℗ 2014 Genuin
| Released | May 27, 2014 |
| Duration | 57m 59s |
| Record Label | Genuin |
| Catalogue No. | GEN14307 |
| Genre | Classical (Wind Ensemble/Band Music) |
Symphonic Dances: Works by A. Dvořák, M. Mussorgsky, J. Offenbach, J. Strauss, P. Tchaikovsky and others
Sächsische Bläserphilharmonie, Thomas Clamor
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Slavonic Dance No. 8 (arr. by G. Baumann)
Antonín Dvořák; Sächsische Bläserphilharmonie; Thomas Clamor |
4:15 | |||
|
1.2
|
Slavonic Dance No. 2 (arr. by G. Schafer)
Antonín Dvořák; Sächsische Bläserphilharmonie; Thomas Clamor |
5:03 | |||
|
1.3
|
Tritsch Tratsch Polka (arr. by S. Bethmann)
Johann Strauss II; Sächsische Bläserphilharmonie; Thomas Clamor |
2:46 | |||
|
1.4
|
Can-Can (arr. by W. Schirmer)
Jacques Offenbach; Sächsische Bläserphilharmonie; Thomas Clamor |
2:10 | |||
|
1.5
|
Perpetuum Mobile (arr. by S. Bethmann)
Johann Strauss II; Sächsische Bläserphilharmonie; Thomas Clamor |
3:20 | |||
|
1.6
|
Mambo No. 8
Damaso Perez Prado; Sächsische Bläserphilharmonie; Thomas Clamor |
1:42 | |||
|
1.7
|
Mambo Que Rico
Lilia Prado; Sächsische Bläserphilharmonie; Thomas Clamor |
3:07 | |||
|
1.8
|
Alma Llanera (arr. by R. Osuna)
Pedro Elias Gutierrez; Sächsische Bläserphilharmonie; Thomas Clamor |
2:04 | |||
|
1.9
|
Danza Final de Malambo
Anonymous; Sächsische Bläserphilharmonie; Thomas Clamor |
3:37 | |||
|
1.10
|
Ballet of the Unhatched Chicks (arr. by M. Hindsley)
Modest Petrovich Mussorgsky; Sächsische Bläserphilharmonie; Thomas Clamor |
1:16 | |||
|
1.11
|
Csárdás (arr. by G. Kneifel)
Vittorio Monti; Sächsische Bläserphilharmonie; Rene Geipel; Thomas Clamor |
4:04 | |||
|
1.12
|
Hungarian Dance No.5 (arr. by G. Schlotter)
Johannes Brahms; Sächsische Bläserphilharmonie; Thomas Clamor |
2:53 | |||
|
Excerpts from the Nutcracker Suite
|
|||||
|
1.13
|
March (arr. by G. Schlotter)
Pyotr Il'yich Tchaikovsky; Sächsische Bläserphilharmonie; Thomas Clamor |
2:32 | |||
|
1.14
|
Chinese Dance (arr. by J. Cober)
Pyotr Il'yich Tchaikovsky; Sächsische Bläserphilharmonie; Thomas Clamor |
1:03 | |||
|
1.15
|
Dance of the Reed Pipes (arr. by G. Schlotter)
Pyotr Il'yich Tchaikovsky; Sächsische Bläserphilharmonie; Thomas Clamor |
2:27 | |||
|
1.16
|
Trepak (arr. by G. Schlotter)
Pyotr Il'yich Tchaikovsky; Sächsische Bläserphilharmonie; Thomas Clamor |
1:15 | |||
|
1.17
|
Sabre Dance (arr. by W. Schirmer)
Aram Il'yich Khachaturian; Sächsische Bläserphilharmonie; Thomas Clamor |
2:27 | |||
|
1.18
|
Polka (arr. by J.N. Smith for Wind Quintet)
Dmitry Shostakovich; Sächsische Bläserphilharmonie; Thomas Clamor |
2:30 | |||
|
The Firebird Suite
|
|||||
|
1.19
|
Round Dance of the Princesses (arr. by S. Goldhammer)
Igor Stravinsky; Sächsische Bläserphilharmonie; Thomas Clamor |
4:50 | |||
|
1.20
|
Infernal Dance of Kastchei (arr. by R. Earles)
Igor Stravinsky; Sächsische Bläserphilharmonie; Thomas Clamor |
4:38 | |||
|
Digital Booklet
|
|||||
The Saxon Wind Philharmonic, the only German cultural orchestra consisting exclusively of wind instruments, dance and swing and groove at the highest level of wind playing on this diverse album that touches many genres, across all centuries and around the whole world. Led by conductor Thomas Clamor, The Nutcracker meets French can-can and The Firebird dances with a group of Viennese girls on this programme of Mussorgsky and Tchaikovsky, Offenbach and Strauss, Dvořák and Brahms.
