℗ 2017 Hyperion Records Limited
| Released | July 28, 2023 |
| Originated | September 1, 2017 |
| Duration | 1h 17m 41s |
| Record Label | Hyperion |
| Genre | Classical |
Haydn: Cello Concertos; C.P.E. Bach: Cello Concerto
Deutsche Kammerphilharmonie Bremen, Steven Isserlis
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Concerto in C Major, Hob. VIIb:1
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1.1
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I. Moderato
Joseph Haydn; Deutsche Kammerphilharmonie Bremen; Steven Isserlis |
10:29 | |||
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1.2
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II. Adagio
Joseph Haydn; Steven Isserlis; Deutsche Kammerphilharmonie Bremen |
7:36 | |||
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1.3
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III. Finale. Allegro molto
Joseph Haydn; Deutsche Kammerphilharmonie Bremen; Steven Isserlis |
7:16 | |||
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La finta giardiniera, K. 196
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1.4
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Cavatina. Geme la tortorella (Arr. Isserlis for Cello and Orchestra)
Wolfgang Amadeus Mozart; Steven Isserlis; Deutsche Kammerphilharmonie Bremen; Steven Isserlis |
3:33 | |||
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Cello Concerto in A Major, H. 439
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1.5
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I. Allegro
Carl Philipp Emanuel Bach; Steven Isserlis; Deutsche Kammerphilharmonie Bremen |
6:45 | |||
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1.6
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II. Largo con sordini, mesto
Carl Philipp Emanuel Bach; Deutsche Kammerphilharmonie Bremen; Steven Isserlis |
7:35 | |||
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1.7
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III. Allegro assai
Carl Philipp Emanuel Bach; Deutsche Kammerphilharmonie Bremen; Steven Isserlis |
5:43 | |||
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Cello Concerto in D Major, Hob. VIIb:2
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1.8
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I. Allegro moderato
Joseph Haydn; Deutsche Kammerphilharmonie Bremen; Steven Isserlis |
14:32 | |||
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1.9
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II. Adagio
Joseph Haydn; Deutsche Kammerphilharmonie Bremen; Steven Isserlis |
5:02 | |||
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1.10
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III. Rondo. Allegro
Joseph Haydn; Deutsche Kammerphilharmonie Bremen; Steven Isserlis |
4:52 | |||
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Cello Concerto No. 7 in G Major, G. 480
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1.11
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II. Adagio
Luigi Boccherini; Steven Isserlis; Deutsche Kammerphilharmonie Bremen |
4:18 | |||
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Digital Booklet
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"The main selling point is the two Haydn concertos, and this album is worth acquiring whether you’re yet to own a recording of these masterpieces or your collection is already bulging with them. Isserlis’s 1998 recording remains classy stuff, but this has superbly trumped it.”
- Gramophone
If the two Haydn concertos are the most accomplished contributions to the cello’s burgeoning repertoire written in the eighteenth century, the CPE Bach coupling is scarcely less fine. Two charmingly rococo encores complete this latest essential release from Steven Isserlis.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.29 -9.75 to -0.68 | -24.45 -28.16 to -21.56 | -21.25 -24.50 to -18.30 | 12 11 to 14 | |
| 1 | I. Moderato | -1.83 | -22.36 | -19.1 | 12 |
| 2 | II. Adagio | -5.88 | -26.74 | -23.5 | 13 |
| 3 | III. Finale. Allegro molto | -0.68 | -22.14 | -18.9 | 14 |
| 4 | Cavatina. Geme la tortorella (Arr. Isserlis for Cello and Orchestra) | -9.75 | -27.15 | -24.3 | 11 |
| 5 | I. Allegro | -1.23 | -22.50 | -19.7 | 13 |
| 6 | II. Largo con sordini, mesto | -8.23 | -27.28 | -24.5 | 11 |
| 7 | III. Allegro assai | -2.02 | -23.24 | -20.3 | 14 |
| 8 | I. Allegro moderato | -2.35 | -22.61 | -19.3 | 13 |
| 9 | II. Adagio | -3.98 | -25.22 | -21.4 | 12 |
| 10 | III. Rondo. Allegro | -1.52 | -21.56 | -18.3 | 12 |
| 11 | II. Adagio | -9.67 | -28.16 | -24.5 | 11 |