℗ 2023 Deutsche Grammophon, Berlin
| Released | September 15, 2023 |
| Duration | 1h 00m 43s |
| Record Label | Deutsche Grammophon (DG) |
| Genre | Classical |
A Prayer To The Dynamo / Suites from Sicario & The Theory of Everything
Iceland Symphony Orchestra, Daníel Bjarnason
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Suite from The Theory of Everything
|
|||||
|
1.1
|
I. A Model of the Universe
Jóhann Jóhannsson; Iceland Symphony Orchestra; Daníel Bjarnason |
1:27 | |||
|
1.2
|
II. Domestic Pressures
Jóhann Jóhannsson; Iceland Symphony Orchestra; Daníel Bjarnason |
2:42 | |||
|
1.3
|
III. The Origins of Time
Jóhann Jóhannsson; Iceland Symphony Orchestra; Daníel Bjarnason |
2:48 | |||
|
1.4
|
IV. Forces of Attraction
Jóhann Jóhannsson; Iceland Symphony Orchestra; Daníel Bjarnason |
1:58 | |||
|
1.5
|
V. Cambridge 1963
Jóhann Jóhannsson; Iceland Symphony Orchestra; Daníel Bjarnason |
1:59 | |||
|
A Prayer To The Dynamo
|
|||||
|
1.6
|
Part 1
Jóhann Jóhannsson; Iceland Symphony Orchestra; Daníel Bjarnason; Paul Corley |
8:30 | |||
|
1.7
|
Part 2
Jóhann Jóhannsson; Iceland Symphony Orchestra; Daníel Bjarnason; Paul Corley |
13:01 | |||
|
1.8
|
Part 3
Jóhann Jóhannsson; Iceland Symphony Orchestra; Daníel Bjarnason; Paul Corley |
8:51 | |||
|
1.9
|
Part 4
Jóhann Jóhannsson; Iceland Symphony Orchestra; Daníel Bjarnason; Paul Corley |
8:42 | |||
|
Suite from Sicario
|
|||||
|
1.10
|
I. Target
Jóhann Jóhannsson; Iceland Symphony Orchestra; Daníel Bjarnason |
1:51 | |||
|
1.11
|
II. Desert Music
Jóhann Jóhannsson; Iceland Symphony Orchestra; Daníel Bjarnason |
4:09 | |||
|
1.12
|
III. Melancholia
Jóhann Jóhannsson; Skúli Sverrisson; Iceland Symphony Orchestra; Daníel Bjarnason |
4:45 | |||
DG is proud to release the world premiere recording of Jóhann Jóhannsson’s "A Prayer to the Dynamo". This major orchestral work was inspired in general by the composer’s fascination with technology, and in particular by field recordings he made at Iceland’s Elliðaár power plant and the writings of Henry Adams. It is paired on this new album with two suites he compiled and arranged from existing material drawn from his Academy Award-nominated scores for Sicario and The Theory of Everything.
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.85 -13.04 to -0.50 | -25.13 -30.77 to -17.27 | -21.40 -27.90 to -13.00 | 11 9 to 16 | |
| 1 | I. A Model of the Universe | -13.04 | -30.77 | -27.8 | 11 |
| 2 | II. Domestic Pressures | -6.02 | -26.56 | -23.2 | 11 |
| 3 | III. The Origins of Time | -6.99 | -29.30 | -24.7 | 12 |
| 4 | IV. Forces of Attraction | -5.96 | -26.70 | -23.9 | 12 |
| 5 | V. Cambridge 1963 | -1.60 | -22.64 | -19.6 | 10 |
| 6 | Part 1 | -1.07 | -22.29 | -17.6 | 12 |
| 7 | Part 2 | -2.59 | -23.29 | -18.8 | 12 |
| 8 | Part 3 | -0.50 | -17.27 | -13.0 | 9 |
| 9 | Part 4 | -2.86 | -20.89 | -16.4 | 10 |
| 10 | I. Target | -1.20 | -27.72 | -24.4 | 16 |
| 11 | II. Desert Music | -3.33 | -23.43 | -19.5 | 11 |
| 12 | III. Melancholia | -13.00 | -30.77 | -27.9 | 10 |