℗ 2023 Naxos Rights (Europe) Ltd
| Released | May 26, 2023 |
| Duration | 1h 02m 15s |
| Record Label | Naxos |
| Catalogue No. | 8.574397 |
| Genre | Classical (Instrumental) |
Ligeti: Complete Piano Études
Han Chen
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Études, Book 1
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1.1
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No. 1, Désordre
György Ligeti; Han Chen |
2:28 | |||
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1.2
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No. 2, Cordes à vide
György Ligeti; Han Chen |
3:15 | |||
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1.3
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No. 3, Touches bloquées
György Ligeti; Han Chen |
2:03 | |||
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1.4
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No. 4, Fanfares
György Ligeti; Han Chen |
3:41 | |||
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1.5
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No. 5, Arc-en-ciel
György Ligeti; Han Chen |
3:42 | |||
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1.6
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No. 6, Automne à Varsovie
György Ligeti; Han Chen |
4:27 | |||
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Études, Book 3
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1.7
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No. 15, White on White
György Ligeti; Han Chen |
4:31 | |||
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1.8
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No. 16, Pour Irina
György Ligeti; Han Chen |
4:28 | |||
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1.9
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No. 17, À bout de souffle
György Ligeti; Han Chen |
2:25 | |||
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1.10
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No. 18, Canon
György Ligeti; Han Chen |
1:46 | |||
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1.11
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Capriccio No. 1
György Ligeti; Han Chen |
2:22 | |||
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1.12
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Capriccio No. 2
György Ligeti; Han Chen |
2:12 | |||
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Études, Book 2
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1.13
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No. 7, Galamb Borong
György Ligeti; Han Chen |
2:36 | |||
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1.14
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No. 8, Fém
György Ligeti; Han Chen |
2:32 | |||
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1.15
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No. 9, Vertige
György Ligeti; Han Chen |
2:54 | |||
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1.16
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No. 10, Der Zauberlehrling
György Ligeti; Han Chen |
2:11 | |||
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1.17
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No. 11, En Suspens
György Ligeti; Han Chen |
2:44 | |||
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1.18
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No. 12, Entrelacs
György Ligeti; Han Chen |
2:59 | |||
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1.19
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No. 13, L'escalier du diable
György Ligeti; Han Chen |
5:14 | |||
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1.20
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No. 14, Columna infinită
György Ligeti; Han Chen |
1:53 | |||
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1.21
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No. 14a, Coloana fără sfârşit
György Ligeti; Han Chen |
1:52 | |||
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Digital Booklet
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György Ligeti’s Études redefined the piano’s tonal possibilities and are considered one of his major creative achievements, as well as being one of the most significant sets of piano studies of the 20th century. They inevitably draw on influences from the past such as Chopin and Debussy, but avoid any sense of eclecticism. Ligeti’s often spectacularly virtuoso use of complex rhythms and geometric patterns proceeds from simple core ideas to create music that is ‘neither “avant-garde” nor “traditional”, neither tonal nor atonal’, and always backed by that glint of humour in the composer’s eye.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.33 -4.90 to -0.94 | -20.66 -29.17 to -14.61 | -17.00 -25.10 to -11.80 | 12 9 to 14 | |
| 1 | No. 1, Désordre | -0.99 | -15.97 | -13.0 | 10 |
| 2 | No. 2, Cordes à vide | -1.22 | -25.12 | -22.2 | 14 |
| 3 | No. 3, Touches bloquées | -0.99 | -21.94 | -18.5 | 14 |
| 4 | No. 4, Fanfares | -0.99 | -19.18 | -16.2 | 11 |
| 5 | No. 5, Arc-en-ciel | -1.72 | -24.88 | -20.7 | 14 |
| 6 | No. 6, Automne à Varsovie | -0.99 | -19.03 | -15.5 | 10 |
| 7 | No. 15, White on White | -1.34 | -24.26 | -17.9 | 12 |
| 8 | No. 16, Pour Irina | -0.99 | -23.50 | -19.3 | 13 |
| 9 | No. 17, À bout de souffle | -1.07 | -18.04 | -14.4 | 11 |
| 10 | No. 18, Canon | -0.99 | -21.66 | -16.8 | 12 |
| 11 | Capriccio No. 1 | -2.72 | -22.82 | -19.4 | 12 |
| 12 | Capriccio No. 2 | -0.99 | -20.26 | -16.8 | 13 |
| 13 | No. 7, Galamb Borong | -1.07 | -20.40 | -16.8 | 11 |
| 14 | No. 8, Fém | -0.99 | -20.25 | -16.2 | 13 |
| 15 | No. 9, Vertige | -0.99 | -18.47 | -14.9 | 11 |
| 16 | No. 10, Der Zauberlehrling | -1.05 | -21.62 | -18.8 | 12 |
| 17 | No. 11, En Suspens | -4.90 | -29.17 | -25.1 | 13 |
| 18 | No. 12, Entrelacs | -0.99 | -19.23 | -15.9 | 10 |
| 19 | No. 13, L'escalier du diable | -0.99 | -18.71 | -14.8 | 10 |
| 20 | No. 14, Columna infinită | -0.94 | -14.83 | -11.9 | 9 |
| 21 | No. 14a, Coloana fără sfârşit | -0.99 | -14.61 | -11.8 | 9 |