℗ 2023 TACET
| Released | February 15, 2023 |
| Duration | 2h 07m 04s |
| Record Label | TACET Musikproduktion |
| Catalogue No. | TACET255DIG |
| Genre | Classical (Orchestral) |
Bruckner: Symphony No. 7 in E Major, WAB 107 (1885 Version / Ed. L. Nowak)
Concerto Budapest, András Keller
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 7 in E Major, WAB 107 (1885 Version / Ed. L. Nowak)
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1.1
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I. Allegro moderato
Anton Bruckner; Concerto Budapest; András Keller |
20:33 | |||
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1.2
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II. Adagio. Sehr feierlich und sehr langsam
Anton Bruckner; Concerto Budapest; András Keller |
21:21 | |||
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1.3
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III. Scherzo. Sehr schnell
Anton Bruckner; Concerto Budapest; András Keller |
9:17 | |||
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1.4
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IV. Finale. Bewegt, doch nich schnell
Anton Bruckner; Concerto Budapest; András Keller |
12:10 | |||
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2.1
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I. Allegro moderato
Anton Bruckner; Concerto Budapest; András Keller |
20:43 | |||
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2.2
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II. Adagio. Sehr feierlich und sehr langsam
Anton Bruckner; Concerto Budapest; András Keller |
21:21 | |||
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2.3
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III. Scherzo. Sehr schnell
Anton Bruckner; Concerto Budapest; András Keller |
9:15 | |||
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2.4
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IV. Finale. Bewegt, doch nich schnell
Anton Bruckner; Concerto Budapest; András Keller |
12:24 | |||
Anton Bruckner would have been 200 years old in 2024. Instead of using flowery but ultimately helpless advertising slogans to promote the 100th release for the Bruckner Year, we are trying to encourage people to think about production processes in classical music with a special release. What is a recording actually about?
Anton Bruckner's 7th Symphony twice in full length, each time on one volume. A live recording (uncut) and a studio production (cut) under identical conditions. Compare them! And don't allow your judgement to be swayed by different recording circumstances!
This comparison would not have been possible without András Keller and Concerto Budapest. András Keller follows an unbroken European tradition that stretches way back into the last century, perhaps even as far back as Anton Bruckner himself. And the monumental arches and climaxes in Anton Bruckner's music are perfect for every listener to ask themselves: What do I want from a recording? What moves me more, live or produced, cut or uncut?
96 kHz / 24-bit PCM – TACET Musikproduktion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.05 -1.73 to -0.19 | -25.75 -27.12 to -23.99 | -19.83 -21.40 to -17.30 | 14 13 to 16 | |
| 1.1 | I. Allegro moderato | -1.73 | -26.69 | -20.8 | 14 |
| 1.2 | II. Adagio. Sehr feierlich und sehr langsam | -0.19 | -27.11 | -21.4 | 16 |
| 1.3 | III. Scherzo. Sehr schnell | -0.52 | -24.80 | -19.4 | 14 |
| 1.4 | IV. Finale. Bewegt, doch nich schnell | -1.19 | -24.04 | -17.4 | 13 |
| 2.1 | I. Allegro moderato | -1.73 | -26.70 | -20.8 | 15 |
| 2.2 | II. Adagio. Sehr feierlich und sehr langsam | -0.19 | -27.12 | -21.4 | 16 |
| 2.3 | III. Scherzo. Sehr schnell | -1.65 | -25.52 | -20.1 | 14 |
| 2.4 | IV. Finale. Bewegt, doch nich schnell | -1.19 | -23.99 | -17.3 | 13 |