℗ 2024 Relative Pitch Records
| Released | May 3, 2024 |
| Duration | 38m 59s |
| Record Label | Relative Pitch Records |
| Genre | Jazz (Free Jazz) |
Mature Defense Mechanism
Kirsten Carey, Aaron Edgcomb
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Taste of Foreboding
Kirsten Carey; Aaron Edgcomb |
3:18 | |||
|
1.2
|
Laces Out, Lacan!
Kirsten Carey; Aaron Edgcomb |
2:27 | |||
|
1.3
|
Brian Wilson's Bad Day
Kirsten Carey; Aaron Edgcomb |
7:12 | |||
|
1.4
|
Pandemic on a Pogo
Kirsten Carey; Aaron Edgcomb |
4:01 | |||
|
1.5
|
wee-daisy
Kirsten Carey; Aaron Edgcomb |
2:45 | |||
|
1.6
|
Oh No Bakemono! (A Stalinist Is Laughing At Me)
Kirsten Carey; Aaron Edgcomb |
3:40 | |||
|
1.7
|
cran-cherry
Kirsten Carey; Aaron Edgcomb |
4:03 | |||
|
1.8
|
Little Robot's Big Speech
Kirsten Carey; Aaron Edgcomb |
1:05 | |||
|
1.9
|
Mr. T's Transcendental Meditation Class
Kirsten Carey; Aaron Edgcomb |
5:26 | |||
|
1.10
|
Sad Atlantis
Kirsten Carey; Aaron Edgcomb |
2:54 | |||
|
1.11
|
See Ya!
Kirsten Carey; Aaron Edgcomb |
2:08 |
44.1 kHz / 24-bit PCM – Relative Pitch Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.78 -8.01 to -1.59 | -22.28 -29.38 to -18.84 | -17.82 -24.10 to -14.10 | 13 11 to 16 | |
| 1 | Taste of Foreboding | -2.31 | -19.81 | -14.8 | 13 |
| 2 | Laces Out, Lacan! | -1.83 | -22.30 | -18.9 | 13 |
| 3 | Brian Wilson's Bad Day | -2.07 | -21.67 | -17.7 | 14 |
| 4 | Pandemic on a Pogo | -2.23 | -21.91 | -17.1 | 12 |
| 5 | wee-daisy | -3.10 | -25.49 | -22.0 | 16 |
| 6 | Oh No Bakemono! (A Stalinist Is Laughing At Me) | -2.28 | -18.84 | -14.1 | 11 |
| 7 | cran-cherry | -2.43 | -21.17 | -16.9 | 12 |
| 8 | Little Robot's Big Speech | -8.01 | -29.38 | -24.1 | 14 |
| 9 | Mr. T's Transcendental Meditation Class | -1.80 | -20.71 | -15.3 | 13 |
| 10 | Sad Atlantis | -2.90 | -24.21 | -20.4 | 13 |
| 11 | See Ya! | -1.59 | -19.58 | -14.7 | 12 |