℗ 1984 ECM Records
| Released | August 31, 2018 |
| Originated | 1984 |
| Duration | 39m 47s |
| Record Label | ECM Records |
| Genre | Jazz (Solo Bass) |
|
1.1
|
Grants Pass
Barre Phillips |
8:08 | |||
|
1.2
|
Craggy Slope
Barre Phillips |
4:57 | |||
|
1.3
|
Amos Crowns Barn
Barre Phillips |
4:00 | |||
|
1.4
|
Pittmans Rock
Barre Phillips |
4:59 | |||
|
1.5
|
Highway 37
Barre Phillips |
3:37 | |||
|
1.6
|
Winslow Cavern
Barre Phillips |
4:25 | |||
|
1.7
|
Riverbend
Barre Phillips |
4:13 | |||
|
1.8
|
Brewstertown 2
Barre Phillips |
5:28 |
Glowing with a pale fire that can be drawn only in cosmic pigments, Barre Phillips' solo-bass sound-world on Call me when you get there throbs as if Michael Galasso and David Darling had fused into a collaborative quasar.
We can add this album to the modest yet potent shelf of solo bass recordings begun with Dave Holland’s as-yet-unsurpassed Emerald Tears. A masterpiece in the Phillips discography and one well worth the plunge for those who’ve yet to dare.
44.1 kHz / 24-bit PCM – ECM Records Studio Masters
Tracks 1-8 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-8 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.50 -5.67 to -0.86 | -22.37 -25.42 to -19.92 | -20.18 -23.00 to -16.70 | 10 9 to 13 | |
| 1 | Grants Pass | -4.07 | -19.98 | -16.7 | 9 |
| 2 | Craggy Slope | -2.09 | -24.69 | -21.3 | 12 |
| 3 | Amos Crowns Barn | -4.14 | -19.92 | -17.5 | 9 |
| 4 | Pittmans Rock | -3.54 | -22.37 | -20.9 | 11 |
| 5 | Highway 37 | -3.77 | -21.89 | -20.4 | 10 |
| 6 | Winslow Cavern | -5.67 | -22.21 | -21.2 | 9 |
| 7 | Riverbend | -0.86 | -25.42 | -23.0 | 13 |
| 8 | Brewstertown 2 | -3.85 | -22.50 | -20.4 | 9 |