℗ 2023 Cherry Red Records Ltd
Released December 1, 2023
Duration 1h 23m 43s
Record Label Cherry Red Records
Genre Pop (Soul)
 

Baby It Hurts! Extended Sessions, Pt. 1 (from the legendary Tea Chest Tapes)

Glenda Collins

Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
You're Gonna Get Your Way (Takes 1-3)
Glenda Collins
7:49
1.2
You're Gonna Get Your Way (A Cappella)
Glenda Collins
3:25
1.3
Run To Me (Backing Track Session)
Glenda Collins
7:28
1.4
Run To Me (Takes 1 & 2)
Glenda Collins
4:56
1.5
Run To Me (Takes 3 & 4)
Glenda Collins
5:01
1.6
Run To Me (A Cappella)
Glenda Collins
1:53
1.7
Self Portrait (Backing Track Session)
Glenda Collins
8:39
1.8
Self Portrait (Session)
Glenda Collins
4:53
1.9
Self Portrait (A Cappella)
Glenda Collins
3:16
1.10
This Little Girl's Gone Rockin' (Backing Track Session, Pt. 1)
Glenda Collins
5:57
1.11
This Little Girl's Gone Rockin' (Backing Track Session, Pt. 2)
Glenda Collins
4:17
1.12
This Little Girl's Gone Rockin' (Vocal Session)
Glenda Collins
7:16
1.13
Everybody's Gotta Fall In Love (Lead Guitar Session)
Glenda Collins
4:42
1.14
Hear That Train A'Comin' (Backing Track Session, Pt. 1)
Glenda Collins
3:05
1.15
Hear That Train A'Comin' (Backing Track Session, Pt. 2)
Glenda Collins
6:23
1.16
Hear That Train A'Comin' (Backing Track Session, Pt. 3)
Glenda Collins
4:43
Following a trio of singles for Decca, Glenda Collins found a home at Joe Meek’s legendary studio at 304 Holloway Road, where the two produced eight brilliant singles together alongside a large cache of material destined to remain unreleased until now. Having acquired and restored the Tea Chest Tape archive, Cherry Red presents the first in-depth exploration of Glenda’s work, including alternate versions and session tracks from those eight singles and a wealth of previously unheard recordings. Featuring material for an abandoned collaboration album with The Riot Squad, many of Meek’s own home demos, backing tracks and guide vocals, ‘Baby It Hurts’ showcases one of the great should-have-beens of Meek’s career, and one of the most remarkable voices he ever captured on tape. This set is a must-hear for fans of 60s pop, girl groups and Joe Meek himself, whose brilliance and innovation shines through every track. Peppered with session outtakes, false starts, alternate vocals and studio chatter, this is an unprecedented insight into the working processes at 304 Holloway Road and one of the great production geniuses of his generation. A remarkable treasure trove, and an essential piece of British pop history!
44.1 kHz / 24-bit PCM – Cherry Red Records Studio Masters

Tracks 1-16 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.06
-0.31 to -0.04
-13.95
-15.60 to -12.74
-10.70
-11.70 to -9.40
10
8 to 11
1
You're Gonna Get Your Way (Takes 1-3)
-0.04-14.43-11.310
2
You're Gonna Get Your Way (A Cappella)
-0.04-13.29-9.48
3
Run To Me (Backing Track Session)
-0.04-12.74-10.38
4
Run To Me (Takes 1 & 2)
-0.04-13.61-10.49
5
Run To Me (Takes 3 & 4)
-0.04-14.28-11.610
6
Run To Me (A Cappella)
-0.31-13.58-10.58
7
Self Portrait (Backing Track Session)
-0.04-13.45-10.89
8
Self Portrait (Session)
-0.04-13.70-10.710
9
Self Portrait (A Cappella)
-0.04-14.12-10.410
10
This Little Girl's Gone Rockin' (Backing Track Session, Pt. 1)
-0.04-15.60-11.711
11
This Little Girl's Gone Rockin' (Backing Track Session, Pt. 2)
-0.04-14.34-10.610
12
This Little Girl's Gone Rockin' (Vocal Session)
-0.04-15.38-11.211
13
Everybody's Gotta Fall In Love (Lead Guitar Session)
-0.04-14.55-11.510
14
Hear That Train A'Comin' (Backing Track Session, Pt. 1)
-0.04-13.45-10.69
15
Hear That Train A'Comin' (Backing Track Session, Pt. 2)
-0.04-13.66-10.510
16
Hear That Train A'Comin' (Backing Track Session, Pt. 3)
-0.04-12.98-9.79

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