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1.1
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Too Little, Too Late, Too Bad
Rhiannon Giddens |
3:44 | |||
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1.2
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You're the One
Rhiannon Giddens |
3:25 | |||
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1.3
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Yet to Be (feat. Jason Isbell)
Rhiannon Giddens; Jason Isbell |
3:39 | |||
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1.4
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Wrong Kind of Right
Rhiannon Giddens |
4:39 | |||
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1.5
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Another Wasted Life
Rhiannon Giddens |
4:47 | |||
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1.6
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You Louisiana Man
Rhiannon Giddens |
4:06 | |||
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1.7
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If You Don’t Know How Sweet It Is
Rhiannon Giddens |
3:01 | |||
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1.8
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Hen in the Foxhouse
Rhiannon Giddens |
3:47 | |||
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1.9
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Who Are You Dreaming Of
Rhiannon Giddens |
3:25 | |||
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1.10
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You Put the Sugar in My Bowl
Rhiannon Giddens |
2:58 | |||
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1.11
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Way Over Yonder
Rhiannon Giddens |
3:11 | |||
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1.12
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Good Ol' Cider
Rhiannon Giddens |
0:45 |
Grammy Award Nomination, 2024 – Best American Roots Performance
You Louisiana Man
Rhiannon Giddens
Grammy Award Nomination, 2024 – Best Americana Album
You're The One
Rhiannon Giddens
"... on her most outward-looking record, Giddens melds the past and present, writing a bold new future for herself in the process."
- Rolling Stone
The newest album from Rhiannon Giddens’, You’re the One is her third solo studio album and her first of all original songs. This collection of 12 songs written over the course of Giddens’ career bursts with life-affirming energy, drawing from the folk music that she knows so deeply, as well as its pop descendants. Produced by Jack Splash (Solange, Alicia Keys, Valerie June), You’re the One features some of Giddens’ closest musical collaborators from the past decade, including multi-instrumentalists Francesco Turrisi and Dirk Powell, bassist Jason Sypher, and Congolese guitarist Niwel Tsumbu. The album features electric and upright bass, conga, Cajun and Piano accordions, guitars, a Western string section, and Miami horns, among other instruments, capturing the inclusive spirit that channels through all of her work.
"I hope that people just hear American music. Blues, jazz, Cajun, country, gospel, and rock—it's all there. I like to be where it meets organically. They're fun songs, and I wanted them to have as much of a chance as they could to reach people who might dig them but don't know anything about what I do. If they're introduced to me through this record, they might go listen to other music I've made with a different set of ears.”
- Rhiannon Giddens
44.1 kHz / 24-bit PCM – Nonesuch Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.18 -0.18 to -0.18 | -11.46 -13.70 to -9.37 | -8.53 -10.50 to -6.70 | 6 5 to 8 | |
| 1 | Too Little, Too Late, Too Bad | -0.18 | -9.37 | -6.7 | 5 |
| 2 | You're the One | -0.18 | -10.70 | -7.8 | 5 |
| 3 | Yet to Be (feat. Jason Isbell) | -0.18 | -11.49 | -7.9 | 5 |
| 4 | Wrong Kind of Right | -0.18 | -11.46 | -9.1 | 7 |
| 5 | Another Wasted Life | -0.18 | -10.36 | -7.9 | 5 |
| 6 | You Louisiana Man | -0.18 | -11.45 | -8.6 | 6 |
| 7 | If You Don’t Know How Sweet It Is | -0.18 | -12.59 | -9.4 | 7 |
| 8 | Hen in the Foxhouse | -0.18 | -11.50 | -8.9 | 7 |
| 9 | Who Are You Dreaming Of | -0.18 | -13.20 | -10.5 | 8 |
| 10 | You Put the Sugar in My Bowl | -0.18 | -11.51 | -8.3 | 7 |
| 11 | Way Over Yonder | -0.18 | -10.16 | -7.3 | 6 |
| 12 | Good Ol' Cider | -0.18 | -13.70 | -9.9 | 7 |