℗ 2023 Daniel Heide
Released | November 3, 2023 |
Duration | 1h 05m 01s |
Record Label | CAvi-music |
Genre | Classical |
Beethoven: Piano Sonatas Nos. 17 “The Tempest”, 20, 27 & 31
Daniel Heide
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Sonata No. 27 in E Minor, Op. 90
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1.1
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I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Ludwig van Beethoven; Daniel Heide |
5:53 | |||
1.2
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II. Nicht zu geschwind und sehr singbar vorgetragen
Ludwig van Beethoven; Daniel Heide |
8:13 | |||
Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "The Tempest"
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1.3
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I. Largo - Allegro
Ludwig van Beethoven; Daniel Heide |
8:29 | |||
1.4
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II. Adagio
Ludwig van Beethoven; Daniel Heide |
7:28 | |||
1.5
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III. Allegretto
Ludwig van Beethoven; Daniel Heide |
6:42 | |||
Piano Sonata No. 20 in G Major, Op. 49 No. 2
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1.6
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I. Allegro ma non troppo
Ludwig van Beethoven; Daniel Heide |
5:18 | |||
1.7
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II. Tempo di Menuetto
Ludwig van Beethoven; Daniel Heide |
3:25 | |||
Piano Sonata No. 31 in A-Flat Major, Op. 110
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1.8
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I. Moderato cantabile molto espressivo
Ludwig van Beethoven; Daniel Heide |
6:04 | |||
1.9
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II. Allegro molto
Ludwig van Beethoven; Daniel Heide |
2:23 | |||
1.10
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IIIa. Adagio ma non troppo
Ludwig van Beethoven; Daniel Heide |
3:31 | |||
1.11
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IIIb. Fuga (Allegro ma non troppo)
Ludwig van Beethoven; Daniel Heide |
7:35 | |||
Digital Booklet
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Daniel Heide, better known worldwide as a chamber musician and highly appreciated partner of singers for song recitals, is one of the most sought-after German pianists, also because of his profound musicality. He discovered singers like Konstantin Krimmel, Andrè Schuen and also the soprano Katharina Konradi; his recordings with them were celebrated as highly acclaimed album premieres.
Here, he rediscovers his old love for the Beethoven sonatas:
"My complete recording of Ludwig van Beethoven's piano sonatas definitely follows autobiographical traits in the order and programming of the individual volumes. In my pianistic work over the past 15 years, an ever-increasing focus on making music in partnership has emerged. What began as general chamber music making with instrumentalists and singers has developed more and more into concert activity in duo, mainly in recitals worldwide. That this approach in its frequency would be enough for a stable living, I had hardly dared to dream before. When asked what was actually going on with my solo playing, I could only ever answer with a shrug and point out that I needed something like a sabbatical to practice solo repertoire in peace and come back to playing piano recitals. Then came Corona. Suddenly there was the time..."
- Daniel Heide
96 kHz / 24-bit PCM – CAvi-music Studio Masters
Tracks 1-11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.28 -11.84 to -0.78 | -26.41 -31.64 to -22.30 | -23.13 -28.80 to -19.20 | 13 12 to 16 | |
1 | I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | -0.78 | -24.67 | -20.7 | 14 |
2 | II. Nicht zu geschwind und sehr singbar vorgetragen | -5.46 | -25.79 | -23.1 | 13 |
3 | I. Largo - Allegro | -0.79 | -24.28 | -20.0 | 13 |
4 | II. Adagio | -4.98 | -29.28 | -25.9 | 16 |
5 | III. Allegretto | -3.99 | -22.59 | -20.0 | 12 |
6 | I. Allegro ma non troppo | -11.48 | -29.29 | -26.6 | 12 |
7 | II. Tempo di Menuetto | -11.84 | -31.64 | -28.8 | 12 |
8 | I. Moderato cantabile molto espressivo | -4.21 | -25.81 | -22.6 | 14 |
9 | II. Allegro molto | -3.51 | -22.30 | -19.2 | 12 |
10 | IIIa. Adagio ma non troppo | -8.89 | -30.90 | -27.4 | 13 |
11 | IIIb. Fuga (Allegro ma non troppo) | -2.11 | -23.95 | -20.1 | 13 |