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℗ 2016 London Symphony Orchestra Ltd
Released | June 10, 2016 |
Duration | 53m 21s |
Record Label | Lso Live |
Genre | Classical |
Rachmaninov: All-Night Vigil (Vespers)
London Symphony Chorus, Simon Halsey
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
All-Night Vigil, Op. 37
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1.1
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I. Come, Let Us Worship
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
1:53 | |||
1.2
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II. Bless the Lord, O My Soul
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
4:11 | |||
1.3
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III. Blessed is the Man
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
4:30 | |||
1.4
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IV. Gladsome Light
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
2:34 | |||
1.5
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V. Lord, Now Lettest Thou Thy Servant (Nunc Dimittis)
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
3:02 | |||
1.6
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VI. Rejoice, O Virgin (Ave Maria)
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
2:32 | |||
1.7
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VII. The Six Psalms (Introduction) – Glory be to God (The Lesser Doxology)
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
2:17 | |||
1.8
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VIII. Praise the Name of the Lord
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
2:13 | |||
1.9
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XI. Blessed Art Thou, O Lord
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
6:08 | |||
1.10
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X. Having Beheld the Resurrection of Christ
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
3:11 | |||
1.11
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XI. My Soul Doth Magnify the Lord (Magnificat)
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
7:19 | |||
1.12
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XII. Glory Be to God on High (The Great Doxology)
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
7:12 | |||
1.13
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XIII. Troparion. Today Hath Salvation Come
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
1:41 | |||
1.14
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XIV. Troparion. Thou Didst Rise from the Tomb
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
2:59 | |||
1.15
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XV. To Thee, the Victorious Leader
Sergei Rachmaninoff; London Symphony Chorus; Simon Halsey |
1:39 | |||
Digital Booklet
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Composed in 1915, against a backdrop of political turmoil in Russia and the early throes of The First World War, the sense of spiritual transcendence in Vespers may be interpreted as the composer's response to the chaos and suffering around him. While Rachmaninov was no conventional believer, the rituals and traditions of the Orthodox Church were an essential part of his cultural background, evident in his use of chants from the Russian Church as the basis for ten of the work's fifteen sections. For the remaining five, Rachmaninov composed entirely new music, though these are so heavily influenced by tradition that it is near impossible to tell the difference.
96 kHz / 24-bit PCM – Lso Live Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.40 -14.00 to -0.11 | -28.94 -35.99 to -22.83 | -24.91 -32.80 to -19.00 | 14 11 to 17 | |
1 | I. Come, Let Us Worship | -4.54 | -25.38 | -21.5 | 11 |
2 | II. Bless the Lord, O My Soul | -9.19 | -34.51 | -31.7 | 13 |
3 | III. Blessed is the Man | -3.78 | -28.85 | -24.4 | 15 |
4 | IV. Gladsome Light | -9.12 | -32.59 | -29.3 | 15 |
5 | V. Lord, Now Lettest Thou Thy Servant (Nunc Dimittis) | -4.29 | -30.74 | -26.9 | 15 |
6 | VI. Rejoice, O Virgin (Ave Maria) | -4.01 | -30.12 | -26.0 | 17 |
7 | VII. The Six Psalms (Introduction) – Glory be to God (The Lesser Doxology) | -14.00 | -35.99 | -32.8 | 13 |
8 | VIII. Praise the Name of the Lord | -2.95 | -26.32 | -21.7 | 14 |
9 | XI. Blessed Art Thou, O Lord | -0.11 | -28.45 | -23.6 | 16 |
10 | X. Having Beheld the Resurrection of Christ | -0.37 | -25.88 | -20.3 | 14 |
11 | XI. My Soul Doth Magnify the Lord (Magnificat) | -2.25 | -29.78 | -25.6 | 16 |
12 | XII. Glory Be to God on High (The Great Doxology) | -2.03 | -28.65 | -25.0 | 17 |
13 | XIII. Troparion. Today Hath Salvation Come | -0.82 | -25.02 | -20.5 | 12 |
14 | XIV. Troparion. Thou Didst Rise from the Tomb | -5.15 | -28.95 | -25.3 | 14 |
15 | XV. To Thee, the Victorious Leader | -3.41 | -22.83 | -19.0 | 12 |