℗ 2023 Note 1 Music
| Released | September 15, 2023 |
| Duration | 1h 11m 04s |
| Record Label | Glossa |
| Catalogue No. | GCD923540 |
| Genre | Classical |
The Palacio Songbook
Ariel Abramovich, da tempera velha
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
|
Nunca fue pena mayor
Juan de Urrede; Anonymous; Ariel Abramovich; da tempera velha |
5:24 | |||
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1.2
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Ave ancilla trinitatis
Antoine Brumel; Anomymous; Ariel Abramovich; da tempera velha |
3:20 | |||
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1.3
|
Unica est columba mea
Francisco de Peñalosa; Ariel Abramovich; da tempera velha |
2:35 | |||
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1.4
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Romerico tú que vienes
Juan del Encina; Ariel Abramovich; da tempera velha |
6:28 | |||
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1.5
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Tandernaken
Alexander Agricola; Ariel Abramovich; da tempera velha |
4:32 | |||
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1.6
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Comme femme desconfortée
Gilles Binchois; Alexander Agricola; Anonymous; Ariel Abramovich; da tempera velha |
3:19 | |||
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1.7
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Es la causa bien amar
Juan del Encina; Anonymous; Ariel Abramovich; da tempera velha |
3:42 | |||
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1.8
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Vox Clamantis in deserto
Bartolomeo Tromboncino; Anomymous; Ariel Abramovich; da tempera velha |
2:17 | |||
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1.9
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Zagaleja del Casar
Anonymous; Anonymous,; Ariel Abramovich; da tempera velha |
1:25 | |||
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1.10
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L'amor donna ch'io ti porto
Giacomo Fogliane; Anonymous; Ariel Abramovich; da tempera velha |
1:46 | |||
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1.11
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Ricercar
Joan Ambrosio Dalza; Ariel Abramovich; da tempera velha |
1:40 | |||
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1.12
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O vos omnes qui transitis
Lluys Milan; Anonymous; Ariel Abramovich; da tempera velha |
2:52 | |||
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1.13
|
Salve Sancta facies
Anonymous; Anonymous,; Ariel Abramovich; da tempera velha |
3:16 | |||
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1.14
|
Cum autem venissent ad locum
de Quadris; Anonymous; Ariel Abramovich; da tempera velha |
1:33 | |||
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1.15
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Tierra y cielos se quexaban
Anonymous; Anonymus; Ariel Abramovich; da tempera velha |
4:01 | |||
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1.16
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Pues es muerto el Rey del cielo
Anonymous; Anonymus; Ariel Abramovich; da tempera velha |
3:39 | |||
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1.17
|
Adoramus te Domine
Guillaume Dufay; Anonymus; Ariel Abramovich; da tempera velha |
1:34 | |||
|
1.18
|
Je vous prie
Guillaume Dufay; Anonymous; Ariel Abramovich; da tempera velha |
3:32 | |||
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1.19
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De vos y de mi quexoso
Juan de Urrede; Anonymous; Ariel Abramovich; da tempera velha |
6:26 | |||
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1.20
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Amours, Amours
Anonymous; Anonymus; Ariel Abramovich; da tempera velha |
3:23 | |||
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1.21
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Oya tu merced y crea
Anonymous; Anonymus; Ariel Abramovich; da tempera velha |
3:26 | |||
|
1.22
|
Ora bayla tú
Anonymous; Anonymus; Ariel Abramovich; da tempera velha |
0:54 |
Early in 1870, a codex containing early Spanish vocal music had been discovered in the library of the Palacio Real in Madrid. The pieces which had been copied into the manuscript entirely unknown up to that point included compositions from the celebrated Juan del Encina and from many other, little-known, contemporaries of his.
The first modern edition of the suitably entitled Cancionero de Palacioi was published in 1890, immediately becoming a cornerstone of Spanish historical musicology. Later editions and studies consolidated the status of the Cancionero as a landmark in Iberian music.
The present recording contrasts music from this cancionero with that found in other codices containing similar or related repertory, whether it be Iberian in origin or from elsewhere in Europe. It offers a broader vision not only of the Cancionero de Palacioi but also of the musical atmosphere of the time and of the songbook repertory as a whole.
88.2 kHz / 24-bit PCM – Glossa Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.99 -8.00 to -1.00 | -23.57 -28.71 to -19.94 | -20.71 -26.10 to -16.40 | 12 9 to 13 | |
| 1 | Nunca fue pena mayor | -3.03 | -22.25 | -19.5 | 11 |
| 2 | Ave ancilla trinitatis | -5.04 | -23.00 | -20.4 | 12 |
| 3 | Unica est columba mea | -3.01 | -23.13 | -20.5 | 12 |
| 4 | Romerico tú que vienes | -3.84 | -23.70 | -20.8 | 12 |
| 5 | Tandernaken | -5.17 | -23.68 | -21.1 | 12 |
| 6 | Comme femme desconfortée | -1.00 | -20.11 | -17.5 | 12 |
| 7 | Es la causa bien amar | -4.97 | -23.46 | -20.7 | 11 |
| 8 | Vox Clamantis in deserto | -5.05 | -23.54 | -20.7 | 12 |
| 9 | Zagaleja del Casar | -1.94 | -20.27 | -16.8 | 12 |
| 10 | L'amor donna ch'io ti porto | -1.00 | -21.75 | -18.9 | 12 |
| 11 | Ricercar | -6.43 | -28.71 | -26.1 | 13 |
| 12 | O vos omnes qui transitis | -3.33 | -24.26 | -21.4 | 11 |
| 13 | Salve Sancta facies | -6.73 | -24.40 | -21.8 | 10 |
| 14 | Cum autem venissent ad locum | -6.04 | -26.56 | -23.4 | 12 |
| 15 | Tierra y cielos se quexaban | -1.01 | -20.64 | -17.8 | 11 |
| 16 | Pues es muerto el Rey del cielo | -5.52 | -27.08 | -24.1 | 13 |
| 17 | Adoramus te Domine | -8.00 | -24.67 | -21.7 | 9 |
| 18 | Je vous prie | -5.76 | -27.01 | -24.2 | 13 |
| 19 | De vos y de mi quexoso | -5.15 | -24.52 | -21.8 | 12 |
| 20 | Amours, Amours | -1.22 | -23.91 | -20.6 | 13 |
| 21 | Oya tu merced y crea | -2.25 | -22.07 | -19.4 | 12 |
| 22 | Ora bayla tú | -2.23 | -19.94 | -16.4 | 11 |