℗ 2018 Hyperion Records Limited
| Released | September 29, 2023 |
| Originated | March 2, 2018 |
| Duration | 1h 47m 30s |
| Record Label | Hyperion |
| Genre | Classical |
Bach: Mass in B Minor, BWV 232
Orchestra of the Age of Enlightenment, Stephen Layton, The Choir of Trinity College Cambridge
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Mass in B Minor, BWV 232
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1.1
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Kyrie: I. Kyrie eleison (Chorus)
Johann Sebastian Bach; Anonymous; Stephen Layton; Orchestra of the Age of Enlightenment; The Choir of Trinity College Cambridge |
9:56 | |||
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1.2
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Kyrie: II. Christe eleison (Soprano I, II)
Johann Sebastian Bach; Anonymous; Orchestra of the Age of Enlightenment; Helen Charlston; Katherine Watson; Stephen Layton |
4:57 | |||
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1.3
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Kyrie: III. Kyrie eleison (Chorus)
Johann Sebastian Bach; Anonymous; The Choir of Trinity College Cambridge; Stephen Layton; Orchestra of the Age of Enlightenment |
3:24 | |||
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1.4
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Gloria: I. Gloria in excelsis Deo (Chorus)
Johann Sebastian Bach; Anonymous; Orchestra of the Age of Enlightenment; Stephen Layton; The Choir of Trinity College Cambridge |
1:44 | |||
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1.5
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Gloria: II. Et in terra pax hominibus (Chorus)
Johann Sebastian Bach; Anonymous; The Choir of Trinity College Cambridge; Stephen Layton; Orchestra of the Age of Enlightenment |
4:26 | |||
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1.6
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Gloria: III. Laudamus te (Soprano II)
Johann Sebastian Bach; Anonymous; Stephen Layton; Katherine Watson; Orchestra of the Age of Enlightenment |
4:22 | |||
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1.7
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Gloria: IV. Gratias agimus tibi (Chorus)
Johann Sebastian Bach; Anonymous; The Choir of Trinity College Cambridge; Orchestra of the Age of Enlightenment; Stephen Layton |
3:14 | |||
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1.8
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Gloria: V. Domine Deus (Soprano I, Tenor)
Johann Sebastian Bach; Anonymous; Katherine Watson; Orchestra of the Age of Enlightenment; Stephen Layton; Gwilym Bowen |
5:30 | |||
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1.9
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Gloria: VI. Qui tollis peccata mundi (Chorus)
Johann Sebastian Bach; Anonymous; Stephen Layton; Orchestra of the Age of Enlightenment; The Choir of Trinity College Cambridge |
3:04 | |||
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1.10
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Gloria: VII. Qui sedes ad dexteram Patris (Alto)
Johann Sebastian Bach; Anonymous; Iestyn Davies; Stephen Layton; Orchestra of the Age of Enlightenment |
4:28 | |||
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1.11
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Gloria: VIII. Quoniam tu solus sanctus (Bass)
Johann Sebastian Bach; Anonymous; Stephen Layton; Orchestra of the Age of Enlightenment; Neal Davies |
4:28 | |||
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1.12
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Gloria: IX. Cum Sancto Spiritu (Chorus)
Johann Sebastian Bach; Anonymous; The Choir of Trinity College Cambridge; Orchestra of the Age of Enlightenment; Stephen Layton |
3:42 | |||
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2.1
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Credo: I. Credo in unum Deum (Chorus)
Johann Sebastian Bach; Anonymous; Stephen Layton; The Choir of Trinity College Cambridge; Orchestra of the Age of Enlightenment |
1:59 | |||
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2.2
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Credo: II. Patrem omnipotentem (Chorus)
Johann Sebastian Bach; Anonymous; Stephen Layton; Orchestra of the Age of Enlightenment; The Choir of Trinity College Cambridge |
2:04 | |||
