℗ 2017 Hyperion Records Limited
| Released | February 16, 2024 |
| Originated | March 3, 2017 |
| Duration | 1h 05m 36s |
| Record Label | Hyperion |
| Genre | Classical |
Bartók: Sonata for 2 Pianos and Percussion & Other Piano Music
Cédric Tiberghien
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Sonata, Sz. 80
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1.1
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I. Allegro moderato
Béla Bartók; Cédric Tiberghien |
4:53 | |||
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1.2
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II. Sostenuto e pesante
Béla Bartók; Cédric Tiberghien |
5:30 | |||
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1.3
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III. Allegro molto
Béla Bartók; Cédric Tiberghien |
3:49 | |||
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3 Hungarian Folksongs from the Csìk, Sz. 35a
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1.4
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I. Rubato
Béla Bartók; Cédric Tiberghien |
1:42 | |||
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1.5
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II. L’istesso tempo
Béla Bartók; Cédric Tiberghien |
1:14 | |||
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1.6
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III. Poco vivo
Béla Bartók; Cédric Tiberghien |
0:51 | |||
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Sonatina, Sz. 55
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1.7
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I. Bagpipes. Allegretto
Béla Bartók; Cédric Tiberghien |
1:37 | |||
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1.8
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II. Bear Dance. Moderato
Béla Bartók; Cédric Tiberghien |
0:42 | |||
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1.9
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III. Finale. Allegro vivace
Béla Bartók; Cédric Tiberghien |
2:05 | |||
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3 Rondos on Slovak Folk Tunes, Sz. 84
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1.10
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I. Andante – Allegro molto
Béla Bartók; Cédric Tiberghien |
3:03 | |||
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1.11
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II. Vivacissimo
Béla Bartók; Cédric Tiberghien |
2:55 | |||
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1.12
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III. Allegro molto
Béla Bartók; Cédric Tiberghien |
3:11 | |||
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3 Etudes, Sz. 72
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1.13
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I. Allegro molto
Béla Bartók; Cédric Tiberghien |
2:29 | |||
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1.14
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II. Andante sostenuto – Più mosso
Béla Bartók; Cédric Tiberghien |
3:41 | |||
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1.15
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III. Rubato – Molto sostenuto – Tempo giusto – Rubato
Béla Bartók; Cédric Tiberghien |
2:30 | |||
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Sonata for 2 Pianos and Percussion, Sz. 110
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1.16
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I. Assai lento – Allegro molto
Béla Bartók; Cédric Tiberghien |
12:32 | |||
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1.17
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II. Lento, ma non troppo
Béla Bartók; Cédric Tiberghien |
6:23 | |||
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1.18
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III. Allegro non troppo
Béla Bartók; Cédric Tiberghien |
6:29 | |||
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Digital Booklet
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"An admirable performance of the Sonata for two pianos and percussion, where Tiberghien is both goaded and kept in check by fellow pianist François-Frédéric Guy, with sensitive support from the percussionists Colin Currie and Sam Walton. Superb sound sees to it that every kicking syncopation and drum tap is clearly focused."
- Gramophone
A welcome return to the piano music of Béla Bartók and a programme which includes the popular Sonatina, the aggressively experimental Op 18 Études and the Piano Sonata of 1926, the composer’s ‘year of the piano’. Cédric Tiberghien is then joined by François-Frédéric Guy, Colin Currie and Sam Walton for the Sonata for two pianos and percussion—a high-spirited conclusion to this successful mini series.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.78 -13.00 to -0.51 | -27.39 -34.48 to -22.93 | -23.16 -29.50 to -19.60 | 14 11 to 19 | |
| 1 | I. Allegro moderato | -1.03 | -24.47 | -21.2 | 15 |
| 2 | II. Sostenuto e pesante | -1.64 | -31.05 | -25.7 | 17 |
| 3 | III. Allegro molto | -2.56 | -23.63 | -20.4 | 13 |
| 4 | I. Rubato | -7.34 | -32.73 | -27.3 | 15 |
| 5 | II. L’istesso tempo | -9.71 | -34.48 | -29.5 | 15 |
| 6 | III. Poco vivo | -5.44 | -24.52 | -20.5 | 11 |
| 7 | I. Bagpipes. Allegretto | -5.22 | -25.57 | -22.0 | 13 |
| 8 | II. Bear Dance. Moderato | -13.00 | -31.51 | -28.5 | 12 |
| 9 | III. Finale. Allegro vivace | -4.77 | -26.47 | -22.3 | 13 |
| 10 | I. Andante – Allegro molto | -4.32 | -27.35 | -22.1 | 14 |
| 11 | II. Vivacissimo | -0.90 | -25.78 | -21.5 | 15 |
| 12 | III. Allegro molto | -2.49 | -27.21 | -22.1 | 14 |
| 13 | I. Allegro molto | -2.25 | -22.93 | -19.6 | 12 |
| 14 | II. Andante sostenuto – Più mosso | -3.59 | -26.56 | -23.3 | 14 |
| 15 | III. Rubato – Molto sostenuto – Tempo giusto – Rubato | -1.80 | -24.75 | -20.3 | 14 |
| 16 | I. Assai lento – Allegro molto | -0.51 | -25.50 | -21.2 | 17 |
| 17 | II. Lento, ma non troppo | -1.03 | -32.65 | -26.8 | 19 |
| 18 | III. Allegro non troppo | -0.51 | -25.92 | -22.6 | 16 |