℗ 2024 Crawlers, under exclusive licence to Universal Music Operations Limited
| Released | February 16, 2024 |
| Duration | 48m 25s |
| Record Label | Polydor Records |
| Genre | Alternative |
The Mess We Seem To Make [Edited / Clean]
Crawlers
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Meaningless Sex EXPLICIT
Crawlers |
3:45 | |||
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1.2
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Kiss Me EXPLICIT
Crawlers |
3:34 | |||
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1.3
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Hit It Again EXPLICIT
Crawlers |
3:56 | |||
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1.4
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Better If I Just Pretend EXPLICIT
Crawlers |
2:58 | |||
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1.5
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Would You Come To My Funeral
Crawlers |
4:51 | |||
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1.6
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Golden Bridge
Crawlers |
4:36 | |||
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1.7
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Come Over (Again) EXPLICIT
Crawlers |
4:12 | |||
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1.8
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Kills Me To Be Kind EXPLICIT
Crawlers |
4:41 | |||
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1.9
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What I Know Is What I Love EXPLICIT
Crawlers |
4:05 | |||
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1.10
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I End Up Alone
Crawlers |
3:47 | |||
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1.11
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Call It Love
Crawlers |
4:00 | |||
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1.12
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Nighttime Affair EXPLICIT
Crawlers |
4:00 |
Crawlers have released their eagerly awaited debut album, The Mess We Seem To Make. Speaking about the album, singer Holly Minto said, “This album debut comes from us honing our craft, being vulnerable with each other, finding our sound and saying exactly what we wanted to. I think that’s a lot of what the Crawlers sound is, being honest with each other about how to get the correct emotions out—trying, failing, and pushing each other to keep playing and writing to the limits.”
True to their word, The Mess You Seem To Make takes on a whole range of challenging topics: trauma, sexual politics, mental health, and the general goings on in a young person’s life. Across the record, feelings of loneliness, insecurity, and toxic forms of dependence are held up to the light and examined in close context.
It digs deeper into what fans already know and love about Crawlers’ eclectic alt-rock sound and builds on the relationship of trust they have with producer Pete Robertson and engineer Tom Roach at Liverpool’s Coastal Studios, crafting anthemic rock songs where each member’s playing personality can truly thrive.
Rather than forcing themselves in any one sonic direction, they maintained the free-wheeling spirit of 2022’s mixtape Loud Without Noise, producing a striking debut which cements their status as the UK’s next big crossover alternative act.
96 kHz / 24-bit PCM – Polydor Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.21 -0.21 to -0.21 | -11.72 -14.04 to -10.07 | -9.21 -11.20 to -8.00 | 6 5 to 7 | |
| 1 | Meaningless Sex | -0.21 | -11.94 | -9.7 | 6 |
| 2 | Kiss Me | -0.21 | -10.77 | -8.3 | 6 |
| 3 | Hit It Again | -0.21 | -11.69 | -9.3 | 7 |
| 4 | Better If I Just Pretend | -0.21 | -11.73 | -8.9 | 6 |
| 5 | Would You Come To My Funeral | -0.21 | -12.46 | -9.7 | 7 |
| 6 | Golden Bridge | -0.21 | -14.00 | -11.2 | 7 |
| 7 | Come Over (Again) | -0.21 | -10.92 | -8.0 | 6 |
| 8 | Kills Me To Be Kind | -0.21 | -10.92 | -8.5 | 6 |
| 9 | What I Know Is What I Love | -0.21 | -10.59 | -8.3 | 5 |
| 10 | I End Up Alone | -0.21 | -10.07 | -8.0 | 6 |
| 11 | Call It Love | -0.21 | -11.55 | -9.7 | 7 |
| 12 | Nighttime Affair | -0.21 | -14.04 | -10.9 | 7 |