℗ 2018 Borealis Records
Released | July 6, 2018 |
Duration | 39m 20s |
Record Label | Borealis Records |
Genre | Folk |
1.1
|
Watching the Apples Grow
Stan Rogers |
1:51 | |||
1.2
|
Forty Five Years
Stan Rogers |
3:30 | |||
1.3
|
Fogarty's Cove
Stan Rogers |
2:14 | |||
1.4
|
The Maid on the Shore
Stan Rogers |
3:42 | |||
1.5
|
Barrett's Privateers
Stan Rogers |
4:19 | |||
1.6
|
Fisherman's Wharf
Stan Rogers |
4:02 | |||
1.7
|
Giant
Stan Rogers |
3:36 | |||
1.8
|
The Rawdon Hills
Stan Rogers |
3:38 | |||
1.9
|
Plenty of Hornpipe
Stan Rogers |
1:55 | |||
1.10
|
The Wreck of the Athens Queen
Stan Rogers |
3:01 | |||
1.11
|
Make and Break Harbour
Stan Rogers |
4:27 | |||
1.12
|
Finch's Complaint
Stan Rogers |
2:07 | |||
1.13
|
Giant (reprise)
Stan Rogers |
0:58 |
Recorded at Springfield Sound in 1976, this was Stan Rogers' first full-length album.
A child of Maritime stock on both sides of his family, Stan Rogers was born in Hamilton, Ontario on November 29, 1949. He grew to be six feet four, built like a fire truck, and possessed of a voice that rumbled from his toes. He could bluff and bellow, yet was at heart a poet and intellect who would, often as not, sneak away from a gathering to curl up with a book. He made friends and enemies easily, gaining the former for life and often, in time, converting the latter.
He became a songwriter, working as a rock bassist while still a teenager and later embracing the folk idiom. After a few years as a more-or-less conventional folkie songwriter, he discovered his real gift. After some persuasion by his Aunt June in Canso Nova Scotia, he began to write songs about his familial home…his roots. Those early songs found their way on to Stan’s first album, Fogarty’s Cove, and he was on his way. From that point forward, Stan’s best writing was about the Canadian experience. His songs gave a new voice to ordinary folks who worked the fisheries, mines and farms of this vast country.
96 kHz / 24-bit PCM – Borealis Records Studio Masters
This album contains high-resolution digital transfers of material originating from an analogue master source.
This album contains high-resolution digital transfers of material originating from an analogue master source.
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.56 -6.17 to -0.09 | -17.10 -26.24 to -12.67 | -13.77 -20.30 to -10.00 | 10 7 to 16 | |
1 | Watching the Apples Grow | -0.09 | -13.23 | -10.5 | 8 |
2 | Forty Five Years | -0.09 | -16.57 | -14.0 | 11 |
3 | Fogarty's Cove | -0.09 | -13.52 | -10.7 | 8 |
4 | The Maid on the Shore | -0.09 | -16.04 | -12.9 | 9 |
5 | Barrett's Privateers | -0.09 | -18.06 | -14.5 | 13 |
6 | Fisherman's Wharf | -0.09 | -17.89 | -15.4 | 11 |
7 | Giant | -0.09 | -18.16 | -14.6 | 10 |
8 | The Rawdon Hills | -0.09 | -16.99 | -14.3 | 11 |
9 | Plenty of Hornpipe | -0.09 | -12.67 | -10.0 | 7 |
10 | The Wreck of the Athens Queen | -0.09 | -13.65 | -10.8 | 9 |
11 | Make and Break Harbour | -0.09 | -15.01 | -12.1 | 8 |
12 | Finch's Complaint | -0.09 | -24.22 | -18.9 | 16 |
13 | Giant (reprise) | -6.17 | -26.24 | -20.3 | 10 |