℗ 2023 Universal Music Australia Pty
| Released | November 23, 2023 |
| Originated | November 10, 2023 |
| Duration | 1h 52m 18s |
| Record Label | Universal Music Australia Pty. |
| Genre | Classical |
Jeonghwan Kim in Recital (Sydney International Piano Competition 2023)
Jeonghwan Kim
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude & Fugue in A Minor, BWV 865
|
|||||
|
1.1
|
I. Prelude
Johann Sebastian Bach; Jeonghwan Kim |
1:00 | |||
|
1.2
|
II. Fugue
Johann Sebastian Bach; Jeonghwan Kim |
3:51 | |||
|
1.3
|
10 Variations on "Unser dummer Pöbel meint" by Gluck, K. 455
Wolfgang Amadeus Mozart; Jeonghwan Kim |
14:44 | |||
|
Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux"
|
|||||
|
1.4
|
I. Das Lebewohl. Adagio - Allegro
Ludwig van Beethoven; Jeonghwan Kim |
6:01 | |||
|
1.5
|
II. Abwesenheit. Andante espressivo
Ludwig van Beethoven; Jeonghwan Kim |
3:46 | |||
|
1.6
|
III. Das Wiedersehen. Vivacissimamente
Ludwig van Beethoven; Jeonghwan Kim |
4:16 | |||
|
Broken Threads (Abridged Version III)
|
|||||
|
1.7
|
I. Prelude
Mark Grandison; Jeonghwan Kim |
0:31 | |||
|
1.8
|
II. Passacaglia I
Mark Grandison; Jeonghwan Kim |
4:53 | |||
|
1.9
|
III. Passacaglia III
Mark Grandison; Jeonghwan Kim |
3:33 | |||
|
1.10
|
IV. Toccata III
Mark Grandison; Jeonghwan Kim |
1:55 | |||
|
1.11
|
V. Passacaglia IV
Mark Grandison; Jeonghwan Kim |
2:59 | |||
|
1.12
|
VI. Postlude
Mark Grandison; Jeonghwan Kim |
1:18 | |||
|
Vingt regards sur l'Enfant-Jésus
|
|||||
|
1.13
|
No. 10, Regard de l'Esprit de joie
Olivier Messiaen; Jeonghwan Kim |
9:29 | |||
|
1.14
|
Berceuse in D-Flat Major, Op. 57
Frédéric Chopin; Jeonghwan Kim |
4:46 | |||
|
4 Nachtstücke, Op. 23
|
|||||
|
1.15
|
No. 1, Mehr langsam, oft zurückhaltend
Robert Schumann; Jeonghwan Kim |
5:05 | |||
|
1.16
|
No. 2, Markiert und lebhaft
Robert Schumann; Jeonghwan Kim |
5:28 | |||
|
1.17
|
No. 3, Mit grosser Lebhaftigkeit
Robert Schumann; Jeonghwan Kim |
3:21 | |||
|
1.18
|
No. 4, Einfach
Robert Schumann; Jeonghwan Kim |
4:14 | |||
|
Kinderszenen, Op. 15
|
|||||
|
1.19
|
No. 13, Der Dichter spricht
Robert Schumann; Jeonghwan Kim |
2:44 | |||
|
Piano Sonata No. 6 in A Major, Op. 82
|
|||||
|
1.20
|
I. Allegro moderato
Sergei Prokofiev; Jeonghwan Kim |
8:17 | |||
|
1.21
|
II. Allegretto
Sergei Prokofiev; Jeonghwan Kim |
4:41 | |||
|
1.22
|
III. Tempo di valzer lentissimo
Sergei Prokofiev; Jeonghwan Kim |
8:19 | |||
|
1.23
|
IV. Vivace
Sergei Prokofiev; Jeonghwan Kim |
7:07 | |||
Universal Music Australia releases the concert recital recording of Jeonghwan Kim from the Sydney International Piano Competition 2023!
Kim, a Berlin-based competitor who turned 23 during the competition said, "To win first prize is such a rewarding experience, and a motivation to go further and explore more. I was really glad that I was able to connect with the audience, and to share beautiful music during the competition."
Kim has previously won the Aarhus International Piano Competition and Felix Mendelssohn Bartholdy Conservatory Competition, and has performed with the Konzerthaus Orchester Berlin and the Odense Symphony Orchestras. He entered the finals of The Sydney playing Mozart's Piano Concerto No. 22 in E♭ major and Bartók's Piano Concerto No. 2.
48 kHz / 24-bit PCM – Universal Music Australia Pty. Studio Masters
Tracks 1-23 – 44.1 kHz / 24-bit PCM
Tracks 1-23 – 44.1 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.45 -17.18 to -1.55 | -29.77 -43.73 to -22.30 | -25.70 -38.40 to -18.00 | 14 11 to 15 | |
| 1 | I. Prelude | -8.77 | -27.01 | -24.1 | 11 |
| 2 | II. Fugue | -5.34 | -26.62 | -23.7 | 13 |
| 3 | 10 Variations on "Unser dummer Pöbel meint" by Gluck, K. 455 | -8.62 | -31.81 | -28.0 | 14 |
| 4 | I. Das Lebewohl. Adagio - Allegro | -7.72 | -31.39 | -26.7 | 14 |
| 5 | II. Abwesenheit. Andante espressivo | -12.67 | -35.36 | -30.8 | 14 |
| 6 | III. Das Wiedersehen. Vivacissimamente | -6.71 | -27.40 | -23.8 | 13 |
| 7 | I. Prelude | -2.60 | -23.15 | -19.2 | 14 |
| 8 | II. Passacaglia I | -2.63 | -26.60 | -21.0 | 14 |
| 9 | III. Passacaglia III | -11.82 | -40.78 | -36.2 | 15 |
| 10 | IV. Toccata III | -4.10 | -25.94 | -22.0 | 14 |
| 11 | V. Passacaglia IV | -2.20 | -22.98 | -18.7 | 12 |
| 12 | VI. Postlude | -1.74 | -22.30 | -18.0 | 15 |
| 13 | No. 10, Regard de l'Esprit de joie | -1.55 | -22.67 | -19.0 | 13 |
| 14 | Berceuse in D-Flat Major, Op. 57 | -15.38 | -35.24 | -31.5 | 12 |
| 15 | No. 1, Mehr langsam, oft zurückhaltend | -6.41 | -30.22 | -26.1 | 14 |
| 16 | No. 2, Markiert und lebhaft | -7.03 | -30.97 | -26.6 | 14 |
| 17 | No. 3, Mit grosser Lebhaftigkeit | -8.02 | -27.43 | -24.2 | 13 |
| 18 | No. 4, Einfach | -16.16 | -39.56 | -35.8 | 13 |
| 19 | No. 13, Der Dichter spricht | -17.18 | -43.73 | -38.4 | 14 |
| 20 | I. Allegro moderato | -5.06 | -25.93 | -21.9 | 13 |
| 21 | II. Allegretto | -8.07 | -30.20 | -26.9 | 14 |
| 22 | III. Tempo di valzer lentissimo | -5.16 | -30.09 | -25.4 | 15 |
| 23 | IV. Vivace | -6.47 | -27.23 | -23.1 | 13 |