℗ 2019 Deutsche Grammophon, Berlin
Released | October 31, 2023 |
Originated | July 19, 2019 |
Duration | 1h 04m 30s |
Record Label | Deutsche Grammophon, Berlin |
Genre | Classical |
Sequenza
Franziska Hölscher, Severin von Eckardstein
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Mystery Sonatas No. 16 in G Minor "Passagalia"
Heinrich Biber; Franziska Hölscher |
7:49 | |||
6 Capricci
|
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1.2
|
No. 2, Andante
Salvatore Sciarrino; Franziska Hölscher |
6:16 | |||
1.3
|
Sequenza VIII per Violino solo
Luciano Berio; Franziska Hölscher |
14:30 | |||
1.4
|
No. 5, Presto
Salvatore Sciarrino; Franziska Hölscher |
2:48 | |||
Violin Sonata No. 2 in D Minor, Op. 121
|
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1.5
|
I. Ziemlich langsam. Lebhaft
Robert Schumann; Franziska Hölscher; Severin von Eckardstein |
13:29 | |||
1.6
|
II. Sehr lebhaft
Robert Schumann; Franziska Hölscher; Severin von Eckardstein |
4:29 | |||
1.7
|
III. Leise, einfach
Robert Schumann; Franziska Hölscher; Severin von Eckardstein |
5:51 | |||
1.8
|
IV. Bewegt
Robert Schumann; Franziska Hölscher; Severin von Eckardstein |
9:18 | |||
Digital Booklet
|
"Regardless of what other people may think, popularity is not a criterion for me. I want to draw listeners’ attention to these works, which, in my opinion, are among the most important compositions of their time. FS: That is a way of popularizing them. FH: I suppose you could put it that way.
In recital programmes I select works to create connections and dialogue among different time periods: we can shed light on contemporary music from the angle of early music, or we can find modern traits in works of the past.
Berio’s Sequenza VIII for Violin was my point of departure. As one of the essential 20th-century works for violin, it occupies a central place in my repertoire, and has been part of my life for many years. Every time I come back to it, the Sequenza reveals new dimensions of sound. We can likewise note a certain tension between contemporary and early music in the works of Berio’s compatriot, Salvatore Sciarrino. His distinct style often explores the boundaries of timbre; Sciarrino’s typical nervousness in fast movements is reminiscent, in turn, of the music of Robert Schumann. And Sciarrino’s figures of rhetoric hark back explicitly to Baroque music. Schumann’s sonata likewise associates Baroque forms – specifically, a chorale – with progressive techniques of composition and means of expression. Thus, the relation between the present and the past is the central theme connecting all the works on this [album]."
- Franziska Hölscher
44.1 kHz / 24-bit PCM – Deutsche Grammophon, Berlin Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.56 -5.36 to -0.54 | -28.77 -37.58 to -23.40 | -23.56 -28.40 to -20.70 | 16 13 to 23 | |
1 | Mystery Sonatas No. 16 in G Minor "Passagalia" | -5.36 | -27.95 | -23.6 | 14 |
2 | No. 2, Andante | -2.92 | -37.58 | -28.4 | 23 |
3 | Sequenza VIII per Violino solo | -0.54 | -30.79 | -24.0 | 19 |
4 | No. 5, Presto | -3.95 | -31.09 | -23.4 | 13 |
5 | I. Ziemlich langsam. Lebhaft | -2.71 | -24.98 | -21.7 | 14 |
6 | II. Sehr lebhaft | -0.65 | -24.38 | -20.9 | 15 |
7 | III. Leise, einfach | -1.65 | -29.96 | -25.8 | 17 |
8 | IV. Bewegt | -2.69 | -23.40 | -20.7 | 13 |