℗ 2012 Hyperion Records Limited
| Released | January 26, 2024 |
| Originated | October 26, 2012 |
| Duration | 1h 06m 09s |
| Record Label | Hyperion |
| Genre | Classical |
Giovanni Gabrieli: Sacrae symphoniae
Ex Cathedra
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Vox Domini super aquas Jordanis, C. 64
Giovanni Gabrieli; Anonymous; Concerto Palatino |
5:52 | |||
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1.2
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In ecclesiis, C. 78
Giovanni Gabrieli; Anonymous; Ex Cathedra |
7:25 | |||
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1.3
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Canzon primi toni a 10, C. 176
Giovanni Gabrieli; Concerto Palatino |
3:15 | |||
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1.4
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O Jesu mi dulcissime, C. 24
Giovanni Gabrieli; Anonymous; Ex Cathedra |
5:07 | |||
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1.5
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Omnes gentes plaudite manibus, C. 52
Giovanni Gabrieli; Anonymous; Ex Cathedra |
4:01 | |||
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1.6
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O Jesu mi dulcissime, C. 56
Giovanni Gabrieli; Anonymous; Jeffrey Skidmore |
6:21 | |||
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1.7
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Kyrie, C. 71-73
Giovanni Gabrieli; Anonymous; Jeffrey Skidmore |
6:43 | |||
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1.8
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Maria virgo, C. 35
Giovanni Gabrieli; Anonymous; Jeffrey Skidmore |
4:56 | |||
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1.9
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Magnificat, C. 75
Giovanni Gabrieli; Anonymous; Jeffrey Skidmore |
5:38 | |||
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1.10
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Litaniae Beatae Mariae Virginis, C. 63
Giovanni Gabrieli; Anonymous; Jeffrey Skidmore |
12:10 | |||
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1.11
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Exultet iam Angelica turba, C. 131
Giovanni Gabrieli; Anonymous; His Majestys Sagbutts & Cornetts |
4:41 | |||
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Digital Booklet
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"This recital focuses on the Sacrae Symphoniae that represent his output at its most varied … when Ex Cathedra sing as a choir, as in the extended Litany, even Gabrieli's most staid oratory communicates with fervour.'
- Gramophone
A welcome return to Hyperion for Ex Cathedra and Jeffrey Skidmore, whose exuberant recordings of Baroque music from around the world have made them one of the best-loved ensembles of today.
This latest release presents the music of Giovanni Gabrieli in his four-hundredth anniversary year. These magnificent liturgical settings from the heart of the Venetian polychoral tradition are full of drama, wonder and extraordinary spatial effects. His Majestys Sagbutts & Cornetts and Concerto Palatino provide the sonic gilding that would have been an essential part of the original performances, when extra musicians crowded the galleries of St Mark’s for special occasions.
88.2 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.54 -7.30 to -0.35 | -23.99 -26.79 to -20.24 | -20.63 -23.40 to -16.60 | 13 11 to 16 | |
| 1 | Vox Domini super aquas Jordanis, C. 64 | -0.40 | -22.27 | -18.9 | 14 |
| 2 | In ecclesiis, C. 78 | -0.35 | -22.54 | -18.8 | 13 |
| 3 | Canzon primi toni a 10, C. 176 | -7.30 | -25.89 | -22.8 | 12 |
| 4 | O Jesu mi dulcissime, C. 24 | -6.79 | -26.32 | -23.3 | 12 |
| 5 | Omnes gentes plaudite manibus, C. 52 | -1.38 | -20.24 | -16.6 | 11 |
| 6 | O Jesu mi dulcissime, C. 56 | -2.68 | -26.79 | -23.3 | 16 |
| 7 | Kyrie, C. 71-73 | -6.07 | -24.73 | -21.5 | 12 |
| 8 | Maria virgo, C. 35 | -4.35 | -23.34 | -20.1 | 12 |
| 9 | Magnificat, C. 75 | -4.82 | -23.92 | -20.4 | 12 |
| 10 | Litaniae Beatae Mariae Virginis, C. 63 | -3.03 | -26.53 | -23.4 | 15 |
| 11 | Exultet iam Angelica turba, C. 131 | -1.78 | -21.34 | -17.8 | 12 |