℗ 2021 Hyperion Records Limited
| Released | July 28, 2023 |
| Originated | October 1, 2021 |
| Duration | 1h 04m 27s |
| Record Label | Hyperion |
| Genre | Classical |
Regnart: Missa Christ ist erstanden & Other Works
Cinquecento
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Christ ist erstanden
Anonymous; Cinquecento |
1:42 | |||
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Missa Christ ist erstanden
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1.2
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Ia. Kyrie I
Jacob Regnart; Anonymous; Cinquecento |
0:47 | |||
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1.3
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Ib. Christe
Jacob Regnart; Anonymous; Cinquecento |
1:02 | |||
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1.4
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Ic. Kyrie II
Jacob Regnart; Anonymous; Cinquecento |
1:24 | |||
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1.5
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IIa. Gloria in excelsis Deo
Jacob Regnart; Anonymous; Cinquecento |
2:20 | |||
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1.6
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IIb. Qui tollis peccata mundi, miserere
Jacob Regnart; Anonymous; Cinquecento |
2:55 | |||
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1.7
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IIIa. Credo in unum Deum
Jacob Regnart; Anonymous; Cinquecento |
2:39 | |||
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1.8
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IIIb. Et incarnatus est
Jacob Regnart; Anonymous; Cinquecento |
1:24 | |||
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1.9
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IIIc. Crucifixus
Jacob Regnart; Anonymous; Cinquecento |
1:45 | |||
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1.10
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IIId. Et iterum venturus est
Jacob Regnart; Anonymous; Cinquecento |
1:10 | |||
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1.11
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IIIe. Et in Spiritum Sanctum
Jacob Regnart; Anonymous; Cinquecento |
2:56 | |||
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1.12
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IVa. Sanctus
Jacob Regnart; Anonymous; Cinquecento |
1:42 | |||
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1.13
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IVb. Benedictus
Jacob Regnart; Anonymous; Cinquecento |
1:49 | |||
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1.14
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Va. Agnus Dei I
Jacob Regnart; Anonymous; Cinquecento |
2:04 | |||
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1.15
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Vb. Agnus Dei II
Jacob Regnart; Anonymous; Cinquecento |
2:12 | |||
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1.16
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Rühmbt alle Werck deß Herren
Jacob Regnart; Anonymous; Cinquecento |
1:41 | |||
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Wann ich nur dich hab
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1.17
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I. Wann ich nur dich hab
Jacob Regnart; Anonymous; Cinquecento |
1:46 | |||
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1.18
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II. Obgleich Leib und Seel
Jacob Regnart; Anonymous; Cinquecento |
1:50 | |||
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1.19
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Maria fein, du klarer Schein
Jacob Regnart; Anonymous; Cinquecento |
3:36 | |||
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1.20
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Freu dich, du werthe Christenheit
Anonymous; Cinquecento |
1:36 | |||
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Missa Freu dich, du werthe Christenheit
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1.21
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Ia. Kyrie I
Jacob Regnart; Anonymous; Cinquecento |
0:57 | |||
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1.22
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Ib. Christe
Jacob Regnart; Anonymous; Cinquecento |
1:00 | |||
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1.23
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Ic. Kyrie II
Jacob Regnart; Anonymous; Cinquecento |
1:21 | |||
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1.24
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IIa. Gloria in excelsis Deo
Jacob Regnart; Anonymous; Cinquecento |
2:32 | |||
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1.25
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IIb. Qui tollis peccata mundi, miserere
Jacob Regnart; Anonymous; Cinquecento |
2:47 | |||
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1.26
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IIIa. Credo in unum Deum
Jacob Regnart; Anonymous; Cinquecento |
2:43 | |||
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1.27
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IIIb. Et incarnatus est
Jacob Regnart; Anonymous; Cinquecento |
0:50 | |||
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1.28
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IIIc. Crucifixus
Jacob Regnart; Anonymous; Cinquecento |
2:02 | |||
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1.29
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IIId. Et in Spiritum Sanctum
Jacob Regnart; Anonymous; Cinquecento |
3:02 | |||
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1.30
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IVa. Sanctus
Jacob Regnart; Anonymous; Cinquecento |
1:53 | |||
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1.31
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IVb. Benedictus
Jacob Regnart; Anonymous; Cinquecento |
1:07 | |||
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1.32
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IVc. Osanna
Jacob Regnart; Anonymous; Cinquecento |
0:45 | |||
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1.33
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Va. Agnus Dei I
Jacob Regnart; Anonymous; Cinquecento |
2:27 | |||
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1.34
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Vb. Agnus Dei II
Jacob Regnart; Anonymous; Cinquecento |
2:41 | |||
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Digital Booklet
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"The five voices of Cinquecento are as immaculate as ever, their full sound and flawless intonation leaving a hint of almost organ-like harmonic richness at times, and the spaciousness of the recording suits them and the music really well. It’s fourteen years since they last brought us music by this under-appreciated Renaissance composer—after all, if Lassus rated him he was probably pretty good—and this is beautiful music."
