℗ 2008 Hyperion Records Limited
| Released | January 26, 2024 |
| Originated | May 1, 2008 |
| Duration | 56m 04s |
| Record Label | Hyperion |
| Genre | Classical |
Philippe de Monte: Missa Ultimi miei sospiri & Other Sacred Music
Cinquecento
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Miserere mei, Deus
Philippe de Monte; Anonymous; Cinquecento |
3:06 | |||
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Missa Ultimi miei sospiri
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1.2
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I. Kyrie
Philippe de Monte; Anonymous; Cinquecento |
3:55 | |||
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1.3
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II. Gloria
Philippe de Monte; Anonymous; Cinquecento |
4:40 | |||
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1.4
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III. Credo
Philippe de Monte; Anonymous; Cinquecento |
7:40 | |||
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1.5
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IV. Sanctus & Benedictus
Philippe de Monte; Anonymous; Cinquecento |
3:56 | |||
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1.6
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V. Agnus Dei
Philippe de Monte; Anonymous; Cinquecento |
2:50 | |||
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1.7
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Magnificat sexti toni
Philippe de Monte; Anonymous; Cinquecento |
5:56 | |||
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1.8
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Ad te levavi
Philippe de Monte; Anonymous; Cinquecento |
4:19 | |||
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1.9
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Fratres, ego enim accepi
Philippe de Monte; Anonymous; Cinquecento |
4:51 | |||
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1.10
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Asperges me, Domine
Philippe de Monte; Anonymous; Cinquecento |
4:05 | |||
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1.11
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Gaudent in caelis animae Sanctorum
Philippe de Monte; Anonymous; Cinquecento |
2:23 | |||
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1.12
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Ne timeas, Maria
Philippe de Monte; Anonymous; Cinquecento |
5:05 | |||
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1.13
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Ultimi miei sospiri
Philippe Verdelot; Anonymous; Cinquecento |
3:18 | |||
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Digital Booklet
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"The music is beautifully performed and well worth a listen; Monte's settings are full of variety and fruity chromaticisms, and Cinquecento more than does him justice."
- Choir & Organ
In their third disc for Hyperion, the acclaimed vocal ensemble Cinquecento continue their exploration of the rich repertoire engendered in the Habsburg court. The prolific composer De Monte, Kapellmeister to the Emperor Maximilian II, wrote over a thousand madrigals as well as hundreds of sacred works, and the expressive aspects of the madrigal infuse his sacred music delightfully. His Missa Ultimi miei sospiri contains the constant interplay between groups of voices and dramatic word-setting which are features of the madrigal genre. The motets recorded here cover many Biblical and liturgical subjects and demonstrate the wide range of techniques and styles used by the composer.
44.1 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.86 -4.94 to -0.21 | -22.71 -24.95 to -20.88 | -19.31 -21.50 to -17.70 | 13 12 to 14 | |
| 1 | Miserere mei, Deus | -1.95 | -23.29 | -19.9 | 13 |
| 2 | I. Kyrie | -0.72 | -21.25 | -18.1 | 12 |
| 3 | II. Gloria | -0.21 | -21.03 | -17.8 | 13 |
| 4 | III. Credo | -2.03 | -22.63 | -19.3 | 13 |
| 5 | IV. Sanctus & Benedictus | -0.21 | -21.82 | -18.1 | 12 |
| 6 | V. Agnus Dei | -4.94 | -24.69 | -21.5 | 12 |
| 7 | Magnificat sexti toni | -1.81 | -24.95 | -21.0 | 14 |
| 8 | Ad te levavi | -2.09 | -23.91 | -20.7 | 14 |
| 9 | Fratres, ego enim accepi | -2.46 | -22.06 | -18.9 | 13 |
| 10 | Asperges me, Domine | -2.85 | -22.53 | -18.6 | 13 |
| 11 | Gaudent in caelis animae Sanctorum | -1.93 | -21.58 | -18.2 | 12 |
| 12 | Ne timeas, Maria | -1.35 | -20.88 | -17.7 | 12 |
| 13 | Ultimi miei sospiri | -1.68 | -24.58 | -21.2 | 13 |