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2.3
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Credo: III. Et in unum Dominum (Duet)
Johann Sebastian Bach; Anonymous; Orchestra of the Age of Enlightenment; Katherine Watson; Iestyn Davies; Stephen Layton |
4:23 | |||
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2.4
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Credo: IV. Et incarnatus est (Chorus)
Johann Sebastian Bach; Anonymous; Orchestra of the Age of Enlightenment; Stephen Layton; The Choir of Trinity College Cambridge |
3:23 | |||
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2.5
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Credo: V. Crucifixus etiam pro nobis (Chorus)
Johann Sebastian Bach; Anonymous; The Choir of Trinity College Cambridge; Orchestra of the Age of Enlightenment; Stephen Layton |
3:23 | |||
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2.6
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Credo: VI. Et resurrexit tertia die (Chorus)
Johann Sebastian Bach; Anonymous; Stephen Layton; Orchestra of the Age of Enlightenment; The Choir of Trinity College Cambridge |
4:04 | |||
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2.7
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Credo: VII. Et in Spiritum Sanctum (Aria)
Johann Sebastian Bach; Anonymous; Neal Davies; Stephen Layton; Orchestra of the Age of Enlightenment |
5:18 | |||
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2.8
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Credo: VIII. Confiteor unum baptisma (Chorus)
Johann Sebastian Bach; Anonymous; Stephen Layton; Orchestra of the Age of Enlightenment; The Choir of Trinity College Cambridge |
3:55 | |||
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2.9
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Credo: IX. Et exspecto resurrectionem (Chorus)
Johann Sebastian Bach; Anonymous; The Choir of Trinity College Cambridge; Stephen Layton; Orchestra of the Age of Enlightenment |
2:05 | |||
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2.10
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Sanctus: I. Sanctus, Domine Deus (Chorus)
Johann Sebastian Bach; Anonymous; The Choir of Trinity College Cambridge; Orchestra of the Age of Enlightenment; Stephen Layton |
5:12 | |||
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2.11
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Sanctus: II. Osanna in excelsis (Chorus)
Johann Sebastian Bach; Anonymous; Stephen Layton; The Choir of Trinity College Cambridge; Orchestra of the Age of Enlightenment |
2:42 | |||
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2.12
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Benedictus: I. Benedictus qui venit (Tenor)
Johann Sebastian Bach; Anonymous; Orchestra of the Age of Enlightenment; Gwilym Bowen; Stephen Layton |
4:16 | |||
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2.13
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Benedictus: II. Osanna in excelsis (Chorus)
Johann Sebastian Bach; Anonymous; The Choir of Trinity College Cambridge; Stephen Layton; Orchestra of the Age of Enlightenment |
2:45 | |||
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2.14
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Agnus Dei: I. Agnus Dei (Aria)
Johann Sebastian Bach; Anonymous; Stephen Layton; Iestyn Davies; Orchestra of the Age of Enlightenment |
5:16 | |||
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2.15
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Agnus Dei: II. Dona nobis pacem (Chorus)
Johann Sebastian Bach; Anonymous; Orchestra of the Age of Enlightenment; The Choir of Trinity College Cambridge; Stephen Layton |
3:30 | |||
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Digital Booklet
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"[Iestyn Davies] discharges a beautifully inflected 'Qui sedes', impeccably warmed and coloured by a discreet vibrato that instinctively knows its expressive place. Neal Davies’ resonant 'Quoniam tu solus' is egged on by the gravelly chuckles of bassoons and roistering French horn, while Katherine Watson’s soaring soprano also strikes up an alluring partnership with Iestyn Davies for the 'Et in unum Deum'. One of the challenges for any conductor is marrying the Mass’s old-fashioned and up-to-the-minute elements while forging a coherent whole. Layton is on the case."
