℗ 2018 Hyperion Records Limited
Released | January 12, 2024 |
Originated | June 1, 2018 |
Duration | 1h 10m 22s |
Record Label | Hyperion |
Genre | Classical |
Beethoven: Piano Sonatas, Op. 27/1, Op 31/2 "Tempest", Op. 79 & Op. 109
Angela Hewitt
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "Tempest"
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1.1
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I. Largo – Allegro
Ludwig van Beethoven; Angela Hewitt |
8:41 | |||
1.2
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II. Adagio
Ludwig van Beethoven; Angela Hewitt |
7:54 | |||
1.3
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III. Allegretto
Ludwig van Beethoven; Angela Hewitt |
7:27 | |||
Piano Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Quasi una fantasia"
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1.4
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I. Andante – Allegro – Tempo I
Ludwig van Beethoven; Angela Hewitt |
5:09 | |||
1.5
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II. Allegro molto e vivace
Ludwig van Beethoven; Angela Hewitt |
2:06 | |||
1.6
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III. Adagio con espressione
Ludwig van Beethoven; Angela Hewitt |
2:54 | |||
1.7
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IV. Allegro vivace
Ludwig van Beethoven; Angela Hewitt |
6:22 | |||
Piano Sonata No. 25 in G Major, Op. 79 "Cuckoo"
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1.8
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I. Presto alla tedesca
Ludwig van Beethoven; Angela Hewitt |
5:15 | |||
1.9
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II. Andante
Ludwig van Beethoven; Angela Hewitt |
2:31 | |||
1.10
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III. Vivace
Ludwig van Beethoven; Angela Hewitt |
2:22 | |||
Piano Sonata No. 30 in E Major, Op. 109
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1.11
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I. Vivace ma non troppo – Adagio espressivo –
Ludwig van Beethoven; Angela Hewitt |
3:45 | |||
1.12
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II. Prestissimo
Ludwig van Beethoven; Angela Hewitt |
2:40 | |||
1.13
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III. Andante molto cantabile ed espressivo. Gesangvoll mit innigster Empfindung
Ludwig van Beethoven; Angela Hewitt |
13:16 | |||
Digital Booklet
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"As we would expect from Angela Hewitt, there's much thoughtful and deeply-felt playing here. Hewitt is particularly successful in Beethoven's slow movements: the lyrically sustained Adagio of the Tempest Sonata Op 31 No 2, the gently lilting Andante of the little G major Op 79, and the profound serenity of the concluding variations in the Sonata Op 109."
- BBC Music Magazine
This latest instalment of Angela Hewitt’s Beethoven is bookended by the great ‘Tempest’ and Op 109 sonatas. The performances—incentive enough to acquire this release—are as usual complemented by Angela’s own booklet notes which provide real insight into how she approaches these masterworks.
96 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.43 -6.83 to -0.50 | -23.26 -27.29 to -19.90 | -19.58 -23.80 to -15.80 | 14 12 to 17 | |
1 | I. Largo – Allegro | -0.50 | -22.25 | -17.2 | 14 |
2 | II. Adagio | -1.18 | -27.22 | -23.6 | 17 |
3 | III. Allegretto | -1.53 | -22.22 | -19.0 | 13 |
4 | I. Andante – Allegro – Tempo I | -0.50 | -24.65 | -21.0 | 16 |
5 | II. Allegro molto e vivace | -0.50 | -21.58 | -18.7 | 13 |
6 | III. Adagio con espressione | -4.51 | -27.29 | -23.8 | 13 |
7 | IV. Allegro vivace | -0.50 | -20.64 | -16.8 | 12 |
8 | I. Presto alla tedesca | -0.50 | -22.22 | -19.3 | 14 |
9 | II. Andante | -6.83 | -26.80 | -23.6 | 12 |
10 | III. Vivace | -0.50 | -22.44 | -19.1 | 14 |
11 | I. Vivace ma non troppo – Adagio espressivo – | -0.50 | -22.16 | -17.8 | 13 |
12 | II. Prestissimo | -0.50 | -19.90 | -15.8 | 12 |
13 | III. Andante molto cantabile ed espressivo. Gesangvoll mit innigster Empfindung | -0.50 | -23.03 | -18.9 | 14 |