![](http://d24jnm9llkb1ub.cloudfront.net/icpn/4260036258653/4260036258653-cover-zoom.jpg)
℗ 2024 Genuin Classics
Released | January 5, 2024 |
Duration | 1h 02m 12s |
Record Label | Genuin |
Catalogue No. | GEN24865d |
Genre | Classical (Piano) |
Le ciel d'or
Takuhiro Murayama
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
French Suite No. 3 in B Minor, BWV 814
|
|||||
1.1
|
I. Allemande
Johann Sebastian Bach; Takuhiro Murayama |
3:31 | |||
1.2
|
II. Courante
Johann Sebastian Bach; Takuhiro Murayama |
2:05 | |||
1.3
|
III. Sarabande
Johann Sebastian Bach; Takuhiro Murayama |
2:23 | |||
1.4
|
IV. Anglaise
Johann Sebastian Bach; Takuhiro Murayama |
1:35 | |||
1.5
|
V. Menuet - Trio
Johann Sebastian Bach; Takuhiro Murayama |
2:18 | |||
1.6
|
VI. Gigue
Johann Sebastian Bach; Takuhiro Murayama |
2:12 | |||
Images, L. 111
|
|||||
1.7
|
No. 1, Cloches à travers les feuilles
Claude Debussy; Takuhiro Murayama |
4:45 | |||
1.8
|
No. 2, Et la lune descend sur le temple qui fut
Claude Debussy; Takuhiro Murayama |
5:55 | |||
1.9
|
No. 3, Poissons d'or
Claude Debussy; Takuhiro Murayama |
4:33 | |||
Piano Sonata No. 3 in B Minor, Op. 58, B. 155
|
|||||
1.10
|
I. Allegro maestoso
Frédéric Chopin; Takuhiro Murayama |
14:39 | |||
1.11
|
II. Scherzo. Molto vivace
Frédéric Chopin; Takuhiro Murayama |
3:08 | |||
1.12
|
III. Largo
Frédéric Chopin; Takuhiro Murayama |
9:21 | |||
1.13
|
IV. Finale. Presto non tanto
Frédéric Chopin; Takuhiro Murayama |
5:47 |
In Claude Debussy's scores we find goldfish, bells and the depiction of the moon above a sunken temple. All throughout history, composers have poured phenomena of both the external world and basic human experiences into music. Ideally, such essential experiences also give rise to essential music. The internationally successful concert pianist Takuhiro Murayama has brought together some of the most significant pieces by Johann Sebastian Bach, Claude Debussy and Frédéric Chopin on his new GENUIN album. They resonate with us from deep within and reach beyond the world we see. In his colorful, highly differentiated piano tone, Murayama conjures a "Golden Heaven": Le ciel d'or.
96 kHz / 24-bit PCM – Genuin Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.19 -9.67 to -1.24 | -25.51 -33.17 to -20.69 | -22.59 -29.10 to -18.00 | 13 11 to 17 | |
1 | I. Allemande | -7.40 | -25.28 | -22.7 | 11 |
2 | II. Courante | -4.20 | -21.60 | -19.0 | 11 |
3 | III. Sarabande | -9.31 | -28.16 | -25.4 | 11 |
4 | IV. Anglaise | -5.79 | -23.13 | -20.5 | 11 |
5 | V. Menuet - Trio | -5.96 | -24.71 | -22.0 | 12 |
6 | VI. Gigue | -3.72 | -21.86 | -19.1 | 12 |
7 | No. 1, Cloches à travers les feuilles | -4.39 | -27.37 | -24.0 | 14 |
8 | No. 2, Et la lune descend sur le temple qui fut | -9.67 | -33.17 | -29.1 | 14 |
9 | No. 3, Poissons d'or | -1.24 | -22.81 | -19.6 | 13 |
10 | I. Allegro maestoso | -2.64 | -24.88 | -22.2 | 13 |
11 | II. Scherzo. Molto vivace | -5.19 | -26.79 | -23.9 | 14 |
12 | III. Largo | -6.22 | -31.12 | -28.2 | 17 |
13 | IV. Finale. Presto non tanto | -1.75 | -20.69 | -18.0 | 13 |