![](http://d24jnm9llkb1ub.cloudfront.net/icpn/00602455968715/00602455968715-cover-zoom.jpg)
℗ 1990 UMG Recordings; A Geffen Records release
Released | October 6, 2023 |
Originated | January 15, 1990 |
Duration | 38m 22s |
Record Label | Geffen |
Genre | Rock |
Reading, Writing And Arithmetic
The Sundays
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Skin & Bones
The Sundays |
4:17 | |||
1.2
|
Here's Where The Story Ends
The Sundays |
3:54 | |||
1.3
|
Can't Be Sure
The Sundays |
3:22 | |||
1.4
|
I Won
The Sundays |
4:23 | |||
1.5
|
Hideous Towns
The Sundays |
3:46 | |||
1.6
|
You're Not The Only One I Know
The Sundays |
3:50 | |||
1.7
|
A Certain Someone
The Sundays |
4:25 | |||
1.8
|
I Kicked A Boy
The Sundays |
2:16 | |||
1.9
|
My Finest Hour
The Sundays |
3:59 | |||
1.10
|
Joy
The Sundays |
4:10 |
"Even if the Sundays hadn't named their debut Reading, Writing and Arithmetic, its bookish nature would've been apparent. Harriet Wheeler sings like she's trying to get the librarian's attention without disturbing others, and guitarist David Gavurin strums with a studied focus."
- Pitchfork
"... a collection of uncommonly good songs graced by Harriet Wheeler's wondrous singing [...] Wheeler brings an exceptionally expressive voice to bear on the rich melodies and homely lyrics that offer offbeat thoughts about life, love and the English climate."
- Rolling Stone
Originally released in 1990 on Geffen Records, the debut album by The Sundays features their breakout single, “Here’s Where The Story Ends”. It was released in 1990 on Rough Trade Records in the United Kingdom, and on DGC Records in the United States. The album's title is a reference to the band's hometown, Reading, Berkshire. Pitchfork ranked Reading, Writing and Arithmetic at number 15 on its list of "The 30 Best Dream Pop Albums".
96 kHz / 24-bit PCM – Geffen Studio Masters
Tracks 1-10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.62 -9.17 to -7.85 | -18.85 -21.83 to -17.17 | -15.60 -18.50 to -13.80 | 5 4 to 5 | |
1 | Skin & Bones | -7.98 | -17.17 | -13.8 | 4 |
2 | Here's Where The Story Ends | -9.07 | -18.91 | -15.8 | 5 |
3 | Can't Be Sure | -8.46 | -18.34 | -15.3 | 5 |
4 | I Won | -7.85 | -18.96 | -15.8 | 5 |
5 | Hideous Towns | -8.75 | -17.89 | -14.5 | 5 |
6 | You're Not The Only One I Know | -8.91 | -18.23 | -15.3 | 5 |
7 | A Certain Someone | -8.50 | -18.33 | -15.0 | 5 |
8 | I Kicked A Boy | -8.39 | -19.73 | -16.5 | 5 |
9 | My Finest Hour | -9.17 | -19.11 | -15.5 | 5 |
10 | Joy | -9.09 | -21.83 | -18.5 | 5 |