℗ 2020 Hyperion Records Limited
Released January 26, 2024
Originated June 26, 2020
Duration 1h 10m 51s
Record Label Hyperion
Genre Classical
 

Johannes de Cleve: Missa Rex Babylonis & Other Works

Cinquecento

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
Carole qui veniens  
1.1
I. Carole qui veniens a Caesare
Johannes de Cleve; Anonymous; Cinquecento
2:25
1.2
II. En tibi gratantes
Johannes de Cleve; Anonymous; Cinquecento
3:09
Missa Rex Babylonis  
1.3
Ia. Kyrie I
Johannes de Cleve; Anonymous; Cinquecento
1:19
1.4
Ib. Christe
Johannes de Cleve; Anonymous; Cinquecento
1:16
1.5
Ic. Kyrie II
Johannes de Cleve; Anonymous; Cinquecento
1:45
1.6
IIa. Gloria in excelsis Deo
Johannes de Cleve; Anonymous; Cinquecento
3:35
1.7
IIb. Qui tollis peccata mundi, miserere
Johannes de Cleve; Anonymous; Cinquecento
3:18
1.8
IIIa. Credo in unum Deum
Johannes de Cleve; Anonymous; Cinquecento
2:55
1.9
IIIb. Et incarnatus est
Johannes de Cleve; Anonymous; Cinquecento
1:12
1.10
IIIc. Crucifixus
Johannes de Cleve; Anonymous; Cinquecento
0:47
1.11
IIId. Et resurrexit tertia die
Johannes de Cleve; Anonymous; Cinquecento
1:46
1.12
IIIe. Et iterum venturus est
Johannes de Cleve; Anonymous; Cinquecento
4:55
1.13
IVa. Sanctus
Johannes de Cleve; Anonymous; Cinquecento
1:34
1.14
IVb. Osanna I
Johannes de Cleve; Anonymous; Cinquecento
1:07
1.15
Va. Benedictus
Johannes de Cleve; Anonymous; Cinquecento
1:32
1.16
Vb. Osanna II
Johannes de Cleve; Anonymous; Cinquecento
1:01
1.17
VIa. Agnus Dei I
Johannes de Cleve; Anonymous; Cinquecento
2:24
1.18
VIb. Agnus Dei II
Johannes de Cleve; Anonymous; Cinquecento
2:29
1.19
Es wel uns Gott genedig sein
Johannes de Cleve; Martin Luther; Cinquecento
2:38
Laudate Dominum  
1.20
I. Laudate Dominum omnes gentes
Johannes de Cleve; Anonymous; Cinquecento
2:27
1.21
II. Gloria Patri, et Filio
Johannes de Cleve; Anonymous; Cinquecento
2:08
Timete Dominum  
1.22
I. Timete Dominum omnes sancti eius
Johannes de Cleve; Anonymous; Cinquecento
2:04
1.23
II. Divites eguerunt et esurierunt
Johannes de Cleve; Anonymous; Cinquecento
2:38
Credo quod redemptor  
1.24
I. Credo quod redemptor meus vivit
Johannes de Cleve; Anonymous; Cinquecento
4:44
1.25
II. Reposita est haec spes mea
Johannes de Cleve; Anonymous; Cinquecento
1:11
1.26
Carole cui nomen
Johannes de Cleve; Anonymous; Cinquecento
5:19
Rex Babylonis  
1.27
I. Rex Babylonis venit ad lacum
Jacobus Vaet; Anonymous; Cinquecento
4:24
1.28
II. Tunc Rex ait
Jacobus Vaet; Anonymous; Cinquecento
4:49
Digital Booklet
"Since their inception, Cinquecento have shone a light on the Imperial Habsburg court, which hitherto had warranted barely a metaphorical footnote in music history. Thanks to this Vienna-based ensemble, we now know that the court boasted some exceptional composers … while the album’s tenor is undeniably solemn, their sonority, soft and intimate yet full, gives real pleasure. Of all their recordings devoted to ‘minor masters’, this strikes me as one of the finest." - Gramophone However cultivated the European centres of Habsburg imperial power may have been, few could regularly have boasted musicians of the calibre of Cinquecento. Their ongoing exploration of Franco-Flemish repertoire from the sixteenth century uncovers major works by Johannes de Cleve and Jacobus Vaet.
96 kHz / 24-bit PCM – Hyperion Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.62
-6.91 to -0.30
-22.57
-26.94 to -19.29
-19.32
-23.30 to -16.20
12
10 to 14
1
I. Carole qui veniens a Caesare
-0.30-19.29-16.211
2
II. En tibi gratantes
-0.36-20.85-17.813
3
Ia. Kyrie I
-3.67-23.00-19.510
4
Ib. Christe
-2.63-22.20-18.511
5
Ic. Kyrie II
-6.53-24.28-20.811
6
IIa. Gloria in excelsis Deo
-0.52-22.31-19.012
7
IIb. Qui tollis peccata mundi, miserere
-2.27-21.63-18.412
8
IIIa. Credo in unum Deum
-1.86-22.33-19.111
9
IIIb. Et incarnatus est
-4.70-23.88-20.710
10
IIIc. Crucifixus
-6.44-24.97-21.510
11
IIId. Et resurrexit tertia die
-1.82-21.63-18.411
12
IIIe. Et iterum venturus est
-0.31-20.85-17.814
13
IVa. Sanctus
-1.00-20.45-17.212
14
IVb. Osanna I
-4.14-22.33-18.812
15
Va. Benedictus
-6.91-23.72-20.811
16
Vb. Osanna II
-6.89-24.21-20.711
17
VIa. Agnus Dei I
-1.50-23.51-20.611
18
VIb. Agnus Dei II
-6.44-25.07-22.011
19
Es wel uns Gott genedig sein
-1.54-21.63-18.413
20
I. Laudate Dominum omnes gentes
-2.18-23.90-20.913
21
II. Gloria Patri, et Filio
-0.34-22.15-18.813
22
I. Timete Dominum omnes sancti eius
-0.52-22.11-18.912
23
II. Divites eguerunt et esurierunt
-1.31-23.12-19.913
24
I. Credo quod redemptor meus vivit
-0.81-21.27-18.313
25
II. Reposita est haec spes mea
-2.45-26.94-23.311
26
Carole cui nomen
-0.35-21.02-17.913
27
I. Rex Babylonis venit ad lacum
-1.76-21.05-17.912
28
II. Tunc Rex ait
-3.84-22.25-18.912

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions