℗ 2022 Warner Chappell Production Music
| Released | September 27, 2023 |
| Duration | 39m 55s |
| Record Label | Warner Chappell Production Music |
| Genre | Electronic |
Suspicious Person - Electro-Investigative
iSeeMusic, iSee Cinematic
Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Crime Solvers Unite
iSeeMusic; iSee Cinematic |
2:40 | |||
|
1.2
|
Moving Shadows
iSeeMusic; iSee Cinematic |
1:38 | |||
|
1.3
|
Trajectory Analysis
iSeeMusic; iSee Cinematic |
1:44 | |||
|
1.4
|
Shifting Metrics
iSeeMusic; iSee Cinematic |
1:33 | |||
|
1.5
|
Kid Gloves
iSeeMusic; iSee Cinematic |
2:38 | |||
|
1.6
|
Chalk Outlines
iSeeMusic; iSee Cinematic |
2:01 | |||
|
1.7
|
Finding the Unsub
iSeeMusic; iSee Cinematic |
2:15 | |||
|
1.8
|
Chain of Custody
iSeeMusic; iSee Cinematic |
2:07 | |||
|
1.9
|
Coming Up for Air
iSeeMusic; iSee Cinematic |
2:46 | |||
|
1.10
|
Escalating Tensions
iSeeMusic; iSee Cinematic |
1:34 | |||
|
1.11
|
Behind in the Count
iSeeMusic; iSee Cinematic |
2:26 | |||
|
1.12
|
Urban Territory
iSeeMusic; iSee Cinematic |
2:14 | |||
|
1.13
|
Skiptracing
iSeeMusic; iSee Cinematic |
1:47 | |||
|
1.14
|
Latent Prints
iSeeMusic; iSee Cinematic |
1:40 | |||
|
1.15
|
Dead in the Water
iSeeMusic; iSee Cinematic |
2:04 | |||
|
1.16
|
Coldline
iSeeMusic; iSee Cinematic |
1:40 | |||
|
1.17
|
Body Bags
iSeeMusic; iSee Cinematic |
1:31 | |||
|
1.18
|
Transient Evidence
iSeeMusic; iSee Cinematic |
1:48 | |||
|
1.19
|
Square the Block
iSeeMusic; iSee Cinematic |
1:58 | |||
|
1.20
|
Rough Shadowing
iSeeMusic; iSee Cinematic |
1:51 |
48 kHz / 24-bit PCM – Warner Chappell Production Music Studio Masters
Tracks 1-20 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 1-20 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.30 -2.12 to -0.10 | -18.15 -22.32 to -13.93 | -16.52 -19.80 to -12.50 | 11 8 to 14 | |
| 1 | Crime Solvers Unite | -0.10 | -15.58 | -13.1 | 9 |
| 2 | Moving Shadows | -0.10 | -19.09 | -17.6 | 12 |
| 3 | Trajectory Analysis | -0.46 | -21.12 | -19.8 | 14 |
| 4 | Shifting Metrics | -0.10 | -17.80 | -16.7 | 12 |
| 5 | Kid Gloves | -0.10 | -16.36 | -15.1 | 10 |
| 6 | Chalk Outlines | -1.73 | -20.29 | -18.9 | 11 |
| 7 | Finding the Unsub | -0.10 | -15.94 | -14.4 | 9 |
| 8 | Chain of Custody | -0.10 | -18.27 | -16.9 | 11 |
| 9 | Coming Up for Air | -0.10 | -17.72 | -15.5 | 11 |
| 10 | Escalating Tensions | -0.10 | -18.29 | -16.7 | 11 |
| 11 | Behind in the Count | -0.10 | -17.61 | -15.9 | 11 |
| 12 | Urban Territory | -0.10 | -13.93 | -12.5 | 8 |
| 13 | Skiptracing | -0.11 | -19.69 | -18.0 | 14 |
| 14 | Latent Prints | -2.12 | -22.32 | -19.7 | 14 |
| 15 | Dead in the Water | -0.10 | -18.49 | -16.6 | 12 |
| 16 | Coldline | -0.10 | -15.97 | -14.0 | 11 |
| 17 | Body Bags | -0.13 | -18.03 | -16.9 | 12 |
| 18 | Transient Evidence | -0.10 | -15.97 | -14.3 | 10 |
| 19 | Square the Block | -0.10 | -20.19 | -18.2 | 13 |
| 20 | Rough Shadowing | -0.13 | -20.30 | -19.5 | 12 |