 to -19.00 | 14 13 to 16 | |
| 1 | I. Nocturne. Moderato | -6.89 | -30.79 | -27.0 | 13 |
| 2 | II. Scherzo. Allegro | -0.20 | -22.56 | -19.0 | 14 |
| 3 | III. Passacaglia. Andante – Cadenza – | -6.23 | -27.60 | -23.4 | 13 |
| 4 | IV. Burlesque. Allegro con brio – Presto | -0.32 | -24.88 | -21.3 | 15 |
| 5 | I. Moderato | -3.11 | -28.84 | -24.7 | 16 |
| 6 | II. Adagio – | -11.72 | -34.44 | -31.6 | 13 |
| 7 | III. Adagio – Allegro | -0.23 | -24.62 | -21.0 | 16 |