℗ 2012 Hyperion Records Limited
Released October 13, 2023
Originated April 27, 2012
Duration 1h 15m 02s
Record Label Hyperion
Genre Classical
 

Vieuxtemps: Violin Concertos Nos. 1 & 2 (Hyperion Romantic Violin Concerto 12)

Chloë Hanslip, Royal Flemish Philharmonic, Martyn Brabbins

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Violin Concerto No. 1 in E Major, Op. 10  
1.1
I. Allegro moderato
Henri Vieuxtemps; Chloë Hanslip; Martyn Brabbins; Royal Flemish Philharmonic
24:49
1.2
II. Introduction. Adagio
Henri Vieuxtemps; Royal Flemish Philharmonic; Martyn Brabbins; Chloë Hanslip
3:33
1.3
III. Rondo. Allegretto
Henri Vieuxtemps; Royal Flemish Philharmonic; Chloë Hanslip; Martyn Brabbins
12:18
Violin Concerto No. 2 in F-Sharp Minor, Op. 19  
1.4
I. Allegro
Henri Vieuxtemps; Chloë Hanslip; Martyn Brabbins; Royal Flemish Philharmonic
8:54
1.5
II. Andante
Henri Vieuxtemps; Chloë Hanslip; Martyn Brabbins; Royal Flemish Philharmonic
4:43
1.6
III. Rondo. Allegro
Henri Vieuxtemps; Chloë Hanslip; Royal Flemish Philharmonic; Martyn Brabbins
7:55
1.7
Greeting to America, Op. 56
Henri Vieuxtemps; Martyn Brabbins; Chloë Hanslip; Royal Flemish Philharmonic
12:50
Digital Booklet
"The acrobatics which Vieuxtemps puts her through are not just surmounted, with double-stops impeccably crafted even at speed, but are meaningfully phrased with a variety of tone and dynamics. She also finds character in the lyrical Adagio, and the more playful Rondo Finale, with its swaggering main theme … I really feel a smile coming out of the loudspeakers." - BBC Music Magazine Hyperion’s record of the month for May heralds a new collaboration with the brilliant young British violinist Chloë Hanslip, the former child prodigy famously signed to Warner Classics at the age of just fourteen. Here, she lends her now-mature talents to the second release in Hyperion’s overview of Vieuxtemps’ Violin Concertos and Volume 12 of the burgeoning Romantic Violin Concerto series. Henry Vieuxtemps (1820–1881) was a Belgian violin virtuoso who, after the death of Paganini, was widely considered to be the best violinist in Europe. Besides being a brilliant player, he was a remarkably fine composer, as demonstrated in these, his first two concertos. Alongside the memorable violin fireworks, Vieuxtemps here shows a well-argued musical sensibility that straddles both the Classical and Romantic eras as well as the ability to write gorgeous, almost operatic slow movements in the best bel canto tradition.
96 kHz / 24-bit PCM – Hyperion Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.82
-6.77 to -0.30
-25.76
-31.00 to -23.38
-21.74
-27.00 to -19.20
14
13 to 15
1
I. Allegro moderato
-0.30-23.38-19.214
2
II. Introduction. Adagio
-4.36-28.59-24.813
3
III. Rondo. Allegretto
-0.30-24.59-20.315
4
I. Allegro
-0.30-23.89-20.115
5
II. Andante
-6.77-31.00-27.014
6
III. Rondo. Allegro
-0.40-25.47-21.614
7
Greeting to America, Op. 56
-0.30-23.42-19.213

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