℗ 2023 Hyperion Records Limited
Released | February 16, 2024 |
Originated | January 6, 2023 |
Duration | 1h 15m 57s |
Record Label | Hyperion |
Genre | Classical |
Reinecke: Piano Concertos Nos, 1, 2 & 4 (Hyperion Romantic Piano Concerto 85)
Sinfonieorchester St. Gallen
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Concerto No. 1 in F-Sharp Minor, Op. 72
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1.1
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I. Allegro
Carl Reinecke; Simon Callaghan |
13:10 | |||
1.2
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II. Adagio ma non troppo
Carl Reinecke; Simon Callaghan |
7:39 | |||
1.3
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III. Allegro con brio
Carl Reinecke; Sinfonieorchester St. Gallen |
9:23 | |||
Piano Concerto No. 2 in E Minor, Op. 120
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1.4
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I. Allegro
Carl Reinecke; Sinfonieorchester St. Gallen |
12:42 | |||
1.5
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II. Andantino quasi allegretto
Carl Reinecke; Sinfonieorchester St. Gallen |
6:15 | |||
1.6
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III. Allegro brillante
Carl Reinecke; Simon Callaghan |
7:30 | |||
Piano Concerto No. 4 in B Minor, Op. 254
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1.7
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I. Allegro
Carl Reinecke; Simon Callaghan |
6:55 | |||
1.8
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II. Adagio ma non troppo
Carl Reinecke; Modestas Pitrėnas |
6:34 | |||
1.9
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III. Allegretto
Carl Reinecke; Sinfonieorchester St. Gallen |
5:49 | |||
Digital Booklet
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"Here we have coruscating performances by Simon Callaghan and the Sinfonieorchester St Gallen of three of Reinecke’s four piano concertos. Written respectively in 1860, 1872 and 1900, they reflect big changes both in their musical hinterland and in his evolving art. The first is imbued with the influence of Mendelssohn in its graceful virtuosity, while the second finds a tone of elegiac grandeur in its Allegro, and a songfulness reminiscent of Tchaikovsky in its Andantino. The first two movements of the third—coming 28 years later—represent the fruits of maturity. With virtuosity now at the service of a noble structure, its opening Allegro has a Brahmsian authority, while its Adagio has a rapt beauty worthy of Chopin. We should now hear this live."
- BBC Music Magazine
A prolific composer, respected and influential in his lifetime—the Romantic Piano Concerto again turns up trumps with three concertos by Carl Reinecke.
96 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.69 -10.75 to -0.28 | -27.50 -32.25 to -24.77 | -24.50 -28.90 to -21.80 | 15 13 to 17 | |
1 | I. Allegro | -2.21 | -26.07 | -22.9 | 16 |
2 | II. Adagio ma non troppo | -10.33 | -31.69 | -28.6 | 13 |
3 | III. Allegro con brio | -1.51 | -24.77 | -21.8 | 15 |
4 | I. Allegro | -0.28 | -26.05 | -23.1 | 17 |
5 | II. Andantino quasi allegretto | -9.76 | -30.63 | -27.7 | 13 |
6 | III. Allegro brillante | -2.13 | -26.03 | -23.2 | 15 |
7 | I. Allegro | -3.39 | -25.22 | -22.5 | 14 |
8 | II. Adagio ma non troppo | -10.75 | -32.25 | -28.9 | 13 |
9 | III. Allegretto | -1.82 | -24.82 | -21.8 | 15 |