℗ 2011 Hyperion Records Limited
Released | January 26, 2024 |
Originated | May 11, 2011 |
Duration | 59m 55s |
Record Label | Hyperion |
Genre | Classical |
Philipp Schoendorff: The Complete Works
Cinquecento
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Usquequo Domine oblivisceris me?
Philippe de Monte; Anonymous; Cinquecento |
5:25 | |||
Missa Usquequo Domine
|
|||||
1.2
|
I. Kyrie
Philipp Schoendorff; Anonymous; Cinquecento |
2:15 | |||
1.3
|
II. Gloria
Philipp Schoendorff; Anonymous; Cinquecento |
3:41 | |||
1.4
|
III. Credo
Philipp Schoendorff; Anonymous; Cinquecento |
6:19 | |||
1.5
|
IV. Sanctus & Benedictus
Philipp Schoendorff; Anonymous; Cinquecento |
2:36 | |||
1.6
|
V. Agnus Dei
Philipp Schoendorff; Anonymous; Cinquecento |
2:26 | |||
1.7
|
Magnificat sexti toni
Philipp Schoendorff; Anonymous; Cinquecento |
6:32 | |||
1.8
|
Te decet hymnus
Philipp Schoendorff; Anonymous; Cinquecento |
2:25 | |||
1.9
|
Magnificat quarti toni
Philippe de Monte; Anonymous; Cinquecento |
6:32 | |||
1.10
|
Veni Sancte Spiritus
Philipp Schoendorff; Anonymous; Cinquecento |
2:17 | |||
1.11
|
La dolce vista della donna mia
Philippe de Monte; Anonymous; Cinquecento |
2:16 | |||
Missa super La dolce vista
|
|||||
1.12
|
I. Kyrie
Philipp Schoendorff; Anonymous; Cinquecento |
1:50 | |||
1.13
|
II. Gloria
Philipp Schoendorff; Anonymous; Cinquecento |
3:31 | |||
1.14
|
III. Credo
Philipp Schoendorff; Anonymous; Cinquecento |
6:23 | |||
1.15
|
IV. Sanctus & Benedictus
Philipp Schoendorff; Anonymous; Cinquecento |
2:41 | |||
1.16
|
V. Agnus Dei
Philipp Schoendorff; Anonymous; Cinquecento |
2:46 | |||
Digital Booklet
|
"The music, a wonderful discovery, is polyphony of the highest quality, and Cinquecento marries smooth ensemble to marvellous interpretational vision. The recorded sound is excellent, doing full justice to their almost instrumental sonorities."
- Choir & Organ
Gramophone award nominees Cinquecento add another glorious recording to their Hyperion discography. This vocal sextet, comprising six professional singers from five European countries, are rapidly becoming one of the most admired early music ensembles of the time. The lithe, clear yet rich and warm tones of the six singers are the perfect instruments for the complex polyphony of the sixteenth century. Their profound collective and individual musicianship, mellifluous phrasing, perfect intonation and commitment to their chosen repertoire are clearly apparent in this gem of a disc.
In this recording the group uncover the complete surviving works of Philipp Schoendorff. Schoendorff, originally a pupil of the illustrious Philippe de Monte, was a successful choirmaster at the Prague court of the Emperor Rudolf II. Also included are a Magnificat by his teacher de Monte and the two motets on which his pupil based his Masses.
No fan of Renaissance polyphony should overlook this outstanding recording.
88.2 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.16 -6.09 to -0.20 | -24.44 -25.66 to -23.31 | -20.71 -22.20 to -19.50 | 13 11 to 15 | |
1 | Usquequo Domine oblivisceris me? | -1.97 | -23.36 | -19.6 | 13 |
2 | I. Kyrie | -3.83 | -24.40 | -20.3 | 12 |
3 | II. Gloria | -0.22 | -23.56 | -20.0 | 13 |
4 | III. Credo | -0.20 | -23.49 | -19.7 | 14 |
5 | IV. Sanctus & Benedictus | -0.20 | -24.43 | -20.6 | 15 |
6 | V. Agnus Dei | -4.78 | -25.45 | -21.9 | 12 |
7 | Magnificat sexti toni | -1.29 | -23.56 | -19.5 | 13 |
8 | Te decet hymnus | -4.92 | -25.63 | -22.2 | 13 |
9 | Magnificat quarti toni | -2.93 | -25.60 | -21.8 | 14 |
10 | Veni Sancte Spiritus | -3.09 | -23.31 | -19.8 | 12 |
11 | La dolce vista della donna mia | -6.09 | -24.99 | -21.5 | 12 |
12 | I. Kyrie | -5.60 | -23.92 | -19.8 | 11 |
13 | II. Gloria | -5.81 | -25.49 | -21.8 | 12 |
14 | III. Credo | -3.68 | -25.66 | -22.0 | 14 |
15 | IV. Sanctus & Benedictus | -2.56 | -23.34 | -19.7 | 12 |
16 | V. Agnus Dei | -3.45 | -24.87 | -21.2 | 12 |