- BBC Music Magazine
Following much-praised accounts of the St John Passion and Christmas Oratorio, Stephen Layton now turns to the B minor Mass. With Trinity College Cambridge forces and a fine roster of soloists, the results are guaranteed to prove equally spectacular.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.98 -5.34 to -0.22 | -21.64 -25.59 to -17.60 | -18.50 -22.70 to -14.00 | 13 11 to 14 | |
| 1.1 | Kyrie: I. Kyrie eleison (Chorus) | -1.31 | -22.33 | -19.4 | 13 |
| 1.2 | Kyrie: II. Christe eleison (Soprano I, II) | -3.66 | -23.43 | -20.5 | 13 |
| 1.3 | Kyrie: III. Kyrie eleison (Chorus) | -2.42 | -23.16 | -20.1 | 13 |
| 1.4 | Gloria: I. Gloria in excelsis Deo (Chorus) | -0.36 | -18.60 | -15.5 | 12 |
| 1.5 | Gloria: II. Et in terra pax hominibus (Chorus) | -0.60 | -21.19 | -17.9 | 13 |
| 1.6 | Gloria: III. Laudamus te (Soprano II) | -2.71 | -23.00 | -19.9 | 13 |
| 1.7 | Gloria: IV. Gratias agimus tibi (Chorus) | -0.26 | -18.70 | -15.3 | 11 |
| 1.8 | Gloria: V. Domine Deus (Soprano I, Tenor) | -4.15 | -24.13 | -21.3 | 14 |
| 1.9 | Gloria: VI. Qui tollis peccata mundi (Chorus) | -5.33 | -23.39 | -20.6 | 12 |
| 1.10 | Gloria: VII. Qui sedes ad dexteram Patris (Alto) | -1.46 | -22.84 | -19.6 | 13 |
| 1.11 | Gloria: VIII. Quoniam tu solus sanctus (Bass) | -3.82 | -22.70 | -20.1 | 13 |
| 1.12 | Gloria: IX. Cum Sancto Spiritu (Chorus) | -0.22 | -17.82 | -14.5 | 11 |
| 2.1 | Credo: I. Credo in unum Deum (Chorus) | -1.35 | -19.81 | -16.7 | 11 |
| 2.2 | Credo: II. Patrem omnipotentem (Chorus) | -0.71 | -19.36 | -16.2 | 12 |
| 2.3 | Credo: III. Et in unum Dominum (Duet) | -0.98 | -22.13 | -19.1 | 14 |
| 2.4 | Credo: IV. Et incarnatus est (Chorus) | -4.23 | -24.78 | -21.9 | 12 |
| 2.5 | Credo: V. Crucifixus etiam pro nobis (Chorus) | -3.80 | -25.43 | -21.9 | 13 |
| 2.6 | Credo: VI. Et resurrexit tertia die (Chorus) | -0.48 | -20.01 | -16.6 | 13 |
| 2.7 | Credo: VII. Et in Spiritum Sanctum (Aria) | -4.35 | -24.16 | -21.3 | 14 |
| 2.8 | Credo: VIII. Confiteor unum baptisma (Chorus) | -1.93 | -22.86 | -19.8 | 13 |
| 2.9 | Credo: IX. Et exspecto resurrectionem (Chorus) | -0.26 | -17.60 | -14.0 | 11 |
| 2.10 | Sanctus: I. Sanctus, Domine Deus (Chorus) | -0.39 | -18.89 | -15.7 | 12 |
| 2.11 | Sanctus: II. Osanna in excelsis (Chorus) | -0.25 | -19.09 | -15.8 | 13 |
| 2.12 | Benedictus: I. Benedictus qui venit (Tenor) | -5.34 | -25.59 | -22.7 | 13 |
| 2.13 | Benedictus: II. Osanna in excelsis (Chorus) | -0.23 | -19.72 | -16.4 | 13 |
| 2.14 | Agnus Dei: I. Agnus Dei (Aria) | -2.55 | -24.89 | -21.9 | 14 |
| 2.15 | Agnus Dei: II. Dona nobis pacem (Chorus) | -0.24 | -18.73 | -14.7 | 11 |