℗ 2012 Hyperion Records Limited
Released | January 26, 2024 |
Originated | July 27, 2012 |
Duration | 1h 09m 53s |
Record Label | Hyperion |
Genre | Classical |
Richafort: Requiem & Other Sacred Music
Cinquecento
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Nymphes, nappés / Circumdederunt me, NJE 30.6
Josquin des Prez; Anonymous; Cinquecento |
2:44 | |||
1.2
|
Faulte d'argent, NJE 29.7
Josquin des Prez; Anonymous; Cinquecento |
3:08 | |||
Missa pro defunctis "Requiem"
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1.3
|
I. Introitus
Jean Richafort; Anonymous; Cinquecento |
5:52 | |||
1.4
|
II. Kyrie
Jean Richafort; Anonymous; Cinquecento |
3:41 | |||
1.5
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III. Graduale
Jean Richafort; Anonymous; Cinquecento |
5:22 | |||
1.6
|
IV. Offertorium
Jean Richafort; Anonymous; Cinquecento |
7:29 | |||
1.7
|
V. Sanctus & Benedictus
Jean Richafort; Anonymous; Cinquecento |
3:17 | |||
1.8
|
VI. Agnus Dei
Jean Richafort; Anonymous; Cinquecento |
2:48 | |||
1.9
|
VII. Communio
Jean Richafort; Anonymous; Cinquecento |
3:03 | |||
1.10
|
Nymphes des bois / Requiem aeternam, NJE 29.18 "La Déploration de Johannes Ockeghem"
Josquin des Prez; Jean Molinet; Anonymous; Cinquecento |
3:45 | |||
1.11
|
Musae Jovis
Benedictus Appenzeller; Gerard Avidius; Cinquecento |
5:46 | |||
1.12
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Miserere mei, Deus, MJE 18.3
Josquin des Prez; Anonymous; Cinquecento |
15:01 | |||
1.13
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Musae Jovis
Nicolas Gombert; Gerard Avidius; Cinquecento |
5:17 | |||
1.14
|
O mors inevitabilis
Jheronimus Vinders; Anonymous; Cinquecento |
2:40 | |||
Digital Booklet
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This release presents music associated with the Renaissance master Josquin Des Prez, a composer who towers above all others in the first part of the sixteenth century. Numerous works were attributed to him that have now been proven to be by his contemporaries and successors, including the central work on this recording, Jean Richafort’s expansive and beautiful Requiem. It is performed with affecting clarity by the all-male vocal group Cinquecento, whose many previous discs of Renaissance repertoire for Hyperion have garnered the highest critical praise.
Booklet notes by Stephen Rice, an acknowledged authority on this repertoire, place the music in its historical context and unpick the mysteries of its composition.
88.2 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.96 -8.79 to -0.20 | -24.16 -28.61 to -21.36 | -20.71 -25.00 to -18.00 | 13 11 to 14 | |
1 | Nymphes, nappés / Circumdederunt me, NJE 30.6 | -7.74 | -27.46 | -23.9 | 11 |
2 | Faulte d'argent, NJE 29.7 | -8.79 | -28.61 | -25.0 | 12 |
3 | I. Introitus | -0.87 | -23.48 | -20.3 | 13 |
4 | II. Kyrie | -0.90 | -21.36 | -18.0 | 12 |
5 | III. Graduale | -0.20 | -21.77 | -18.5 | 13 |
6 | IV. Offertorium | -0.44 | -24.19 | -20.8 | 14 |
7 | V. Sanctus & Benedictus | -2.71 | -22.76 | -19.2 | 13 |
8 | VI. Agnus Dei | -3.95 | -24.21 | -20.4 | 12 |
9 | VII. Communio | -4.50 | -24.63 | -21.4 | 11 |
10 | Nymphes des bois / Requiem aeternam, NJE 29.18 "La Déploration de Johannes Ockeghem" | -4.78 | -26.79 | -22.9 | 12 |
11 | Musae Jovis | -0.22 | -23.24 | -19.9 | 13 |
12 | Miserere mei, Deus, MJE 18.3 | -0.28 | -23.46 | -20.2 | 14 |
13 | Musae Jovis | -1.72 | -24.25 | -21.0 | 14 |
14 | O mors inevitabilis | -4.39 | -21.96 | -18.5 | 12 |