- BBC Record Review
Two substantial Mass settings, sounding here as though Regnart might have written them specifically for the glorious voices of Cinquecento: this is a welcome contribution to the restoration of an important but still under-appreciated figure.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.15 -6.54 to -0.20 | -22.20 -24.94 to -19.53 | -18.89 -21.80 to -16.40 | 12 9 to 14 | |
| 1 | Christ ist erstanden | -1.17 | -22.23 | -18.6 | 13 |
| 2 | Ia. Kyrie I | -2.97 | -21.91 | -18.2 | 11 |
| 3 | Ib. Christe | -1.90 | -22.23 | -18.9 | 11 |
| 4 | Ic. Kyrie II | -1.62 | -21.90 | -18.3 | 11 |
| 5 | IIa. Gloria in excelsis Deo | -1.05 | -21.60 | -18.4 | 13 |
| 6 | IIb. Qui tollis peccata mundi, miserere | -0.54 | -20.81 | -17.6 | 12 |
| 7 | IIIa. Credo in unum Deum | -1.39 | -22.23 | -19.1 | 11 |
| 8 | IIIb. Et incarnatus est | -2.77 | -24.19 | -21.2 | 11 |
| 9 | IIIc. Crucifixus | -0.25 | -20.92 | -17.7 | 11 |
| 10 | IIId. Et iterum venturus est | -0.52 | -22.11 | -19.1 | 9 |
| 11 | IIIe. Et in Spiritum Sanctum | -2.62 | -21.32 | -18.2 | 12 |
| 12 | IVa. Sanctus | -0.62 | -20.35 | -17.2 | 12 |
| 13 | IVb. Benedictus | -2.63 | -21.64 | -18.3 | 12 |
| 14 | Va. Agnus Dei I | -1.88 | -21.08 | -18.1 | 12 |
| 15 | Vb. Agnus Dei II | -0.71 | -22.46 | -19.4 | 13 |
| 16 | Rühmbt alle Werck deß Herren | -0.91 | -21.67 | -18.2 | 13 |
| 17 | I. Wann ich nur dich hab | -3.16 | -24.24 | -20.9 | 14 |
| 18 | II. Obgleich Leib und Seel | -4.66 | -24.59 | -21.0 | 13 |
| 19 | Maria fein, du klarer Schein | -2.15 | -22.57 | -19.3 | 13 |
| 20 | Freu dich, du werthe Christenheit | -1.68 | -21.16 | -17.7 | 12 |
| 21 | Ia. Kyrie I | -3.30 | -21.85 | -18.2 | 11 |
| 22 | Ib. Christe | -3.23 | -23.61 | -20.0 | 12 |
| 23 | Ic. Kyrie II | -2.81 | -22.88 | -18.8 | 12 |
| 24 | IIa. Gloria in excelsis Deo | -3.98 | -22.31 | -19.1 | 12 |
| 25 | IIb. Qui tollis peccata mundi, miserere | -0.20 | -21.41 | -18.1 | 14 |
| 26 | IIIa. Credo in unum Deum | -0.51 | -20.90 | -17.7 | 13 |
| 27 | IIIb. Et incarnatus est | -6.05 | -24.94 | -21.8 | 11 |
| 28 | IIIc. Crucifixus | -1.23 | -23.45 | -20.4 | 13 |
| 29 | IIId. Et in Spiritum Sanctum | -0.21 | -20.17 | -17.0 | 12 |
| 30 | IVa. Sanctus | -0.20 | -19.53 | -16.4 | 11 |
| 31 | IVb. Benedictus | -2.87 | -24.37 | -21.3 | 10 |
| 32 | IVc. Osanna | -3.46 | -21.35 | -17.4 | 11 |
| 33 | Va. Agnus Dei I | -6.54 | -23.76 | -20.8 | 11 |
| 34 | Vb. Agnus Dei II | -3.25 | -23.21 | -20.0 | 12 |