℗ 2013 Hyperion Records Limited
Released | October 13, 2023 |
Originated | February 24, 2013 |
Duration | 1h 09m 09s |
Record Label | Hyperion |
Genre | Classical |
Glazunov & Schoeck: Works for Violin and Orchestra (Hyperion Romantic Violin Concerto 14)
Chloë Hanslip, Orchestra della Svizzera italiana, Alexander Vedernikov
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Concerto in A Minor, Op. 82
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1.1
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I. Moderato
Alexander Glazunov; Chloë Hanslip; Alexander Vedernikov; Orchestra della Svizzera italiana |
4:26 | |||
1.2
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II. Andante – Cadenza –
Alexander Glazunov; Alexander Vedernikov; Chloë Hanslip; Orchestra della Svizzera italiana |
10:33 | |||
1.3
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III. Allegro
Alexander Glazunov; Alexander Vedernikov; Chloë Hanslip; Orchestra della Svizzera italiana |
5:53 | |||
1.4
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Meditation in D Major, Op. 32
Alexander Glazunov; Chloë Hanslip; Alexander Vedernikov; Orchestra della Svizzera italiana |
4:15 | |||
1.5
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Mazurka-Oberek in D Major
Alexander Glazunov; Chloë Hanslip; Alexander Vedernikov; Orchestra della Svizzera italiana |
9:56 | |||
Concerto quasi una fantasia in B-Flat Major, Op. 21
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1.6
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I. Allegretto
Othmar Schoeck; Chloë Hanslip; Alexander Vedernikov; Orchestra della Svizzera italiana |
13:22 | |||
1.7
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II. Grave, non troppo lento –
Othmar Schoeck; Alexander Vedernikov; Chloë Hanslip; Orchestra della Svizzera italiana |
11:48 | |||
1.8
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III. Allegro con spirito
Othmar Schoeck; Alexander Vedernikov; Chloë Hanslip; Orchestra della Svizzera italiana |
8:56 | |||
Digital Booklet
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"Schoeck's Concerto is, indeed, highly romantic but in a subtle, refined way … Hanslip gives a most convincing performance; her unobtrusive musicianship, with subtle variations in tone to match the emotional colour of each phrase, is admirably suited to the music's refined expressiveness. Throughout the disc, the orchestral contribution is splendidly clear and well balanced. Hanslip is also persuasive in the Glazunov concerto … the purity and neatness of her playing bring an effortless sparkle to the concerto's finale."
- Gramophone
The brilliant young violinist Chloë Hanslip has recorded another volume of Hyperion’s Romantic Violin Concerto series, and displays her usual insouciant virtuosity and obvious delight in the music.
Glazunov’s Violin Concerto, written for Leopold Auer, is a masterpiece of violin writing, including a brilliantly effective cadenza by the composer himself. As Hans Keller wrote, ‘Glazunov created an almost perfect concerto—instrumentally, the best I know amongst pianists’ violin concertos’.
Swiss composer Othmar Schoek is probably best known for his Lieder. His Concerto quasi una fantasia in B flat major, Op 21, for violin and full orchestra is his most substantial concert work. The lyric passion and attractiveness of the work’s ideas earn it a distinguished place among the violin concertos of the immediate pre-World War I period.
96 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.23 -9.28 to -0.20 | -28.89 -32.35 to -25.40 | -25.29 -28.80 to -22.00 | 16 13 to 17 | |
1 | I. Moderato | -4.45 | -32.35 | -28.8 | 17 |
2 | II. Andante – Cadenza – | -4.62 | -31.15 | -27.4 | 17 |
3 | III. Allegro | -0.27 | -25.40 | -22.0 | 15 |
4 | Meditation in D Major, Op. 32 | -9.28 | -31.72 | -27.9 | 13 |
5 | Mazurka-Oberek in D Major | -0.74 | -27.53 | -24.2 | 16 |
6 | I. Allegretto | -4.17 | -29.52 | -26.0 | 16 |
7 | II. Grave, non troppo lento – | -0.20 | -27.72 | -24.0 | 17 |
8 | III. Allegro con spirito | -2.08 | -25.72 | -22.0 | 15 |