℗ 1998, 2024 Nonesuch Records Inc.
Released | January 26, 2024 |
Duration | 41m 08s |
Record Label | Nonesuch |
Genre | Classical (Classical Crossover) |
Ronroco (2024 Remaster)
Gustavo Santaolalla
Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Way Up (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
4:01 | |||
1.2
|
Gaucho (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
3:11 | |||
1.3
|
Atacama (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
3:10 | |||
1.4
|
Coyita (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
3:19 | |||
1.5
|
Jardin (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
3:02 | |||
1.6
|
De Ushuaia a La Quiaca (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
2:50 | |||
1.7
|
Zenda (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
3:23 | |||
1.8
|
Lela (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
2:56 | |||
1.9
|
Iguazu (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
4:49 | |||
1.10
|
Pampa (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
4:20 | |||
1.11
|
Del Pago (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
3:02 | |||
1.12
|
La Vuelta (2024 Remaster)
Gustavo Santaolalla; Gustavo Santaolalla |
3:05 |
This is a remastered edition of Grammy and Academy Award winner Gustavo Santaolalla’s beloved and critically acclaimed 1998 album Ronroco. The singer, composer, and producer’s classic album comprises twelve original tunes inspired by traditional Argentinean music and influenced by music of Japan, Africa, and eastern Europe. The record takes its name from the ronroco, a South American stringed instrument. “I’ve been playing this instrument since I was a kid, collecting songs and thoughts about this record for a long time,” Santaolalla said. “The idea was to make a non-traditional album, a sonic landscape.”
Ronroco features Santaolalla on charango, ronroco, Andean pipes, whistles, and guitar, in collaboration with long-time partner Aníbal Kerpel on vibraphone and melodica. Twenty-five years after its original release, Ronroco is a project that Santaolalla holds special affection for:
“This album materialized a different, less known side of me. The challenge was to keep it simple without giving up some rough edges, staying within the boundaries of the subtlety and delicacy that this music needs.”
- Gustavo Santaolalla
48 kHz / 24-bit PCM – Nonesuch Studio Masters
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source; 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source; 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.91 -4.01 to 0.00 | -20.70 -27.92 to -16.41 | -17.43 -23.40 to -13.30 | 12 8 to 17 | |
1 | Way Up (2024 Remaster) | -0.03 | -16.41 | -13.3 | 10 |
2 | Gaucho (2024 Remaster) | -1.41 | -17.81 | -15.0 | 11 |
3 | Atacama (2024 Remaster) | -3.62 | -17.62 | -14.8 | 8 |
4 | Coyita (2024 Remaster) | -2.57 | -18.67 | -15.8 | 11 |
5 | Jardin (2024 Remaster) | -4.01 | -20.99 | -18.0 | 11 |
6 | De Ushuaia a La Quiaca (2024 Remaster) | 0.00 | -18.22 | -15.2 | 11 |
7 | Zenda (2024 Remaster) | -2.03 | -27.92 | -23.4 | 17 |
8 | Lela (2024 Remaster) | -1.77 | -24.52 | -21.0 | 14 |
9 | Iguazu (2024 Remaster) | -2.31 | -19.56 | -17.0 | 10 |
10 | Pampa (2024 Remaster) | -2.81 | -20.75 | -17.7 | 11 |
11 | Del Pago (2024 Remaster) | -1.11 | -23.34 | -19.2 | 15 |
12 | La Vuelta (2024 Remaster) | -1.26 | -22.63 | -18.8 | 14 |