℗ 2014 Blue Note Records
| Released | April 11, 2000 |
| Duration | 54m 06s |
| Record Label | Blue Note Records |
| Genre | Jazz |
Perceptual (Remastered)
Brian Blade Fellowship
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Perceptual (Remastered 2014)
Brian Blade Fellowship |
6:30 | |||
|
1.2
|
Evinrude-Fifty (Trembling) (Remastered 2014)
Brian Blade Fellowship |
7:58 | |||
|
1.3
|
Reconciliation
Brian Blade Fellowship |
6:46 | |||
|
1.4
|
Crooked Creek (Remastered 2014)
Brian Blade Fellowship |
9:13 | |||
|
1.5
|
Patron Saint Of Girls (Remastered 2014)
Brian Blade Fellowship |
2:44 | |||
|
1.6
|
The Sunday Boys (Improvisation) (Remastered 2014)
Brian Blade Fellowship |
1:10 | |||
|
1.7
|
Variations Of A Bloodline: From The Same Blood / Fellowship (Like Brothers) / Mustangs (Class Of 1988) (Remastered 2014)
Brian Blade Fellowship |
9:12 | |||
|
1.8
|
Steadfast (Remastered 2014)
Brian Blade Fellowship |
8:16 | |||
|
1.9
|
Trembling (Remastered 2014)
Brian Blade Fellowship |
2:17 |
"Each tune takes the listener on an adventure, unfolding gradually and gracefully as Blade mirrors the shifting dynamic textures with his inimitable melodic touch ..."
- JazzTimes.com
"... very likable and intoxicating brew that benefits from a collective sound ... with technical prowess of obvious proportions, Blade is equally reticent about flashy drum displays ..."
- All About Jazz
On this second album with his Fellowship, Brian Blade further displays his skills as a bandleader and composer as well as a drummer. Blade composes songs as if he were painting a broad mural, sculpting landscapes of sound, orchestral in feel and truly breathtaking in grandeur. His own playing ties the septet together in ways that recall the best progressive jazz of the 1960s and fusion of the 1970s. The subjects of songs are diverse: childhood memories of fishing the Louisiana bayous, global ethnic strife and the violent world that children must face every day. For Perceptual, Blade even handled production duties himself. Daniel Lanois plays spooky fuzz guitar on one track and former Blade employer Joni Mitchell adds a willowy vocal on another.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Blue Note Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.67 -6.17 to -0.14 | -20.72 -26.11 to -18.15 | -17.39 -22.90 to -14.60 | 11 10 to 15 | |
| 1 | Perceptual (Remastered 2014) | -0.73 | -19.84 | -16.2 | 11 |
| 2 | Evinrude-Fifty (Trembling) (Remastered 2014) | -1.31 | -19.60 | -15.6 | 10 |
| 3 | Reconciliation | -0.14 | -19.85 | -16.3 | 12 |
| 4 | Crooked Creek (Remastered 2014) | -0.89 | -18.15 | -14.6 | 10 |
| 5 | Patron Saint Of Girls (Remastered 2014) | -0.80 | -20.21 | -17.7 | 12 |
| 6 | The Sunday Boys (Improvisation) (Remastered 2014) | -6.17 | -24.17 | -21.3 | 10 |
| 7 | Variations Of A Bloodline: From The Same Blood / Fellowship (Like Brothers) / Mustangs (Class Of 1988) (Remastered 2014) | -1.30 | -20.17 | -16.4 | 11 |
| 8 | Steadfast (Remastered 2014) | -0.70 | -18.36 | -15.5 | 10 |
| 9 | Trembling (Remastered 2014) | -2.98 | -26.11 | -22.9 | 15 |