℗ 2003 Hyperion Records Limited
Released | October 13, 2023 |
Originated | April 1, 2003 |
Duration | 1h 08m 22s |
Record Label | Hyperion |
Genre | Classical |
Hubay: Violin Concertos Nos. 3 & 4 (Hyperion Romantic Violin Concerto 3)
Hagai Shaham, BBC Scottish Symphony Orchestra, Martyn Brabbins
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Violin Concerto No. 3 in G Minor, Op. 99
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1.1
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I. Introduction quasi fantasia. Moderato –
Jenő Hubay; BBC Scottish Symphony Orchestra; Martyn Brabbins; Hagai Shaham |
5:16 | |||
1.2
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II. Scherzo. Presto
Jenő Hubay; Hagai Shaham; Martyn Brabbins; BBC Scottish Symphony Orchestra |
4:20 | |||
1.3
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III. Adagio, moderato
Jenő Hubay; BBC Scottish Symphony Orchestra; Hagai Shaham; Martyn Brabbins |
10:15 | |||
1.4
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IV. Allegro con fuoco
Jenő Hubay; BBC Scottish Symphony Orchestra; Hagai Shaham; Martyn Brabbins |
9:00 | |||
Variations sur un thème hongrois, Op. 72
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1.5
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I. Introduction. Molto moderato
Jenő Hubay; BBC Scottish Symphony Orchestra; Hagai Shaham; Martyn Brabbins |
2:38 | |||
1.6
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II. Theme. Adagio
Jenő Hubay; BBC Scottish Symphony Orchestra; Hagai Shaham; Martyn Brabbins |
1:03 | |||
1.7
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III. Var. 1. Un poco più vivo
Jenő Hubay; BBC Scottish Symphony Orchestra; Hagai Shaham; Martyn Brabbins |
0:44 | |||
1.8
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IV. Var. 2. Animato
Jenő Hubay; BBC Scottish Symphony Orchestra; Hagai Shaham; Martyn Brabbins |
0:36 | |||
1.9
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V. Var. 3. Allegro
Jenő Hubay; Martyn Brabbins; BBC Scottish Symphony Orchestra; Hagai Shaham |
0:32 | |||
1.10
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VI. Var. 4. Moderato
Jenő Hubay; BBC Scottish Symphony Orchestra; Hagai Shaham; Martyn Brabbins |
0:51 | |||
1.11
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VII. Var. 5. Adagio non troppo
Jenő Hubay; BBC Scottish Symphony Orchestra; Martyn Brabbins; Hagai Shaham |
0:48 | |||
1.12
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VIII. Var. 6. Poco animato
Jenő Hubay; BBC Scottish Symphony Orchestra; Martyn Brabbins; Hagai Shaham |
1:27 | |||
1.13
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IX. Var. 7. Moderato
Jenő Hubay; Martyn Brabbins; Hagai Shaham; BBC Scottish Symphony Orchestra |
0:33 | |||
1.14
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X. Var. 8. Andante con moto
Jenő Hubay; BBC Scottish Symphony Orchestra; Martyn Brabbins; Hagai Shaham |
0:44 | |||
1.15
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XI. Var. 9. Allegro moderato
Jenő Hubay; Martyn Brabbins; Hagai Shaham; BBC Scottish Symphony Orchestra |
0:19 | |||
1.16
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XII. Var. 10. Allegro molto
Jenő Hubay; BBC Scottish Symphony Orchestra; Martyn Brabbins; Hagai Shaham |
0:40 | |||
1.17
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XIII. Var. 11. L'istesso tempo
Jenő Hubay; Martyn Brabbins; Hagai Shaham; BBC Scottish Symphony Orchestra |
0:38 | |||
1.18
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XIV. Cadenza
Jenő Hubay; Martyn Brabbins; BBC Scottish Symphony Orchestra; Hagai Shaham |
2:30 | |||
1.19
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XV. Theme. Grave
Jenő Hubay; BBC Scottish Symphony Orchestra; Hagai Shaham; Martyn Brabbins |
1:32 | |||
Violin Concerto No. 4 in A Minor, Op. 101 "All'antica"
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1.20
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I. Preludio. Largo
Jenő Hubay; Martyn Brabbins; Hagai Shaham; BBC Scottish Symphony Orchestra |
6:31 | |||
1.21
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II. Corrente e musette. Presto
Jenő Hubay; BBC Scottish Symphony Orchestra; Martyn Brabbins; Hagai Shaham |
3:36 | |||
1.22
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III. Larghetto, adagio
Jenő Hubay; Hagai Shaham; Martyn Brabbins; BBC Scottish Symphony Orchestra |
8:13 | |||
1.23
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IV. Finale e capriccio. Allegro
Jenő Hubay; Martyn Brabbins; BBC Scottish Symphony Orchestra; Hagai Shaham |
5:36 | |||
Digital Booklet
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"These last two of Hubay’s four violin concertos make a most attractive addition to Hyperion’s emergent series of Romantic violin concertos … The Israeli soloist Hagai Shaham has the advantage of having been taught by one of Hubay’s pupils, Ilona Feher. Not only does he relish the Hungarian inflections in a winningly idiomatic way, he plays with an ethereal purity in the many passages of stratospheric melody. As so often, Martyn Brabbins proves a most sympathetic partner, drawing committed playing from the BBC Scottish Symphony Orchestra, helped by beautifully balanced, cleanly focused recording."
