℗ 2023 1969 Countdown Media, a BMG company
| Released | August 11, 2023 |
| Duration | 28m 28s |
| Record Label | Azteca |
| Genre | Latin (Regional / Mexican) |
Qué Haré Tan Sola (2023 Remaster from the Original Azteca Tapes)
Lydia Mendoza
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Hombre Cruel (2023 Remaster)
Lydia Mendoza |
2:47 | |||
|
1.2
|
Qué Haré Tan Sola (2023 Remaster)
Lydia Mendoza |
2:39 | |||
|
1.3
|
Cuando Más Te Quería (2023 Remaster)
Lydia Mendoza |
2:42 | |||
|
1.4
|
Que Pronto Has Olvidado (2023 Remaster)
Lydia Mendoza |
2:56 | |||
|
1.5
|
Juraste (2023 Remaster)
Lydia Mendoza |
2:34 | |||
|
1.6
|
Vete No Vuelvas (2023 Remaster)
Lydia Mendoza |
2:57 | |||
|
1.7
|
Sí o No (2023 Remaster)
Lydia Mendoza |
2:56 | |||
|
1.8
|
Ya Va Cayendo la Tarde (2023 Remaster)
Lydia Mendoza |
2:57 | |||
|
1.9
|
Al Contemplarte (2023 Remaster)
Lydia Mendoza |
3:00 | |||
|
1.10
|
En Vano (2023 Remaster)
Lydia Mendoza |
3:00 |
96 kHz / 24-bit PCM – Azteca Studio Masters
Tracks 2-10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 2-10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.48 -0.50 to -0.30 | -19.33 -21.33 to -18.36 | -15.54 -17.00 to -14.60 | 13 11 to 14 | |
| 1 | Hombre Cruel (2023 Remaster) | -0.30 | -18.78 | -15.5 | 13 |
| 2 | Qué Haré Tan Sola (2023 Remaster) | -0.50 | -18.37 | -14.7 | 12 |
| 3 | Cuando Más Te Quería (2023 Remaster) | -0.50 | -18.36 | -14.6 | 12 |
| 4 | Que Pronto Has Olvidado (2023 Remaster) | -0.50 | -20.12 | -16.3 | 13 |
| 5 | Juraste (2023 Remaster) | -0.50 | -20.13 | -16.4 | 13 |
| 6 | Vete No Vuelvas (2023 Remaster) | -0.50 | -19.18 | -15.5 | 12 |
| 7 | Sí o No (2023 Remaster) | -0.50 | -21.33 | -17.0 | 14 |
| 8 | Ya Va Cayendo la Tarde (2023 Remaster) | -0.50 | -19.29 | -15.7 | 13 |
| 9 | Al Contemplarte (2023 Remaster) | -0.50 | -18.87 | -15.0 | 12 |
| 10 | En Vano (2023 Remaster) | -0.50 | -18.84 | -14.7 | 11 |