℗ 2015 Hyperion Records Limited
| Released | January 26, 2024 |
| Originated | June 28, 2015 |
| Duration | 1h 06m 20s |
| Record Label | Hyperion |
| Genre | Classical |
Lassus: Missa super Dixit Joseph & Motets
Cinquecento
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Confitemini Domino a 6
Orlande de Lassus; Anonymous; Cinquecento |
4:48 | |||
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1.2
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Dixit Joseph undecim fratribus suis
Orlande de Lassus; Anonymous; Cinquecento |
4:57 | |||
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Missa super Dixit Joseph
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1.3
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I. Kyrie
Orlande de Lassus; Anonymous; Cinquecento |
3:41 | |||
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1.4
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II. Gloria
Orlande de Lassus; Anonymous; Cinquecento |
5:31 | |||
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1.5
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III. Credo
Orlande de Lassus; Anonymous; Cinquecento |
8:43 | |||
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1.6
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IV. Sanctus & Benedictus
Orlande de Lassus; Anonymous; Cinquecento |
4:24 | |||
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1.7
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V. Agnus Dei
Orlande de Lassus; Anonymous; Cinquecento |
3:33 | |||
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1.8
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In me transierunt irae tuae
Orlande de Lassus; Anonymous; Cinquecento |
4:06 | |||
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1.9
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O mors, quam amara est memoria tua
Orlande de Lassus; Anonymous; Cinquecento |
4:33 | |||
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1.10
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Deus, qui sedes super thronum
Orlande de Lassus; Anonymous; Cinquecento |
2:42 | |||
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1.11
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Si bona suscepimus
Orlande de Lassus; Anonymous; Cinquecento |
5:09 | |||
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1.12
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Deus, canticum novum
Orlande de Lassus; Anonymous; Cinquecento |
3:24 | |||
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1.13
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Veni dilecte mi
Orlande de Lassus; Anonymous; Cinquecento |
4:08 | |||
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1.14
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Fallax gratia
Orlande de Lassus; Anonymous; Cinquecento |
2:33 | |||
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1.15
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Timor et tremor
Orlande de Lassus; Anonymous; Cinquecento |
4:08 | |||
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Digital Booklet
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"[Cinquecento's reading is] finely detailed and vocally sure-footed [with a] secure sense of architecture … close attention is rewarded with deepening appreciation."
- Gramophone
The six sublime singers of Cinquecento have for seven years now been championing the lesser-known masters of the Austrian court. Now they turn to one of the greats: Lassus. The Missa super Dixit Joseph is based on one of Lassus’ own motets and combines the composer’s characteristic flair for vibrant text-setting with the nascent polychoral style of which he would become an early master.
Glorious performances of the Mass and a diverse range of motets comprise a most satisfying album which culminates with the famous Timor et tremor.
88.2 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.47 -5.65 to -0.20 | -24.81 -27.39 to -22.08 | -21.37 -24.10 to -18.70 | 13 12 to 14 | |
| 1 | Confitemini Domino a 6 | -4.85 | -25.81 | -22.4 | 13 |
| 2 | Dixit Joseph undecim fratribus suis | -0.20 | -23.66 | -20.4 | 13 |
| 3 | I. Kyrie | -1.68 | -25.31 | -21.8 | 13 |
| 4 | II. Gloria | -0.21 | -23.51 | -20.2 | 13 |
| 5 | III. Credo | -0.20 | -22.08 | -18.7 | 14 |
| 6 | IV. Sanctus & Benedictus | -0.44 | -24.04 | -20.6 | 14 |
| 7 | V. Agnus Dei | -1.22 | -22.27 | -18.9 | 12 |
| 8 | In me transierunt irae tuae | -3.70 | -25.37 | -21.8 | 12 |
| 9 | O mors, quam amara est memoria tua | -4.08 | -25.59 | -22.3 | 13 |
| 10 | Deus, qui sedes super thronum | -2.66 | -25.72 | -22.2 | 13 |
| 11 | Si bona suscepimus | -5.65 | -27.39 | -24.1 | 13 |
| 12 | Deus, canticum novum | -4.21 | -24.60 | -21.0 | 13 |
| 13 | Veni dilecte mi | -3.97 | -26.82 | -23.6 | 14 |
| 14 | Fallax gratia | -3.74 | -26.66 | -23.1 | 14 |
| 15 | Timor et tremor | -0.20 | -23.26 | -19.5 | 14 |