℗ 2023 Toccata Classics
| Released | May 5, 2023 |
| Duration | 1h 13m 46s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC 0691 |
| Genre | Classical (Organ) |
Marie Joseph Erb: Organ Works, Vol. One
Jan Lehtola, Paula Malmivaara, Marko Ylönen, Anna-Leena Haikola
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata Mater Salvatoris, Op. 82
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1.1
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I. O Sanctissima
Marie Joseph Erb; Jan Lehtola |
9:17 | |||
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1.2
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II. Flos de Radice Jesse
Marie Joseph Erb; Jan Lehtola |
6:02 | |||
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1.3
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III. Magnificat
Marie Joseph Erb; Jan Lehtola |
11:46 | |||
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1ère Sonatine for organ and cor anglais
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1.4
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I. Prèlude (Con moto)
Marie Joseph Erb; Jan Lehtola; Paula Malmivaara |
2:43 | |||
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1.5
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II. Larghetto (Molto tranquillo)
Marie Joseph Erb; Jan Lehtola; Paula Malmivaara |
2:48 | |||
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1.6
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III. Finale (Allegro vivace)
Marie Joseph Erb; Jan Lehtola; Paula Malmivaara |
3:07 | |||
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1.7
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Méditation for organ and cello, Op. 88
Marie Joseph Erb; Jan Lehtola; Marko Ylönen |
7:35 | |||
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2ème Sonatine for organ and cor anglais
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1.8
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I. Allegretto amabile
Marie Joseph Erb; Jan Lehtola; Paula Malmivaara |
4:20 | |||
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1.9
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II. Grave pastorale
Marie Joseph Erb; Jan Lehtola; Paula Malmivaara |
3:21 | |||
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1.10
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III. Finale
Marie Joseph Erb; Jan Lehtola; Paula Malmivaara |
2:37 | |||
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1.11
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Prière sur le motif du ‘Pater’ ("Gib’ uns heute unser täglich Brot") for organ and violin, Op. 71
Marie Joseph Erb; Jan Lehtola; Anna-Leena Haikola |
10:20 | |||
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3ème Sonate "Veni Creator"
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1.12
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I. Veni creator spiritus
Marie Joseph Erb; Jan Lehtola |
3:30 | |||
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1.13
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II. Verbum supernum
Marie Joseph Erb; Jan Lehtola |
3:15 | |||
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1.14
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III. Pange lingua (Tantum ergo)
Marie Joseph Erb; Jan Lehtola |
3:05 | |||
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Digital Booklet
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The enormously prolific Marie Joseph Erb (1858–1944) has somehow escaped the attention of posterity, although the quality of his music is on a par with contemporary organist-composers whose works are far better known. Erb’s long life – he heard Berlioz conduct in 1863 and was still composing in 1944 – was focused on Strasbourg, where he was active as pianist, organist and professor, though he had studied in Paris, with Fauré, Gigout, Saint-Saëns and Widor, and later with Liszt in Weimar. This first album devoted to his organ music in almost 30 years sandwiches four lyrical chamber works between two towering sonatas.
96 kHz / 24-bit PCM – Toccata Classics Studio Masters
Track 7 – 44.1 kHz / 24-bit PCM
Track 7 – 44.1 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.71 -10.45 to -1.02 | -21.74 -29.38 to -14.92 | -20.32 -28.70 to -12.00 | 9 7 to 12 | |
| 1 | I. O Sanctissima | -1.03 | -20.51 | -18.2 | 11 |
| 2 | II. Flos de Radice Jesse | -1.02 | -18.81 | -17.8 | 11 |
| 3 | III. Magnificat | -1.03 | -17.28 | -13.6 | 9 |
| 4 | I. Prèlude (Con moto) | -7.98 | -23.96 | -24.2 | 8 |
| 5 | II. Larghetto (Molto tranquillo) | -6.96 | -26.03 | -25.7 | 9 |
| 6 | III. Finale (Allegro vivace) | -4.32 | -19.61 | -19.4 | 7 |
| 7 | Méditation for organ and cello, Op. 88 | -4.21 | -21.56 | -20.9 | 9 |
| 8 | I. Allegretto amabile | -9.80 | -25.54 | -24.7 | 9 |
| 9 | II. Grave pastorale | -7.78 | -25.38 | -24.4 | 10 |
| 10 | III. Finale | -6.81 | -21.23 | -20.2 | 9 |
| 11 | Prière sur le motif du ‘Pater’ ("Gib’ uns heute unser täglich Brot") for organ and violin, Op. 71 | -2.48 | -23.69 | -21.6 | 12 |
| 12 | I. Veni creator spiritus | -1.02 | -16.49 | -13.1 | 9 |
| 13 | II. Verbum supernum | -10.45 | -29.38 | -28.7 | 9 |
| 14 | III. Pange lingua (Tantum ergo) | -1.02 | -14.92 | -12.0 | 7 |