96 kHz / 24-bit PCM – Genuin Studio Masters
Recorded at Deutsche Bläserakademie, Bad Lausick, April 15–19, 2013 Producer/Tonmeister: Holger Busse Editing: Luisa Sachs, Holger Busse Text: Tilmann Böttcher, Augsburg English Translation: Matthew Harris, Ibiza Booklet Editing: Nora Krzonkalla, Leipzig Photography: Wolfgang Hanzl (Thomas Clamor) René Geipel (Saxon Wind Philharmonic) Layout: Sabine Kahlke-Rosenthal, Leipzig Graphic Concept: Thorsten Stapel, Münster
Recorded at Deutsche Bläserakademie, Bad Lausick, April 15–19, 2013 Producer/Tonmeister: Holger Busse Editing: Luisa Sachs, Holger Busse Text: Tilmann Böttcher, Augsburg English Translation: Matthew Harris, Ibiza Booklet Editing: Nora Krzonkalla, Leipzig Photography: Wolfgang Hanzl (Thomas Clamor) René Geipel (Saxon Wind Philharmonic) Layout: Sabine Kahlke-Rosenthal, Leipzig Graphic Concept: Thorsten Stapel, Münster
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.42 -13.20 to 0.00 | -25.00 -33.76 to -18.35 | -21.12 -30.40 to -14.90 | 13 12 to 15 | |
| 1 | Slavonic Dance No. 8 (arr. by G. Baumann) | -0.37 | -21.38 | -16.1 | 13 |
| 2 | Slavonic Dance No. 2 (arr. by G. Schafer) | -10.01 | -30.47 | -27.1 | 12 |
| 3 | Tritsch Tratsch Polka (arr. by S. Bethmann) | -1.90 | -23.87 | -20.4 | 14 |
| 4 | Can-Can (arr. by W. Schirmer) | -0.25 | -20.17 | -15.7 | 13 |
| 5 | Perpetuum Mobile (arr. by S. Bethmann) | -1.30 | -25.79 | -20.2 | 14 |
| 6 | Mambo No. 8 | -0.65 | -20.17 | -16.6 | 13 |
| 7 | Mambo Que Rico | -0.87 | -20.68 | -16.8 | 13 |
| 8 | Alma Llanera (arr. by R. Osuna) | -0.91 | -18.35 | -14.9 | 12 |
| 9 | Danza Final de Malambo | -0.37 | -20.61 | -16.9 | 13 |
| 10 | Ballet of the Unhatched Chicks (arr. by M. Hindsley) | -10.32 | -33.76 | -29.9 | 14 |
| 11 | Csárdás (arr. by G. Kneifel) | 0.00 | -25.08 | -20.8 | 15 |
| 12 | Hungarian Dance No.5 (arr. by G. Schlotter) | -0.21 | -22.36 | -18.3 | 14 |
| 13 | March (arr. by G. Schlotter) | -0.57 | -23.16 | -19.9 | 14 |
| 14 | Chinese Dance (arr. by J. Cober) | -13.20 | -33.57 | -30.4 | 13 |
| 15 | Dance of the Reed Pipes (arr. by G. Schlotter) | -7.63 | -31.93 | -28.7 | 14 |
| 16 | Trepak (arr. by G. Schlotter) | -1.12 | -21.01 | -17.2 | 13 |
| 17 | Sabre Dance (arr. by W. Schirmer) | -0.43 | -19.76 | -15.3 | 12 |
| 18 | Polka (arr. by J.N. Smith for Wind Quintet) | -9.78 | -33.35 | -29.6 | 15 |
| 19 | Round Dance of the Princesses (arr. by S. Goldhammer) | -8.24 | -33.01 | -30.0 | 15 |
| 20 | Infernal Dance of Kastchei (arr. by R. Earles) | -0.32 | -21.43 | -17.5 | 13 |