- Gramophone
The Romantic Piano Concerto series has become one of Hyperion’s most popular projects to date, and this disc should help guide The Romantic Violin Concerto series to similar critical acclaim.
Hubay’s 3rd concerto mirrors the format of the piano concertos of Liszt (with whom he studied composition) in that it is performed without a break between the movements. The 4th concerto adheres to a more traditional baroque format regarding structure, melody and harmony, hence it’s title. The third work on the disc comprises a theme and twelve variations. All three works are virtuosic display pieces comparable to the concertos of Wieniawski and Vieuxtemps, and call for much pyrotechnics from the soloist.
Hubay is widely acknowledged as the founder of the ‘Hungarian school’ of violin playing. His list of prodigies includes the virtuoso violinist Ilona Fehér who went on to teach Hagai Shaham. The sonorous, round and broad tone that is the main beauty of the Hubay-school is unmistakable in Shaham’s performance here, making this a stunning first recording for Hyperion.
44.1 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.36 -15.40 to -1.61 | -28.87 -37.16 to -22.40 | -25.62 -33.50 to -19.20 | 13 10 to 18 | |
1 | I. Introduction quasi fantasia. Moderato – | -1.98 | -25.17 | -21.9 | 15 |
2 | II. Scherzo. Presto | -2.29 | -29.13 | -25.7 | 18 |
3 | III. Adagio, moderato | -2.05 | -26.23 | -22.8 | 15 |
4 | IV. Allegro con fuoco | -1.61 | -26.35 | -22.6 | 16 |
5 | I. Introduction. Molto moderato | -3.70 | -24.77 | -21.4 | 12 |
6 | II. Theme. Adagio | -10.84 | -27.80 | -25.3 | 11 |
7 | III. Var. 1. Un poco più vivo | -14.89 | -32.51 | -29.4 | 12 |
8 | IV. Var. 2. Animato | -9.31 | -27.47 | -24.5 | 12 |
9 | V. Var. 3. Allegro | -3.08 | -27.78 | -25.0 | 16 |
10 | VI. Var. 4. Moderato | -15.40 | -37.16 | -33.5 | 15 |
11 | VII. Var. 5. Adagio non troppo | -12.24 | -31.29 | -28.3 | 11 |
12 | VIII. Var. 6. Poco animato | -14.32 | -32.72 | -29.0 | 10 |
13 | IX. Var. 7. Moderato | -11.74 | -30.07 | -26.8 | 10 |
14 | X. Var. 8. Andante con moto | -12.62 | -32.04 | -28.9 | 12 |
15 | XI. Var. 9. Allegro moderato | -9.81 | -31.04 | -27.7 | 15 |
16 | XII. Var. 10. Allegro molto | -14.15 | -33.73 | -30.7 | 11 |
17 | XIII. Var. 11. L'istesso tempo | -3.41 | -22.40 | -19.2 | 11 |
18 | XIV. Cadenza | -11.00 | -32.72 | -28.9 | 13 |
19 | XV. Theme. Grave | -3.67 | -24.13 | -21.3 | 10 |
20 | I. Preludio. Largo | -2.19 | -25.49 | -22.3 | 13 |
21 | II. Corrente e musette. Presto | -3.32 | -28.85 | -25.6 | 17 |
22 | III. Larghetto, adagio | -2.60 | -27.08 | -23.8 | 15 |
23 | IV. Finale e capriccio. Allegro | -3.13 | -28.05 | -24.6 | 16 |